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The Mother Stone, New Music

US $25.03
ApproximatelyS$ 32.00
Condition:
Brand New
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Located in: Huntingdon Valley, Pennsylvania, United States
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eBay item number:315643474395
Last updated on Jun 20, 2025 01:59:49 SGTView all revisionsView all revisions

Item specifics

Condition
Brand New: An item that has never been opened or removed from the manufacturer's sealing. Item is in ...
Album Name
The Mother Stone
UPC
0843563126516

About this product

Product Identifiers

Record Label
Sbon, Sacred BONES
UPC
0843563126516
eBay Product ID (ePID)
23046069298

Product Key Features

Release Year
2020
Format
CD
Genre
Rock
Artist
Jones, Caleb Landry
Release Title
The Mother Stone

Dimensions

Item Height
0.37 in
Item Weight
0.20 lb
Item Length
5.83 in
Item Width
5.24 in

Additional Product Features

Number of Discs
1
Number of Tracks
15
Country/Region of Manufacture
United States
Tracks
1.1 Flag Day / The Mother Stone 1.2 You’re so Wonderfull 1.3 I Dig Your Dog 1.4 Katya 1.5 All I Am in You / The Big Worm 1.6 No Where’s Where Nothing’s Died 1.7 Licking the Days 1.8 For the Longest Time 1.9 The Hodge-Podge Porridge Poke 1.10 I Want to Love You 1.11 The Great I Am 1.12 Lullabbey 1.13 No Where’s Where Nothing’s Died (A Marvelous Pain) 1.14 Thanks for Staying 1.15  Little Planet Pig
Notes
"I think most of it takes place in dreams," Caleb Landry Jones says of his debut solo album, The Mother Stone. "I'm talking more about dreams than I am about what's happened iin the physical realm. Or I'm talking about both, and you're not sure what's what. "This is the kind of conversation you end up having about a record like this one, a sprawling psychedelic suite built from abrupt and disorienting detours and schizoid shifts of voice, it's manic energy forever pulling the tablecloth out from under classic pop orchestration. One minute you're squarely in the realm of biographical fact and a moment later you're having a discussion about lucid dreaming and how Jones once punched up a dream set on a soccer field by willing himself to experience it from the POV of the ball. But maybe that's just another story about grabbing the wheel of your own hallucination; maybe this pertains to the music after all. Some biographical facts: Caleb Landry Jones was born in Garland, Texas in 1989 and comes from a long line of fiddle players. Three, maybe four generations back, on his mother's side. His grandfather wrote jingles for commercials, his mother was a singer-songwriter who taught piano lessons in the house, and his father was a contractor who did a lot of work for the Dallas music-equipment retailer Brook Mays and knew a guy if you needed a bass or a banjo. But Jones is not sure if you can hear any of this in his music and he does not play the fiddle. What you can hear on this record are the marks left by conversion experiences, two in particular. First there's Jones' formative encounter with the Beatles' "White Album," the Fabs record most obviously composed by four Beatles rowing in different directions, and the beginning of what Jones calls "this British Invasion of my soul," which is still ongoing. Second, there's Syd Barrett, cracked vessel of Pink Floyd's most intergalactic ambitions, and the "falling-down-the-stairs" quality of his solo work in particular. "I was dating a girl who was obsessed with him," Jones remembers, "and the fact that I'd never heard him really pissed her off. So we went and got The Madcap Laughs and we listened to it and I could see why it pissed her off. " "John keeps knocking at the door, and so does Syd," Jones says of these songs. "And I'm in there somewhere. And so are a few other people, I think. It would be really boring if it was just one guy. " Jones has been writing and recording music since age 16, around the same time he started acting professionally. Played in a band called Robert Jones for a minute, lost his guitar player to higher education, moved into his own place, and broke up with somebody, at which point the songs really started coming hard and fast. "I started playing guitar and playing more keys," he says, "and then started writing record after record after record after record, because I didn't know what to do with myself. It was a good way of healing. And it felt like as soon as I started doing it, it felt like it needed to happen all the time. " In the ensuing years he'd spend a lot of time carrying unrecorded songs around in his head like goldfish in a bag, waiting for a chance to record them in marathon sessions in his parents' barn. "You gotta play the songs every day, or every two or three days, to keep 'em," he says. "Otherwise I forget them. " Sometimes the ideas fuse together, one chapter to the next; this is how songs grow into seven-plus-minute epics like the ones on The Mother Stone. His back catalog is around seven hundred songs deep- a whole discography of full albums, most of them unheard outside the barn, at least for now. Before long Jones' other job started to keep him away from the barn for longer stretches. You may have seen him playing the drums on television as a member of Landry Clarke's death-metal band on Friday Night Lights. You may have seen him in other things, too. But enough about acting, except for this: A few years ago Jones had a pivotal me

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Newtown Video Distributors

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