African Renaissance: Old Forms, New Images in Yoruba Art, Okediji, Moyosore B, V

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Condition:
Very Good
Paperback. Top right corner of front cover is creased. Otherwise, clean and solid.
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eBay item number:336140814181
Last updated on Oct 27, 2025 05:48:28 SGTView all revisionsView all revisions

Item specifics

Condition
Very Good
A book that has been read but is in excellent condition. No obvious damage to the cover, with the dust jacket included for hard covers. No missing or damaged pages, no creases or tears, and no underlining/highlighting of text or writing in the margins. May be very minimal identifying marks on the inside cover. Very minimal wear and tear. See all condition definitionsopens in a new window or tab
Seller Notes
“Paperback. Top right corner of front cover is creased. Otherwise, clean and solid.”
ISBN
9780870816819
Category

About this product

Product Identifiers

Publisher
University Press of Colorado
ISBN-10
0870816810
ISBN-13
9780870816819
eBay Product ID (ePID)
2213480

Product Key Features

Book Title
African Renaissance : New Forms, Old Images in Yoruba Art
Number of Pages
202 Pages
Language
English
Publication Year
2002
Topic
African
Illustrator
Yes
Genre
Art
Author
Moyo Okediji
Format
Trade Paperback

Dimensions

Item Weight
22.4 Oz
Item Length
11 in
Item Width
8.5 in

Additional Product Features

Intended Audience
Trade
LCCN
2002-003448
Dewey Edition
21
Dewey Decimal
704.03/96333
Synopsis
This book describes, analyses, and interprets the historical and cultural contexts of an African art renaissance using the twentieth-and twenty-first century transformation of ancient Yoruba artistic heritage. Juxtaposing ancient and contemporary Yoruba art, Okediji defines this art history through the lens of colonialism, an experience that served to both destroy ancient art traditions and revive Yoruba art in the twentieth century. With vivid reproductions of paintings, prints, and drawings, Okediji describes how Yoruba art has replenished and redefined itself. Okediji groups the text into several broadly overlapping periods that intricately detail the journey of Yoruba art and artists: first through oppression by European colonialism, then the attainment of Nigeria's independence and the new nation's subsequent military coup, and ending with present-day native Yoruban artists fleeing their homeland. Based upon extensive interviews with the artists and critical readings of the existing literature on contemporary Yoruba art, the book will appeal to the art historian and art collector and serve as a wonderful introduction to the canon of Yoruba art for the general reader.
LC Classification Number
N7399.N5O38 2002

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