Outline: A Novel, Cusk, Rachel, 9781250081544

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Item specifics

Condition
Very Good: A book that has been read but is in excellent condition. No obvious damage to the cover, ...
ISBN
9781250081544
Category

About this product

Product Identifiers

Publisher
Picador
ISBN-10
1250081548
ISBN-13
9781250081544
eBay Product ID (ePID)
217066630

Product Key Features

Book Title
Outline : a Novel
Number of Pages
256 Pages
Language
English
Topic
Psychological, Literary
Publication Year
2016
Genre
Fiction
Author
Rachel Cusk
Book Series
Outline Trilogy Ser.
Format
Trade Paperback

Dimensions

Item Height
0.7 in
Item Weight
7.5 Oz
Item Length
8.2 in
Item Width
5.3 in

Additional Product Features

Intended Audience
Trade
Reviews
Never less than compelling . . . material that might have been ponderous in other hands is, here, magnetic, thanks to the mystery at the heart of Cusk's book, her exquisite lightness of touch and her glinting wit., There are dozens of observations in Outline unexpected enough to stop you on the page . . . Outline has a terribly charged atmosphere, the kind very few novels achieve., Outline , in the most seemingly effortless way imaginable, winds up being completely captivating: the conversations are autobiographies in miniature, with all the holes, lies and self-deceptions lurking in that wily form . . . As you'd expect in a novel so obsessed with language, Cusk's own writing is a pleasure to read -- unfailingly precise and surprising . . . The ultimate and undeniably cerebral pleasure of Outline is it nudges you into being a more attentive reader and listener, more alert to the cracks in sentences and the messier realities that words can only try to contain., Winter bouquets should be offered to the clever and stylish Rachel Cusk: her novel Outline is smoothly accomplished, and fascinating both on the surface and in its depths., This book about love, loss, memory, and the lies we tell ourselves and others exudes a contemplative, melancholy atmosphere tempered by Britsh author Cusk's wonderfully astute observations of people and the visual impressions created by her exquisitely strucutred sentences., A tapestry of different voices, its shape emerging as if by happy accident . . . [ Outline ] is a clever thought experiment that's far too readable ever to feel like one., Cusk spares us from pontification or lofty theorizing, instead couching each conversation in sharp and incisive anecdote. Characters off-stage are palpable, memories unfold with care and precision, and each interlocutor brims with self-reflection . . . Faye's perception, her deft attention, and her exquisite intereference and interpretation make each conversation an arresting and piercing experience for the reader., [A] remarkably original novel . . . [which] offers a bracing indictment of the sentimentality that surrounds the making of art and artistic identity., [A] lethally intelligent novel . . . reading Outline mimics the sensation of being underwater, of being separated from other people by a substance denser than air. But there is nothing blurry or muted about Cusk's literary vision or her prose: Spend much time with this novel and you'll become convinced that she is one of the smartest writers alive., [A] quietly radical new novel . . . The result, which recalls Karl Ove Knausgaard in its effort to melt away the comforting artifice of fiction, is a kind of photonegative portrait of a women who resists concessions in life and art., I opened this book, and read a page, and then a few more pages, and I finished Outline before a day and a half had passed, and I am the slowest reader I know, and I have never felt guilty about not finishing a book. Outline is amazing. It changes the lighting on the charismatic, mad, maddening monologues so beloved in literature; here we are, on the previously invisible other side of it, seeing something brilliant and irremediably true., A brilliant, perceptive novel, Outline was serialised in its entirety by the Paris Review , which is probably a lot cooler than making the Man Booker shortlist., Interesting and beautifully written . . . The narrator's emotions about her divorce are evinced only by stories about other people's marriages and relationships. The melancholy and dignity of this approach are, by the end, quite profound., The writing is brilliant . . . Cusk is always cerebral but I've never noticed her drollery before . . . absorbing, thought-provoking., Outline is a poised and cerebral novel that has little in the way of straightforward plot yet is transfixing in its unruffled awareness of the ways we love and leave each other, and of what it means to listen to other people . . . While little happens in Outline , everything seems to happen. You find yourself pulling the novel closer to your face, as if it were a thriller and the hero were dangling over a snake pit., Rachel Cusk's Outline is full of baking light and quiet melancholy and bodies brushing past one another in the heat; it's a subtle and utterly engrossing exploration of the ways we make ourselves known to one another--in stories and anecdotes, through seductions and disputes--and yet remain opaque; how we sketch ourselves as outlines and find these outlines interrogated. Its conversations echo each other deftly, their acute insights gracefully pulling apart the seams of its carefully composed characters to show glimpses of much messier selves within: a series of searing psychic X-rays bleached by coastal light., On a flight to Greece where she is going to be teaching a creative writing class, the narrator begins talking to her neighbour. More accurately, initiating a pattern that will be repeated throughout the encounters and 'conversations' that make up this hypnotic, funny and unsettling novel, he talks at her. Gradually her own identity emerges in response to -- is given shape by -- what is said to her. As one of her students puts it, the story constitutes a series of events she finds herself involved in, but on which she seems to have 'absolutely no influence at all.' The irony, of course, is that all of these tales -- the author's tale -- hold our attention because of Cusk's unerring command of pace and tone., Like the Higgs boson, which appears only when bombarded by electrons, Rachel Cusk's nearly nameless narrator flickers into visibility only through her encounters with a series of amazingly eloquent and fascinating interlocutors. Writing at the highest level and with the greatest technical restraint, Cusk manages to describe the painful realities of women's lives by a process of erasure that is itself responsible for that suffering. This is a novel where form and content meld so perfectly as to collapse into each other. I am so much the better for having read it. As if someone finally told me the truth by telling me everything, and nothing., A highly sophisticated and deeply affecting look at modern womanhood; but for all its introspection, there's no shortage of wordly, self-deprecating wit, making this read equal parts intellectually challenging and distinctly pleasurable., Outline succeeds powerfully. Among other things, it gets a great variety of human beings down on to the page with both immediacy and depth; an elemental pleasure that makes the book as gripping to read as a thriller . . . a stellar accomplishment., Cusk returns to fiction and top form in a novel about the stories we tell ourselves and others . . . rich in human variety and unsentimental empathy., [ Outline is] a piece of work of great beauty and ambition. Narratives are smoothed, as if by translation and retranslation, into their simplest, barest elements: parents, children, divorces, cakes, dresses, dogs. These elements then build, layer on layer, to form the most complex and exquisitely detailed patterns, swirling and whirling, wheels within wheels., An utterly engaging examination of human relationships . . . a compelling read that never once flags., Outline , in outline, tells the story of a British novelist newly arrived in Athens, who has been enlisted to teach a weeklong writing seminar. Upon this provocatively slight premise, Cusk has constructed a restrained, incisive narrative of high stylistic polish and stealthy emotional power. Formally inventive, astringently intellectual, and linguistically assured, Outline poses the question of where stories come from; it shows, with glittering clarity, why they matter., Cusk's uncompromising, often brutal intelligence is at full power. So is her technique . . . I can't think of a book that so powerfully resists summary or review . . . Inevitably, the only way to get close to the fascinating and elusive core of Outline is to read it., Outline is an expertly crafted portrait that asks readers to look deeply into the text for discovery. Those who accept that challenge will be rewarded for the effort., Cusk's restrained, almost experimental prose is really not so much a novel as a meditation on identity, illusion, and the erausre of self that can occur during a marriage., This brilliant novel from Cusk . . . shuns fictional convention and frills in favor of a solid structure around a seris of dialogues . . . These 10 remarkable conversations, told with immense control, focus a sharp eye on how we discuss family and our lives., [ Outline ] is mesmerizing; it makes a sharp break from the conventional style of Cusk's previous work . . . Outline feels different, its world porous and continuous with ours, though not for the reasons we might expect., [T]he most compelling part of Outline is its undercurrent of rage . . . [With] polished, analytical language. Cusk's writing is lovely . . . Outline is a smart ascetic exercise., [T]his has to be one of the oddest, most breathtakingly original and unsettling novels I've read in a long time ... [E]very single word is earned, precisely tuned, enthralling. Outline is a triumph of attitude and daring, a masterclass in tone., Cusk confounds expectations . . . Outline is full of such wonderful surprises: subtle shifts in power and unexpectedly witty interludes., Described as a 'novel in ten conversations' . . . it turns out to be a clever, fresh device that dispenses with the need for much of a plot and presents instead more of a lush human collage . . . a rich, thoughtful read., Outline . It defies ordinary categorisation. It is about authorial invisibility, it involves writing without showing your face. The narrator is a writer who goes to teach creative writing in Greece and becomes enmeshed in other peoples' narratives which Cusk stitches, with fastidious brilliance, into a single fabric., [A] uniquely graceful and innovative piece of artistic self-possession, which achieves the rare feat of seamlessly amalgamating form and substance.
Dewey Edition
23
Series Volume Number
1
Dewey Decimal
823/.914
Synopsis
A Finalist for the Folio Prize, the Goldsmiths Prize, the Scotiabank Giller Prize, and the Baileys Women's Prize for Fiction One of The New York Times' Top Ten Books of the Year . Named a A New York Times Book Review Notable Book and a Best Book of the Year by The New Yorker , Vogue, NPR, The Guardian , The Independent , Glamour, and The Globe and Mail Chosen as one of fifteen remarkable books by women that are shaping the way we read and write in the 21st century by the book critics of The New York Times Rachel Cusk's Outline is a novel in ten conversations. Spare and lucid, it follows a novelist teaching a course in creative writing over an oppressively hot summer in Athens. She leads her students in storytelling exercises. She meets other visiting writers for dinner. She goes swimming in the Ionian Sea with her neighbor from the plane. The people she encounters speak volubly about themselves: their fantasies, anxieties, pet theories, regrets, and longings. And through these disclosures, a portrait of the narrator is drawn by contrast, a portrait of a woman learning to face a great loss., A Finalist for the Folio Prize, the Goldsmiths Prize, the Scotiabank Giller Prize, and the Baileys Women's Prize for Fiction One of The New York Times' Top Ten Books of the Year Named a A New York Times Book Review Notable Book and a Best Book of the Year by The New Yorker , Vogue, NPR, The Guardian , The Independent , Glamour, and The Globe and Mail Chosen as one of fifteen remarkable books by women that are shaping the way we read and write in the 21st century by the book critics of The New York Times Outline is a novel in ten conversations. Spare and lucid, it follows a novelist teaching a course in creative writing over an oppressively hot summer in Athens. She leads her students in storytelling exercises. She meets other visiting writers for dinner. She goes swimming in the Ionian Sea with her neighbor from the plane. The people she encounters speak volubly about themselves: their fantasies, anxieties, pet theories, regrets, and longings. And through these disclosures, a portrait of the narrator is drawn by contrast, a portrait of a woman learning to face a great loss.
LC Classification Number
PR6053.U825

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