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S. Frederick Starr The Clarinet (Hardback) Eastman Studies in Music
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eBay item number:315235898016
Item specifics
- Condition
- Brand New: A new, unread, unused book in perfect condition with no missing or damaged pages. See all condition definitionsopens in a new window or tab
- Book Title
- The Clarinet
- Publication Name
- Clarinet
- Title
- The Clarinet
- EAN
- 9781648250170
- ISBN
- 9781648250170
- Publisher
- University of Rochester Medical Press
- Format
- Hardcover
- Release Year
- 2021
- Release Date
- 01/06/2021
- Item Height
- 0.7 in
- Item Length
- 9 in
- Contributor
- Ingrid Pearson (Contributions by)
- Language
- English
- ISBN-10
- 1648250173
- Country/Region of Manufacture
- US
- Series
- Eastman Studies in Music Ser.
- Genre
- Music Dance & Theatre
- Item Weight
- 21 Oz
- Subject Area
- Music, History
- Subject
- History & Criticism, Social History, Musical Instruments / Woodwinds
- Publication Year
- 2021
- Type
- Textbook
- Item Width
- 6 in
- Number of Pages
- 308 Pages
About this product
Product Identifiers
Publisher
University of Rochester Medical Press
ISBN-10
1648250173
ISBN-13
9781648250170
eBay Product ID (ePID)
10050385119
Product Key Features
Number of Pages
308 Pages
Language
English
Publication Name
Clarinet
Publication Year
2021
Subject
History & Criticism, Social History, Musical Instruments / Woodwinds
Type
Textbook
Subject Area
Music, History
Series
Eastman Studies in Music Ser.
Format
Hardcover
Dimensions
Item Height
0.7 in
Item Weight
21 Oz
Item Length
9 in
Item Width
6 in
Additional Product Features
Intended Audience
Scholarly & Professional
LCCN
2020-056218
Reviews
This collection comprises compact essays on specific topics concerning clarinet performance, composition, and repertoire. . . . Also provided is insightful discussion of idiomatic use of the instrument as evidenced in certain major operatic and orchestral works. . . . Useful for persons looking for information about orchestral music that does not include solo keyboards or string instruments., Through her network of star contributors we are given a broad image of the most up-to-date ideas concerning the clarinet universe. Ellsworth, as editor, has succeeded in keeping the tone of the chapters level; while being accurate, they are not eruditely cumbersome. The topics and writing style will engage clarinetists of all ages, and the footnotes, bibliographic in nature, point the motivated researcher further afield. This is a unique volume that is contemporary in tone and message while standing on the firmest of research foundations. [Starr's chapter is] mind-opening.
Dewey Edition
23
Series Volume Number
179
Illustrated
Yes
Dewey Decimal
788.62
Table Of Content
List of IllustrationsNotes to the ReaderAcknowledgementsIntroduction (Jane Ellsworth)1. Clarinet Iconography (Eric Hoeprich)2. The Chalumeau and Clarinet Before Mozart (Albert R. Rice)3. From "Little Trumpet" to Unique Voice: The Clarinet in the Concert Orchestra (Jane Ellsworth)4. The Clarinet in Opera Before 1830: Instrument and Genre Come of Age (Ingrid Pearson)5. The Clarinet in Nineteenth-Century Opera (Julian Rushton)6. Innovation and Convention in the "Golden Age" of the Clarinet Concerto, ca. 1800-1830 (David Schneider)7. Joining the Conversation: The Clarinet Quintet in Classical and Romantic Chamber Music (Marie Sumner Lott)8. Important Clarinetists Since 1900: A Concise Introduction (Jane Ellsworth)9. Recreating History? The Early Clarinet in Theory and Practice (Colin Lawson)10.The Clarinet in Vernacular Music (S. Frederick Starr)IndexContributors
Synopsis
Offers unique perspectives on the clarinet's historical role in various styles, genres, and ensembles, from jazz and ethnic traditions to classical chamber music, concertos, opera, and symphony orchestras., Offers unique perspectives on the clarinet's historical role in various styles, genres, and ensembles, from jazz and ethnic traditions to classical chamber music, concertos, opera, and symphony orchestras.With essays written by leading performer-scholars, The Clarinet offers unique perspectives on the clarinet's historical role in various styles, genres, and ensembles. Beginning with a chapter on clarinet iconography, the book continues with an overview of the instrument's early history, chapters on the clarinet in the opera orchestra and the traditional symphony orchestra, and examinations of important genres involving the clarinet (the concerto and the clarinet quintet). Also included are chapters on leading twentieth-century clarinetists, the instrument's use in the historically informed performance (HIP) movement, and an expansive look at the clarinet's use in ethnic traditions and early jazz. The emphasis on topics not covered elsewhere makes this book an important contribution to the clarinet literature. Written in an accessible style, this volume engages a wide range of readers, from professional musicians to clarinet aficionados and music lovers with less specialized knowledge.Contributors to this volume include Jane Ellsworth, Eric Hoeprich, Albert R. Rice, Ingrid Pearson, Julian Rushton, David Schneider, Marie Sumner Lott, Colin Lawson, and S. Frederick Starr.. Written in an accessible style, this volume engages a wide range of readers, from professional musicians to clarinet aficionados and music lovers with less specialized knowledge.Contributors to this volume include Jane Ellsworth, Eric Hoeprich, Albert R. Rice, Ingrid Pearson, Julian Rushton, David Schneider, Marie Sumner Lott, Colin Lawson, and S. Frederick Starr.. Written in an accessible style, this volume engages a wide range of readers, from professional musicians to clarinet aficionados and music lovers with less specialized knowledge.Contributors to this volume include Jane Ellsworth, Eric Hoeprich, Albert R. Rice, Ingrid Pearson, Julian Rushton, David Schneider, Marie Sumner Lott, Colin Lawson, and S. Frederick Starr.. Written in an accessible style, this volume engages a wide range of readers, from professional musicians to clarinet aficionados and music lovers with less specialized knowledge.Contributors to this volume include Jane Ellsworth, Eric Hoeprich, Albert R. Rice, Ingrid Pearson, Julian Rushton, David Schneider, Marie Sumner Lott, Colin Lawson, and S. Frederick Starr., Offers unique perspectives on the clarinet's historical role in various styles, genres, and ensembles, from jazz and ethnic traditions to classical chamber music, concertos, opera, and symphony orchestras. With essays written by leading performer-scholars, The Clarinet offers unique perspectives on the clarinet's historical role in various styles, genres, and ensembles. Beginning with a chapter on clarinet iconography, the book continues with an overview of the instrument's early history, chapters on the clarinet in the opera orchestra and the traditional symphony orchestra, and examinations of important genres involving the clarinet (the concerto and the clarinet quintet). Also included are chapters on leading twentieth-century clarinetists, the instrument's use in the historically informed performance (HIP) movement, and an expansive look at the clarinet's use in ethnic traditions and early jazz. The emphasis on topics not covered elsewhere makes this book an important contribution to the clarinet literature. Written in an accessible style, this volume engages a wide range of readers, from professional musicians to clarinet aficionados and music lovers with less specialized knowledge. Contributors to this volume include Jane Ellsworth, Eric Hoeprich, Albert R. Rice, Ingrid Pearson, Julian Rushton, David Schneider, Marie Sumner Lott, Colin Lawson, and S. Frederick Starr.
LC Classification Number
ML945.C53 2021
Copyright Date
2021
ebay_catalog_id
4
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eBay item number:315235898016
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