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Native Tongue (The Native Tongue Trilogy), Elgin, Suzette Haden, Excellent Book
US $8.87
ApproximatelyS$ 11.34
Condition:
“Book Like New - Book may have light shelf wear, but dust cover is intact and pages are clean. Used ”... Read moreabout condition
Like New
A book in excellent condition. Cover is shiny and undamaged, and the dust jacket is included for hard covers. No missing or damaged pages, no creases or tears, and no underlining/highlighting of text or writing in the margins. May be very minimal identifying marks on the inside cover. Very minimal wear and tear.
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Located in: San Jose, California, United States
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Item specifics
- Condition
- Like New
- Seller Notes
- ISBN
- 9781936932627
About this product
Product Identifiers
Publisher
Feminist Press at T.H.E. City University of New York
ISBN-10
1936932628
ISBN-13
9781936932627
eBay Product ID (ePID)
23038745591
Product Key Features
Book Title
Native Tongue
Number of Pages
400 Pages
Language
English
Publication Year
2019
Topic
Dystopian, Science Fiction / General, Science Fiction / Space Exploration
Genre
Fiction
Format
Trade Paperback
Dimensions
Item Height
1 in
Item Weight
14.1 Oz
Item Length
8 in
Item Width
5.5 in
Additional Product Features
Intended Audience
Trade
LCCN
2022-507009
Dewey Edition
23
Reviews
"Suzette Haden Elgin's Native Tongue trilogy, a classic text of angry feminism, is also an exemplary experiment in speculative fiction, deftly and implacably pursuing both a scientific hypothesis and an ideological hypothesis through all their social, moral, and emotional implications." --Ursula K. Le Guin, author of The Left Hand of Darkness "Suzette Haden Elgin's Native Tongue. . . records female tribulation in a world where . . . women have no public rights at all. Elgin's heroines do, however, have one set of weapons--words of their own." --Sandra M. Gilbert and Susan Gubar, The New York Times Book Review "A welcome reminder of the feminist legacies of science fiction. . . .Explores the power of speech, agency, and subversion in a work that is asgripping, troubling, and meaningful today as it has ever been." --Publishers Weekly (starred review) "This carefully crafted, fascinating dystopia is a call to action even decades later, and highlights the importance of language and its uses in politics of power." --Booklist (starred review) "A necessary and exhilarating book." --4Columns "Native Tongue brings to life not only the possibility of a women's language, but also the rationale for one. . . . [It is] a language that can bring to life concepts men have never needed, have never dreamed of--and thus change the world. Elgin never makes the mistake of easy utopiansim or over-optimism. Her women revel in patience." --Voice Literary Supplement "Drastically and distinctly, Elgin has carried current fundamentalist views on women to their 'logical' conclusion. . . . Above all she understands that until women find the words and syntax for what they need to say, they will never say it, nor will the world hear it. . . . There isn't a phony or romantic moment here, and the story is absolutely compelling." --Women's Review of Books "Elgin's novel will inspire those who believe that women's words can change the world." --Marleen S. Barr, author of Lost in Space: Probing Feminist Science Fiction and Beyond "Published in 1984, Native Tongue got it right. In the power and precision of language, women can begin to change the world." --Maggie Shen King, author of An Excess Male "A pioneering feminist experiment." --Literary Hub, "Suzette Haden Elgin's Native Tongue trilogy, a classic text of angry feminism, is also an exemplary experiment in speculative fiction, deftly and implacably pursuing both a scientific hypothesis and an ideological hypothesis through all their social, moral, and emotional implications." --Ursula K. Le Guin, author of The Left Hand of Darkness "Suzette Haden Elgin's Native Tongue. . . records female tribulation in a world where . . . women have no public rights at all. Elgin's heroines do, however, have one set of weapons--words of their own." --Sandra M. Gilbert and Susan Gubar, The New York Times Book Review "Native Tongue brings to life not only the possibility of a women's language, but also the rationale for one. . . . [It is] a language that can bring to life concepts men have never needed, have never dreamed of--and thus change the world. Elgin never makes the mistake of easy utopiansim or over-optimism. Her women revel in patience." --Voice Literary Supplement "Drastically and distinctly, Elgin has carried current fundamentalist views on women to their 'logical' conclusion. . . . Above all she understands that until women find the words and syntax for what they need to say, they will never say it, nor will the world hear it. . . . There isn't a phony or romantic moment here, and the story is absolutely compelling." --Women's Review of Books "Elgin's novel will inspire those who believe that women's words can change the world." --Marleen S. Barr, author of Lost in Space: Probing Feminist Science Fiction and Beyond "Published in 1984, Native Tongue got it right. In the power and precision of language, women can begin to change the world." --Maggie Shen King, author of An Excess Male, "Extremely relevant." --Bookforum "A pioneering feminist experiment." --Literary Hub "A welcome reminder of the feminist legacies of science fiction. . . . Explores the power of speech, agency, and subversion in a work that is as gripping, troubling, and meaningful today as it has ever been." --Publishers Weekly (starred review) "This carefully crafted, fascinating dystopia is a call to action even decades later, and highlights the importance of language and its uses in politics of power." --Booklist (starred review) "A necessary and exhilarating book." --4Columns "Published in 1984, Native Tongue got it right. In the power and precision of language, women can begin to change the world." --Maggie Shen King, author of An Excess Male "This angry feminist text is also an exemplary experiment in speculative fiction, deftly and implacably pursuing both a scientific hypothesis and an ideological hypothesis through all their social, moral, and emotional implications." --Ursula K. Le Guin "Native Tongue brings to life not only the possibility of a women's language, but also the rationale for one. . . . [It is] a language that can bring to life concepts men have never needed, have never dreamed of--and thus change the world. Elgin never makes the mistake of easy utopianism or over-optimism. Her women revel in patience." --Village Voice Literary Supplement "Less well known than the The Handmaid's Tale but just as apocalyptic in [its] vision . . . Suzette Haden Elgin's Native Tongue . . . records female tribulation in a world where . . . women have no public rights at all. Elgin's heroines do, however, have one set of weapons--words of their own." --Sandra M. Gilbert and Susan Gubar, New York Times Book Review, Praise for Native Tongue "Extremely relevant." --Bookforum "A pioneering feminist experiment." --Literary Hub "A welcome reminder of the feminist legacies of science fiction. . . . Explores the power of speech, agency, and subversion in a work that is as gripping, troubling, and meaningful today as it has ever been." --Publishers Weekly (starred review) "This carefully crafted, fascinating dystopia is a call to action even decades later, and highlights the importance of language and its uses in politics of power." --Booklist (starred review) "A necessary and exhilarating book." --4Columns "Published in 1984, Native Tongue got it right. In the power and precision of language, women can begin to change the world." --Maggie Shen King, author of An Excess Male "This angry feminist text is also an exemplary experiment in speculative fiction, deftly and implacably pursuing both a scientific hypothesis and an ideological hypothesis through all their social, moral, and emotional implications." --Ursula K. Le Guin "Native Tongue brings to life not only the possibility of a women's language, but also the rationale for one. . . . [It is] a language that can bring to life concepts men have never needed, have never dreamed of--and thus change the world. Elgin never makes the mistake of easy utopianism or over-optimism. Her women revel in patience." --Village Voice Literary Supplement "Less well known than the The Handmaid's Tale but just as apocalyptic in [its] vision . . . Suzette Haden Elgin's Native Tongue . . . records female tribulation in a world where . . . women have no public rights at all. Elgin's heroines do, however, have one set of weapons--words of their own." --Sandra M. Gilbert and Susan Gubar, New York Times Book Review, "Suzette Haden Elgin's Native Tongue trilogy, a classic text of angry feminism, is also an exemplary experiment in speculative fiction, deftly and implacably pursuing both a scientific hypothesis and an ideological hypothesis through all their social, moral, and emotional implications." --Ursula K. Le Guin, author of The Left Hand of Darkness "Suzette Haden Elgin's Native Tongue. . . records female tribulation in a world where . . . women have no public rights at all. Elgin's heroines do, however, have one set of weapons--words of their own." --Sandra M. Gilbert and Susan Gubar, The New York Times Book Review "Native Tongue brings to life not only the possibility of a women's language, but also the rationale for one. . . . [It is] a language that can bring to life concepts men have never needed, have never dreamed of--and thus change the world. Elgin never makes the mistake of easy utopiansim or over-optimism. Her women revel in patience." --Voice Literary Supplement "Drastically and distinctly, Elgin has carried current fundamentalist views on women to their 'logical' conclusion. . . . Above all she understands that until women find the words and syntax for what they need to say, they will never say it, nor will the world hear it. . . . There isn't a phony or romantic moment here, and the story is absolutely compelling." --Women's Review of Books "Elgin's novel will inspire those who believe that women's words can change the world." --Marleen S. Barr, author of Lost in Space: Probing Feminist Science Fiction and Beyond, "Suzette Haden Elgin's Native Tongue trilogy, a classic text of angry feminism, is also an exemplary experiment in speculative fiction, deftly and implacably pursuing both a scientific hypothesis and an ideological hypothesis through all their social, moral, and emotional implications." --Ursula K. Le Guin, author of The Left Hand of Darkness "Suzette Haden Elgin's Native Tongue. . . records female tribulation in a world where . . . women have no public rights at all. Elgin's heroines do, however, have one set of weapons--words of their own." --Sandra M. Gilbert and Susan Gubar, The New York Times Book Review "A welcome reminder of the feminist legacies of science fiction. . . .Explores the power of speech, agency, and subversion in a work that is asgripping, troubling, and meaningful today as it has ever been." --Publishers Weekly (starred review) "This carefully crafted, fascinating dystopia is a call to action even decades later, and highlights the importance of language and its uses in politics of power." --Booklist (starred review) "Extremely relevant." --Bookforum "A necessary and exhilarating book." --4Columns "Native Tongue brings to life not only the possibility of a women's language, but also the rationale for one. . . . [It is] a language that can bring to life concepts men have never needed, have never dreamed of--and thus change the world. Elgin never makes the mistake of easy utopiansim or over-optimism. Her women revel in patience." --Voice Literary Supplement "Drastically and distinctly, Elgin has carried current fundamentalist views on women to their 'logical' conclusion. . . . Above all she understands that until women find the words and syntax for what they need to say, they will never say it, nor will the world hear it. . . . There isn't a phony or romantic moment here, and the story is absolutely compelling." --Women's Review of Books "Elgin's novel will inspire those who believe that women's words can change the world." --Marleen S. Barr, author of Lost in Space: Probing Feminist Science Fiction and Beyond "Published in 1984, Native Tongue got it right. In the power and precision of language, women can begin to change the world." --Maggie Shen King, author of An Excess Male "A pioneering feminist experiment." --Literary Hub, "Suzette Haden Elgin's Native Tongue trilogy, a classic text of angry feminism, is also an exemplary experiment in speculative fiction, deftly and implacably pursuing both a scientific hypothesis and an ideological hypothesis through all their social, moral, and emotional implications." --Ursula K. Le Guin, author of The Left Hand of Darkness "Suzette Haden Elgin's Native Tongue. . . records female tribulation in a world where . . . women have no public rights at all. Elgin's heroines do, however, have one set of weapons--words of their own." --Sandra M. Gilbert and Susan Gubar, The New York Times Book Review "A welcome reminder of the feminist legacies of science fiction. . . .Explores the power of speech, agency, and subversion in a work that is asgripping, troubling, and meaningful today as it has ever been." --Publishers Weekly (starred review) "This carefully crafted, fascinating dystopia is a call to action even decades later, and highlights the importance of language and its uses in politics of power." --Booklist (starred review) "Native Tongue brings to life not only the possibility of a women's language, but also the rationale for one. . . . [It is] a language that can bring to life concepts men have never needed, have never dreamed of--and thus change the world. Elgin never makes the mistake of easy utopiansim or over-optimism. Her women revel in patience." --Voice Literary Supplement "Drastically and distinctly, Elgin has carried current fundamentalist views on women to their 'logical' conclusion. . . . Above all she understands that until women find the words and syntax for what they need to say, they will never say it, nor will the world hear it. . . . There isn't a phony or romantic moment here, and the story is absolutely compelling." --Women's Review of Books "Elgin's novel will inspire those who believe that women's words can change the world." --Marleen S. Barr, author of Lost in Space: Probing Feminist Science Fiction and Beyond "Published in 1984, Native Tongue got it right. In the power and precision of language, women can begin to change the world." --Maggie Shen King, author of An Excess Male "A pioneering feminist experiment." --Literary Hub
Dewey Decimal
813/.54
Synopsis
Originally published in 1984, this dystopian trilogy--"a pioneering feminist experiment"--is a testament to the power of language and women's collective action (Literary Hub). In 2205, the 19th Amendment has long been repealed and women are only valued for their utility. The Earth's economy depends on an insular group of linguists who "breed" women to be perfect interstellar translators until they are sent to the Barren House to await death. But instead, these women are slowly creating a language of their own to make resistance possible. Ignorant to this brewing revolution, Nazareth, a brilliant linguist, and Michaela, a servant, both seek emancipation in their own ways. But their personal rebellions risk exposing the secret language, and threaten the possibility of freedom for all. "This angry feminist text is also an exemplary experiment in speculative fiction, deftly and implacably pursuing both a scientific hypothesis and an ideological hypothesis through all their social, moral, and emotional implications." --Ursula K. Le Guin "A welcome reminder of the feminist legacies of science fiction. . . . Explores the power of speech, agency, and subversion in a work that is as gripping, troubling, and meaningful today as it has ever been." --Publishers Weekly (starred review), Originally published in 1984, this classic dystopian trilogy is a testament to the power of language and women's collective action. In 2205, the 19th Amendment has long been repealed and women are only valued for their utility. The Earth's economy depends on an insular group of linguists who "breed" women to be perfect interstellar translators until they are sent to the Barren House to await death. But instead, these women are slowly creating a language of their own to make resistance possible. Ignorant to this brewing revolution, Nazareth, a brilliant linguist, and Michaela, a servant, both seek emancipation in their own ways. But their personal rebellions risk exposing the secret language, and threaten the possibility of freedom for all., In this feminist science fiction classic, a secret language created by women holds the power to overthrow an oppressive ruling order., Originally published in 1984, this dystopian trilogy--"a pioneering feminist experiment"--is a testament to the power of language and women's collective action ( Literary Hub ). In 2205, the 19th Amendment has long been repealed and women are only valued for their utility. The Earth's economy depends on an insular group of linguists who "breed" women to be perfect interstellar translators until they are sent to the Barren House to await death. But instead, these women are slowly creating a language of their own to make resistance possible. Ignorant to this brewing revolution, Nazareth, a brilliant linguist, and Michaela, a servant, both seek emancipation in their own ways. But their personal rebellions risk exposing the secret language, and threaten the possibility of freedom for all. "This angry feminist text is also an exemplary experiment in speculative fiction, deftly and implacably pursuing both a scientific hypothesis and an ideological hypothesis through all their social, moral, and emotional implications." --Ursula K. Le Guin "A welcome reminder of the feminist legacies of science fiction. . . . Explores the power of speech, agency, and subversion in a work that is as gripping, troubling, and meaningful today as it has ever been." -- Publishers Weekly (starred review)
LC Classification Number
PS3555.L42N38 2019
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