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Television after TV : Essays on a Medium in Transition, Lynn Spigel, Jan Olsson
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A book in excellent condition. Cover is shiny and undamaged, and the dust jacket is included for hard covers. No missing or damaged pages, no creases or tears, and no underlining/highlighting of text or writing in the margins. May be very minimal identifying marks on the inside cover. Very minimal wear and tear.
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eBay item number:332374570092
Item specifics
- Condition
- ISBN
- 9780822333937
About this product
Product Identifiers
Publisher
Duke University Press
ISBN-10
0822333937
ISBN-13
9780822333937
eBay Product ID (ePID)
30526090
Product Key Features
Book Title
Television after TV : Essays on a Medium in Transition
Number of Pages
480 Pages
Language
English
Publication Year
2004
Topic
Media Studies, Television / General, Television & Video
Illustrator
Yes
Genre
Performing Arts, Technology & Engineering, Social Science
Book Series
Console-Ing Passions Ser.
Format
Trade Paperback
Dimensions
Item Height
1.2 in
Item Weight
24.1 Oz
Item Length
9.2 in
Item Width
6.6 in
Additional Product Features
Intended Audience
Trade
LCCN
2004-006835
Reviews
"A terrific collection of essays by the top scholars in the field, Television after TV revitalizes television studies by exploring the interplay between television and new media and between corporate consolidation and new forms of programming. Not willing to rest on old paradigms or theories, the authors propose new analytical frameworks for making sense of television in the age of the Internet and beyond."--Susan J. Douglas, Catherine Neafie Kellogg Professor of Communication Studies at the University of Michigan and coauthor of The Mommy Myth "Lynn Spigel and Jan Olsson have assembled a stellar lineup of television scholars whose unique and differentiated approaches to television studies' future also provide a fascinating overview of where we are and how we got here. These essays will set the terms for how we look at television in the twenty-first century."--Michele Hilmes, editor of The Television History Book, "A terrific collection of essays by the top scholars in the field, Television after TV revitalizes television studies by exploring the interplay between television and new media and between corporate consolidation and new forms of programming. Not willing to rest on old paradigms or theories, the authors propose new analytical frameworks for making sense of television in the age of the Internet and beyond."--Susan J. Douglas, Catherine Neafie Kellogg Professor of Communication Studies at the University of Michigan and coauthor of The Mommy Myth, “A terrific collection of essays by the top scholars in the field, Television after TV revitalizes television studies by exploring the interplay between television and new media and between corporate consolidation and new forms of programming. Not willing to rest on old paradigms or theories, the authors propose new analytical frameworks for making sense of television in the age of the Internet and beyond.�-Susan J. Douglas, Catherine Neafie Kellogg Professor of Communication Studies at the University of Michigan and coauthor of The Mommy Myth, "A terrific collection of essays by the top scholars in the field, Television after TV revitalizes television studies by exploring the interplay between television and new media and between corporate consolidation and new forms of programming. Not willing to rest on old paradigms or theories, the authors propose new analytical frameworks for making sense of television in the age of the Internet and beyond."-Susan J. Douglas, Catherine Neafie Kellogg Professor of Communication Studies at the University of Michigan and coauthor of The Mommy Myth "Lynn Spigel and Jan Olsson have assembled a stellar lineup of television scholars whose unique and differentiated approaches to television studies' future also provide a fascinating overview of where we are and how we got here. These essays will set the terms for how we look at television in the twenty-first century."-Michele Hilmes, editor of The Television History Book "The editors of this volume have assembled an impressive array of some of the key names in academic television studies with the aim of examining and interrogating the past, present, and future of television . . . this collection is broad-ranging and thought-provoking and offers much of value to students and scholars of television."--Jrnl of American Studies, August 2006, “Lynn Spigel and Jan Olsson have assembled a stellar lineup of television scholars whose unique and differentiated approaches to television studies’ future also provide a fascinating overview of where we are and how we got here. These essays will set the terms for how we look at television in the twenty-first century.�-Michele Hilmes, editor of The Television History Book, "A terrific collection of essays by the top scholars in the field, Television after TV revitalizes television studies by exploring the interplay between television and new media and between corporate consolidation and new forms of programming. Not willing to rest on old paradigms or theories, the authors propose new analytical frameworks for making sense of television in the age of the Internet and beyond."-Susan J. Douglas, Catherine Neafie Kellogg Professor of Communication Studies at the University of Michigan and coauthor of The Mommy Myth, "Lynn Spigel and Jan Olsson have assembled a stellar lineup of television scholars whose unique and differentiated approaches to television studies' future also provide a fascinating overview of where we are and how we got here. These essays will set the terms for how we look at television in the twenty-first century."-Michele Hilmes, editor of The Television History Book, "A terrific collection of essays by the top scholars in the field, Television after TV revitalizes television studies by exploring the interplay between television and new media and between corporate consolidation and new forms of programming. Not willing to rest on old paradigms or theories, the authors propose new analytical frameworks for making sense of television in the age of the Internet and beyond."--Susan J. Douglas, Catherine Neafie Kellogg Professor of Communication Studies at the University of Michigan and coauthor of The Mommy Myth "Lynn Spigel and Jan Olsson have assembled a stellar lineup of television scholars whose unique and differentiated approaches to television studies' future also provide a fascinating overview of where we are and how we got here. These essays will set the terms for how we look at television in the twenty-first century."--Michele Hilmes, editor of The Television History Book "The editors of this volume have assembled an impressive array of some of the key names in academic television studies with the aim of examining and interrogating the past, present, and future of television . . . this collection is broad-ranging and thought-provoking and offers much of value to students and scholars of television."--Jrnl of American Studies, August 2006, "Lynn Spigel and Jan Olsson have assembled a stellar lineup of television scholars whose unique and differentiated approaches to television studies' future also provide a fascinating overview of where we are and how we got here. These essays will set the terms for how we look at television in the twenty-first century."--Michele Hilmes, editor of The Television History Book
Dewey Edition
22
Dewey Decimal
302.23/45
Table Of Content
Introduction / Lynn Spigel 1 I. Industry, Programs, and Production Contexts Convergence Television: Aggregating From and Repurposing Content in the Culture of Conglomeration / John Caldwell 41 Life-styling Britain: The 8-9 Slot on British Television / Charlotte Brundson 75 What If?: Charting Television's New Textual Boundaries / Jeffery Sconce 93 Interactive Television and Advertising Form in Contemporary U.S. Television / William Brody 113 Flexible Microcasting: Gender, Generation, and Television-Internet Convergence / Lisa Parks 133 II. Technology, Society, and Cultural Form Television's Next Generation: Technology/Interface Culture/Flow / William Uricchio 163 The Rhythms of the Reception Area: Crisis, Capitalism, and the Waiting Room TV / Anna McCarthy 183 Broadcast Television: The Chances of Its Survival in a Digital Age / Jostein Gripsrud 210 Double Click: The Million Woman March on Television and the Internet / Anna Everett 224 III. Electronic Nations, Then and Now One Commercial Week: Television in Sweden Prior to Public Service / Jan Olsson 249 Media Capitals: Cultural Geographies of Global TV / Michael Curtin 270 At Home with Television / David Morley 303 Pocho.com: Reimaging Television on the Internet / Priscilla Peña Ovalle 324 IV. Television Teachers Television, the Housewife, and the Museum of Modern Art / Lynn Spigel 349 From Republic of Letters to Television Republic? Citizen Readers in the Era of Broadcast Television / John Hartley 386 Cultural Studies, Television Studies, and the Crisis in the Humanities / Julie D'Acci 418 Contributors 447 Index 451
Synopsis
In the last ten years, television has reinvented itself in numerous ways. The demise of the U.S. three-network system, the rise of multi-channel cable and global satellite delivery, changes in regulation policies and ownership rules, technological innovations in screen design, and the development of digital systems like TiVo have combined to transform the practice we call watching tv. If tv refers to the technologies, program forms, government policies, and practices of looking associated with the medium in its classic public service and three-network age, it appears that we are now entering a new phase of television. Exploring these changes, the essays in this collection consider the future of television in the United States and Europe and the scholarship and activism focused on it. With historical, critical, and speculative essays by some of the leading television and media scholars, Television after TV examines both commercial and public service traditions and evaluates their dual (and some say merging) fates in our global, digital culture of convergence. The essays explore a broad range of topics, including contemporary programming and advertising strategies, the use of television and the Internet among diasporic and minority populations, the innovations of new technologies like TiVo, the rise of program forms from reality tv to lifestyle programs, television's changing role in public places and at home, the Internet's use as a means of social activism, and television's role in education and the arts. In dialogue with previous media theorists and historians, the contributors collectively rethink the goals of media scholarship, pointing toward new ways of accounting for television's past, present, and future. Contributors. William Boddy, Charlotte Brunsdon, John T. Caldwell, Michael Curtin, Julie D'Acci, Anna Everett, Jostein Gripsrud, John Hartley, Anna McCarthy, David Morley, Jan Olsson, Priscilla Pe a Ovalle, Lisa Parks, Jeffrey Sconce, Lynn Spigel, William Uricchio, In the last ten years, television has reinvented itself in numerous ways. The demise of the U.S. three-network system, the rise of multi-channel cable and global satellite delivery, changes in regulation policies and ownership rules, technological innovations in screen design, and the development of digital systems like TiVo have combined to transform the practice we call watching tv. If tv refers to the technologies, program forms, government policies, and practices of looking associated with the medium in its classic public service and three-network age, it appears that we are now entering a new phase of television. Exploring these changes, the essays in this collection consider the future of television in the United States and Europe and the scholarship and activism focused on it. With historical, critical, and speculative essays by some of the leading television and media scholars, Television after TV examines both commercial and public service traditions and evaluates their dual (and some say merging) fates in our global, digital culture of convergence. The essays explore a broad range of topics, including contemporary programming and advertising strategies, the use of television and the Internet among diasporic and minority populations, the innovations of new technologies like TiVo, the rise of program forms from reality tv to lifestyle programs, television's changing role in public places and at home, the Internet's use as a means of social activism, and television's role in education and the arts. In dialogue with previous media theorists and historians, the contributors collectively rethink the goals of media scholarship, pointing toward new ways of accounting for television's past, present, and future. Contributors. William Boddy, Charlotte Brunsdon, John T. Caldwell, Michael Curtin, Julie D'Acci, Anna Everett, Jostein Gripsrud, John Hartley, Anna McCarthy, David Morley, Jan Olsson, Priscilla Peña Ovalle, Lisa Parks, Jeffrey Sconce, Lynn Spigel, William Uricchio
LC Classification Number
PN1992
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