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German Culture through Film: An Introduction to German Cinema by Reimer, Robert
US $27.77
ApproximatelyS$ 35.64
Condition:
Good
A book that has been read but is in good condition. Very minimal damage to the cover including scuff marks, but no holes or tears. The dust jacket for hard covers may not be included. Binding has minimal wear. The majority of pages are undamaged with minimal creasing or tearing, minimal pencil underlining of text, no highlighting of text, no writing in margins. No missing pages.
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Item specifics
- Condition
- Book Title
- German Culture through Film: An Introduction to German Cinema
- ISBN
- 9781585108565
About this product
Product Identifiers
Publisher
Hackett Publishing Company, Incorporated
ISBN-10
1585108561
ISBN-13
9781585108565
eBay Product ID (ePID)
239984873
Product Key Features
Number of Pages
376 Pages
Publication Name
German Culture Through Film : an Introduction to German Cinema
Language
English
Publication Year
2017
Subject
Film / General, Europe / Germany, Film / History & Criticism
Type
Textbook
Subject Area
Performing Arts, History
Format
Trade Paperback
Dimensions
Item Height
0.7 in
Item Weight
23.6 Oz
Item Length
10 in
Item Width
7 in
Additional Product Features
Edition Number
2
Intended Audience
College Audience
LCCN
2017-003853
Dewey Edition
23
Illustrated
Yes
Dewey Decimal
791.430943
Table Of Content
Chapter I. Weimar Film 1919-1933 Introduction Das Cabinet des Dr. Caligari (Robert Wiene, 1920) Nosferatu (F. W. Murnau, 1922) Metropolis (Fritz Lang, 1927) Berlin: die Sinfonie der Großstadt (Walter Ruttmann, 1927) Chapter II. Weimar Sound Film 1929-1933 Introduction Der blaue Engel (Josef von Sternberg, 1930) M (Fritz Lang, 1931) Chapter III. Nazi Film 1933-1945 Introduction Triumph des Willens (Leni Riefenstahl, 1935) Olympia (Leni Riefenstahl, 1938) Münchhausen (Josef von Báky, 1943) Chapter IV. Postwar Film 1945-1949 Introduction Die Mörder sind unter uns (Wolfgang Staudte, 1946) Chapter V. East German Film 1949-1989 Introduction Berlin: Ecke Schönhauser (Gerhard Klein, 1957) Die Legende von Paul und Paula (Heiner Carow, 1973) Chapter VI. West German Film 1950-1989 Introduction Die Brücke (Bernhard Wicki, 1959) Aguirre: Der Zorn Gottes (Werner Herzog, 1972) Angst essen Seele auf (Rainer Werner Fassbinder, 1974) Die Ehe der Maria Braun (Rainer Werner Fassbinder, 1979) Deutschland bleiche Mutter (Helma Sanders-Brahms, 1980) Die Blechtrommel (Volker Schlöndorff, 1979) Die bleierne Zeit (Margarethe von Trotta, 1981) Das Boot (Wolfgang Petersen, 1981) Der Himmel über Berlin (Wim Wenders, 1987) Chapter VII. German Film after 1989 Introduction Stilles Land (Andreas Dresen, 1992) Lola rennt (Tom Tykwer, 1998) Nirgendwo in Afrika (Caroline Link, 2001) Good Bye Lenin! (Wolfgang Becker, 2003) Der Untergang (Oliver Hirschbiegel, 2004) Sophie Scholl: Die letzten Tage (Marc Rothemund, 2005) Das Leben der Anderen (Florian Henckel von Donnersmarck, 2006) Auf der anderen Seite (Fatih Akin, 2007) Die Fälscher (Stefan Ruzowitzky, 2007) Der Baader Meinhof Komplex (Bernd Eichinger, 2008) Barbara (Christian Petzold, 2012) Oh Boy (Jan Ole Gerster, 2012)
Synopsis
In its second edition, German Culture through Film expands on the first edition, providing additional chapters with context for understanding the era in which the featured films were produced. Thirty-three notable German films are arranged in seven chronological chapters, spanning key moments in German film history, from the silent era to the present. Each chapter begins with an introduction that focuses on the history and culture surrounding films of the relevant period. Sections within chapters are each devoted to one particular film, providing film credits, a summary of the story, background information, an evaluation, questions and activities to encourage diverse interpretations, a list of related films, and bibliographical information on the films discussed., German Culture through Film: An Introduction to German Cinema is an English-language text that serves equally well in courses on modern German film, in courses on general film studies, in courses that incorporate film as a way to study culture, and as an engaging resource for scholars, students, and devotees of cinema and film history. In its second edition, German Culture through Film expands on the first edition, providing additional chapters with context for understanding the era in which the featured films were produced. Thirty-three notable German films are arranged in seven chronological chapters, spanning key moments in German film history, from the silent era to the present. Each chapter begins with an introduction that focuses on the history and culture surrounding films of the relevant period. Sections within chapters are each devoted to one particular film, providing film credits, a summary of the story, background information, an evaluation, questions and activities to encourage diverse interpretations, a list of related films, and bibliographical information on the films discussed.
LC Classification Number
PN1993.5.G3R415 2017
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