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Dante Inferno (Paperback) Divine Comedy
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eBay item number:335182024005
Item specifics
- Condition
- Brand New: A new, unread, unused book in perfect condition with no missing or damaged pages. See all condition definitionsopens in a new window or tab
- Book Title
- Inferno
- Publication Name
- Inferno
- Title
- Inferno
- Illustrator
- Gustave Dore
- Translator
- Anthony Esolen
- Contributor
- Gustave Dore (Illustrated by)
- Format
- Trade Paperback
- ISBN-10
- 0812970063
- EAN
- 9780812970067
- ISBN
- 9780812970067
- Publisher
- Random House Publishing Group
- Genre
- Poetry
- Release Year
- 2003
- Release Date
- 09/12/2003
- Language
- English
- Country/Region of Manufacture
- US
- Item Height
- 1.1in
- Item Length
- 8in
- Item Width
- 5.2in
- Item Weight
- 13.8 Oz
- Series
- Divine Comedy
- Publication Year
- 2003
- Topic
- Epic, Subjects & Themes / Inspirational & Religious, General, Ancient & Classical
- Number of Pages
- 528 Pages
About this product
Product Information
Translated by Anthony Esolen Illustrations by Gustave Dor A groundbreaking bilingual edition of Dante's masterpiece that includes a substantive Introduction, extensive notes, and appendixes that reproduce Dante's key sources and influences.
Product Identifiers
Publisher
Random House Publishing Group
ISBN-10
0812970063
ISBN-13
9780812970067
eBay Product ID (ePID)
2383233
Product Key Features
Book Title
Inferno
Format
Trade Paperback
Language
English
Topic
Epic, Subjects & Themes / Inspirational & Religious, General, Ancient & Classical
Publication Year
2003
Genre
Poetry
Number of Pages
528 Pages
Dimensions
Item Length
8in
Item Height
1.1in
Item Width
5.2in
Item Weight
13.8 Oz
Additional Product Features
Series Volume Number
1
Lc Classification Number
Pq4315.2.E76 2002
Reviews
"Professor Esolen's translation of Dante's Inferno is the best one I have seen. . . . And his endnotes and other additions provoke answers to almost any question that could arise about the work." -A. Kent Hieatt, translator of The Canterbury Tales "Crisp and clear, Esolen's version avoids two modern temptations: a slavish literalness to the Italian or a taking of liberties in the attempt to make this greatest of medieval poems esthetically modern. . . . In addition to his scholarly tact, Esolen is simply one of the most vigorous English translators of Dante ever."- Crisis magazine "Esolen's new translation follows Dante through all his spectacular range, commanding where he is commanding, wrestling, as he does, with the density and darkness in language and in the soul. This Inferno gives us Dante's vivid drama and his verbal inventiveness. It is living writing." -James Richardson, professor of creative writing in the Lewis Center for the Arts, Princeton University "Opening the book we stand face to face with the poet, and when his voice ceases we may marvel if he has not sung to us in his own Tuscan."-William Dean Howells, The Nation From the Trade Paperback edition., "Professor Esolen's translation of Dante's Inferno is the best one I have seen. . . . And his endnotes and other additions provoke answers to almost any question that could arise about the work." --A. Kent Hieatt, translator of The Canterbury Tales "Crisp and clear, Esolen's version avoids two modern temptations: a slavish literalness to the Italian or a taking of liberties in the attempt to make this greatest of medieval poems esthetically modern. . . . In addition to his scholarly tact, Esolen is simply one of the most vigorous English translators of Dante ever."-- Crisis magazine "Esolen's new translation follows Dante through all his spectacular range, commanding where he is commanding, wrestling, as he does, with the density and darkness in language and in the soul. This Inferno gives us Dante's vivid drama and his verbal inventiveness. It is living writing." --James Richardson, professor of creative writing in the Lewis Center for the Arts, Princeton University "Opening the book we stand face to face with the poet, and when his voice ceases we may marvel if he has not sung to us in his own Tuscan."--William Dean Howells, The Nation, "Opening the book we stand face to face with the poet, and when his voice ceases we may marvel if he has not sung to us in his own Tuscan." -William Dean Howells, The Nation "Professor Esolen's translation of Dante's Inferno is the best one I have seen. . . . And his endnotes and other additions provoke answers to almost any question that could arise about the work." -A. Kent Hieatt, translator of The Canterbury Tales "Crisp and clear, Esolen's version avoids two modern temptations: a slavish literalness to the Italian or a taking of liberties in the attempt to make this greatest of medieval poems esthetically modern. . . . In addition to his scholarly tact, Esolen is simply one of the most vigorous English translators of Dante ever." -Crisis magazine "Anthony Esolen's new translation follows Dante through all his spectacular range, commanding where he is commanding, wrestling, as he does, with the density and darkness in language and in the soul. This Inferno gives us Dante's vivid drama and his verbal inventiveness. It is living writing." -James Richardson, Princeton University, "Professor Esolen's translation of Dante's Inferno is the best one I have seen. . . . And his endnotes and other additions provoke answers to almost any question that could arise about the work." -A. Kent Hieatt, translator of The Canterbury Tales "Crisp and clear, Esolen's version avoids two modern temptations: a slavish literalness to the Italian or a taking of liberties in the attempt to make this greatest of medieval poems esthetically modern. . . . In addition to his scholarly tact, Esolen is simply one of the most vigorous English translators of Dante ever."- Crisis magazine "Esolen's new translation follows Dante through all his spectacular range, commanding where he is commanding, wrestling, as he does, with the density and darkness in language and in the soul. This Inferno gives us Dante's vivid drama and his verbal inventiveness. It is living writing." -James Richardson, professor of creative writing in the Lewis Center for the Arts, Princeton University "Opening the book we stand face to face with the poet, and when his voice ceases we may marvel if he has not sung to us in his own Tuscan."-William Dean Howells, The Nation, "Opening the book we stand face to face with the poet, and when his voice ceases we may marvel if he has not sung to us in his own Tuscan." -William Dean Howells, The Nation "Professor Esolen's translation of Dante's Inferno is the best one I have seen. . . . And his endnotes and other additions provoke answers to almost any question that could arise about the work." -A. Kent Hieatt, translator of The Canterbury Tales "Crisp and clear, Esolen's version avoids two modern temptations: a slavish literalness to the Italian or a taking of liberties in the attempt to make this greatest of medieval poems esthetically modern. . . . In addition to his scholarly tact, Esolen is simply one of the most vigorous English translators of Dante ever." -Crisis magazine "Anthony Esolen's new translation follows Dante through all his spectacular range, commanding where he is commanding, wrestling, as he does, with the density and darkness in language and in the soul. This Inferno gives us Dante's vivid drama and his verbal inventiveness. It is living writing." -James Richardson, Princeton University From the Trade Paperback edition.
Illustrated by
Dore, Gustave
Copyright Date
2003
Lccn
2002-029511
Intended Audience
Trade
Series
The Divine Comedy Ser.
Illustrated
Yes
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eBay item number:335182024005
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As described with fast and reasonable shipping cost to Canada. And a great CD!
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