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God Save the Queens : The Essential History of Women in Hip-Hop by Kathy Iandoli
US $11.72
ApproximatelyS$ 15.11
Was US $13.79 (15% off)
Condition:
“Unread Publishers overstock in excellent condition. Remainder mark.”
Like New
A book in excellent condition. Cover is shiny and undamaged, and the dust jacket is included for hard covers. No missing or damaged pages, no creases or tears, and no underlining/highlighting of text or writing in the margins. May be very minimal identifying marks on the inside cover. Very minimal wear and tear.
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Free USPS Media MailTM.
Located in: Yarmouth, Maine, United States
Delivery:
Estimated between Wed, 8 Oct and Wed, 15 Oct to 94104
Returns:
30 days return. Seller pays for return shipping.
Coverage:
Read item description or contact seller for details. See all detailsSee all details on coverage
(Not eligible for eBay purchase protection programmes)
Seller assumes all responsibility for this listing.
eBay item number:324718144450
Item specifics
- Condition
- Like New
- Seller Notes
- “Unread Publishers overstock in excellent condition. Remainder mark.”
- Narrative Type
- Nonfiction
- Country/Region of Manufacture
- United States
- Features
- 1st Edition
- ISBN
- 9780062878519
About this product
Product Identifiers
Publisher
HarperCollins
ISBN-10
0062878514
ISBN-13
9780062878519
eBay Product ID (ePID)
12038276171
Product Key Features
Book Title
God Save the Queens : the Essential History of Women in Hip-Hop
Number of Pages
352 Pages
Language
English
Publication Year
2020
Topic
Genres & Styles / Rap & Hip Hop, History & Criticism, Women's Studies
Genre
Music, Social Science
Format
Trade Paperback
Dimensions
Item Height
1 in
Item Weight
9.6 Oz
Item Length
8.1 in
Item Width
5.4 in
Additional Product Features
Intended Audience
Trade
Reviews
"Iandoli's book is rigorous, insightful, and authoritative -- but it's also deadly personal." -- NPR Books "In writing God Save the Queens, Kathy finally does what dozens of histories of Hip-Hop have never even attempted, telling the stories of women in the genre...Without God Save the Queens, it is possible that the contributions of dozens of important female hip-hop artists who have sold tens of millions of albums, starred in monumental films, and influenced the direction of the culture would continue to go unrecognized." -- AllHipHop.com "Music lovers will celebrate this much-needed exploration of the overlooked experiences of women in hip-hop." -- Publishers Weekly "Intended to be a narrative homage to women in hip-hop, this latest work by Iandoli is that and more. . . . Iandoli gives female artists the recognition they deserve, while showing that there is still work to do. Place this book in the hands of fans of Hanif Abdurraqib and Jeff Chang." -- Library Journal, Intended to be a narrative homage to women in hip-hop, this latest work by Iandoli is that and more. . . . Iandoli gives female artists the recognition they deserve, while showing that there is still work to do. Place this book in the hands of fans of Hanif Abdurraqib and Jeff Chang., In writing God Save the Queens, Kathy finally does what dozens of histories of Hip-Hop have never even attempted, telling the stories of women in the genre...Without God Save the Queens, it is possible that the contributions of dozens of important female hip-hop artists who have sold tens of millions of albums, starred in monumental films, and influenced the direction of the culture would continue to go unrecognized., Music lovers will celebrate this much-needed exploration of the overlooked experiences of women in hip-hop.
Dewey Edition
23
Dewey Decimal
782.421649082
Synopsis
An NPR Best Book of the Year "Without God Save the Queens, it is possible that the contributions of dozens of important female hip-hop artists who have sold tens of millions of albums, starred in monumental films, and influenced the direction of the culture would continue to go unrecognized." -AllHipHop.com Can't Stop Won't Stop meets Girls to the Front in this essential and long overdue history of hip-hop's female pioneers and its enduring stars. Every history of hip-hop previously published, from Jeff Chang's Can't Stop Won't Stop to Shea Serrano's The Rap Yearbook, focuses primarily on men, glaringly omitting a thorough and respectful examination of the presence and contribution of the genre's female artists. For far too long, women in hip-hop have been relegated to the shadows, viewed as the designated "First Lady" thrown a contract, a pawn in some beef, or even worse. But as Kathy Iandoli makes clear, the reality is very different. Today, hip-hop is dominated by successful women such as Cardi B and Nicki Minaj, yet there are scores of female artists whose influence continues to resonate. God Save the Queens pays tribute to the women of hip-hop-from the early work of Roxanne Shante, to hitmakers like Queen Latifah and Missy Elliot, to the superstars of today. Exploring issues of gender, money, sexuality, violence, body image, feuds, objectification and more, God Save the Queens is an important and monumental work of music journalism that at last gives these influential female artists the respect they have long deserved., An NPR Best Book of the Year "Without God Save the Queens , it is possible that the contributions of dozens of important female hip-hop artists who have sold tens of millions of albums, starred in monumental films, and influenced the direction of the culture would continue to go unrecognized." --AllHipHop.com Can't Stop Won't Stop meets Girls to the Front in this essential and long overdue history of hip-hop's female pioneers and its enduring stars.Every history of hip-hop previously published, from Jeff Chang's Can't Stop Won't Stop to Shea Serrano's The Rap Yearbook , focuses primarily on men, glaringly omitting a thorough and respectful examination of the presence and contribution of the genre's female artists. For far too long, women in hip-hop have been relegated to the shadows, viewed as the designated "First Lady" thrown a contract, a pawn in some beef, or even worse. But as Kathy Iandoli makes clear, the reality is very different. Today, hip-hop is dominated by successful women such as Cardi B and Nicki Minaj, yet there are scores of female artists whose influence continues to resonate. God Save the Queens pays tribute to the women of hip-hop--from the early work of Roxanne Shante, to hitmakers like Queen Latifah and Missy Elliot, to the superstars of today. Exploring issues of gender, money, sexuality, violence, body image, feuds, objectification and more, God Save the Queens is an important and monumental work of music journalism that at last gives these influential female artists the respect they have long deserved., An NPR Best Book of the Year "Without God Save the Queens, it is possible that the contributions of dozens of important female hip-hop artists who have sold tens of millions of albums, starred in monumental films, and influenced the direction of the culture would continue to go unrecognized." --AllHipHop.com Can't Stop Won't Stop meets Girls to the Front in this essential and long overdue history of hip-hop's female pioneers and its enduring stars. Every history of hip-hop previously published, from Jeff Chang's Can't Stop Won't Stop to Shea Serrano's The Rap Yearbook, focuses primarily on men, glaringly omitting a thorough and respectful examination of the presence and contribution of the genre's female artists. For far too long, women in hip-hop have been relegated to the shadows, viewed as the designated "First Lady" thrown a contract, a pawn in some beef, or even worse. But as Kathy Iandoli makes clear, the reality is very different. Today, hip-hop is dominated by successful women such as Cardi B and Nicki Minaj, yet there are scores of female artists whose influence continues to resonate. God Save the Queens pays tribute to the women of hip-hop--from the early work of Roxanne Shante, to hitmakers like Queen Latifah and Missy Elliot, to the superstars of today. Exploring issues of gender, money, sexuality, violence, body image, feuds, objectification and more, God Save the Queens is an important and monumental work of music journalism that at last gives these influential female artists the respect they have long deserved.
LC Classification Number
ML3531
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