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Alisa Lebow The Cinema of Me (Hardback) Nonfictions
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eBay item number:315068896830
Item specifics
- Condition
- Brand New: A new, unread, unused book in perfect condition with no missing or damaged pages. See all condition definitionsopens in a new window or tab
- Book Title
- The Cinema of Me
- Publication Name
- Cinema of Me : the Self and Subjectivity in First Person Documentary
- Title
- The Cinema of Me
- Subtitle
- The Self and Subjectivity in First Person Documentary
- Contributor
- Alisa Lebow (Edited by)
- Format
- Hardcover
- ISBN-10
- 0231162146
- EAN
- 9780231162142
- ISBN
- 9780231162142
- Publisher
- WallFlower Press
- Genre
- Films & TV
- Release Year
- 2012
- Release Date
- 29/05/2012
- Language
- English
- Country/Region of Manufacture
- US
- Series
- Nonfictions Ser.
- Item Length
- 0.9in
- Publication Year
- 2012
- Type
- Textbook
- Item Height
- 0.1in
- Item Width
- 0.6in
- Item Weight
- 22 Oz
- Number of Pages
- 288 Pages
About this product
Product Information
When a filmmaker makes a film with herself as a subject, she is already divided as both the subject matter of the film and the subject making the film. The two senses of the word are immediately in play - the matter and the maker-thus the two ways of being subjectified as both subject and object. Subjectivity finds its filmic expression, not surprisingly, in very personal ways, yet it is nonetheless shaped by and in relation to collective expressions of identity that can transform the cinema of 'me' into the cinema of 'we'. Leading scholars and practitioners of first-person film are brought together in this groundbreaking collection to consider the theoretical, ideological, and aesthetic challenges wrought by this form of filmmaking in its diverse cultural, geographical, and political contexts.
Product Identifiers
Publisher
WallFlower Press
ISBN-10
0231162146
ISBN-13
9780231162142
eBay Product ID (ePID)
113167678
Product Key Features
Publication Name
Cinema of Me : the Self and Subjectivity in First Person Documentary
Format
Hardcover
Language
English
Publication Year
2012
Series
Nonfictions Ser.
Type
Textbook
Number of Pages
288 Pages
Dimensions
Item Length
0.9in
Item Height
0.1in
Item Width
0.6in
Item Weight
22 Oz
Additional Product Features
Lc Classification Number
Pn1995.9.D6c5 2012
Grade from
College Graduate Student
Reviews
Global in its reach, sensitive to the political valences of self-inscription, ground-breaking in its attention to new formats and technologies, The Cinema of Me offers unmistakable proof that the first person film is a vital strand of contemporary media production. Once thought to be the refuge of the privileged, self-absorbed Western-man, autobiography exists today as a ubiquitous act of self-expression and political agency. Spanning a breadth of modalities--including the essay film, i-movie, cinematic self-portrait, home movie remix, blog-- The Cinema of Me testifies to the power of media practices that can transform private lives into social subjectivities., Global in its reach, sensitive to the political valences of self-inscription, ground-breaking in its attention to new formats and technologies, The Cinema of Me offers unmistakable proof that the first person film is a vital strand of contemporary media production. Once thought to be the refuge of the privileged, self-absorbed Western-man, autobiography exists today as a ubiquitous act of self-expression and political agency. Spanning a breadth of modalities-including the essay film, i-movie, cinematic self-portrait, home movie remix, blog- The Cinema of Me testifies to the power of media practices that can transform private lives into social subjectivities., Global in its reach, sensitive to the political valences of self-inscription, ground-breaking in its attention to new formats and technologies, The Cinema of Me offers unmistakable proof that the first person film is a vital strand of contemporary media production. Once thought to be the refuge of the privileged, self-absorbed Western-man, autobiography exists today as a ubiquitous act of self-expression and political agency. Spanning a breadth of modalities -- including the essay film, i-movie, cinematic self-portrait, home movie remix, blog -- The Cinema of Me testifies to the power of media practices that can transform private lives into social subjectivities.
Table of Content
Acknowledgments Contributors Introduction, by Alisa Lebow Part 1. First Person Singular The Role of History in the Individual: Working Notes for a Film, by Michael Chanan The Curious Incident of the Dog in the Nighttime, by Andrés Di Tella Impersonations of Glauber Rocha by Glauber Rocha, by José Gatti The Self-portrait Film: Michelangelo's Last Gaze, by Laura Rascaroli Cycles of Life: El cielo gira and Spanish Autobiographical Documentary, by Efrén Cuevas From the Interior: Space, Time and Queer Discursivity in Kamal Aljafari's The Roof, by Peter Limbrick Part 2. First Person Plural Jennifer Fox's Transcultural Talking Cure: Flying: Confessions of a Free Woman, by Angelica Fenner Secrets and Inner Voices: The Self and Subjectivity in Contemporary Indian Documentary, by Sabeena Gadihoke In the Eye of the Storm: The Political Stake of Israeli i-Movies, by Linda Dittmar Part 3. Diasporic Subjectivity Looking for Home in Home Movies: The Home Mode in Caribbean Diaspora First Person Film and Video Practice, by Elspeth Kydd 'If I Am (Not) for Myself': Michelle Citron's Diasporic First Person(s), by Sophie Mayer The Camera as Peripatetic Migration Machine, by Alisa Lebow Part 4. Virtual Subjectivity Blogging Identity.com, by Peter Hughes The ME and the WE: A First Person Meditation on Media Translation in Three Acts, by Alexandra Juhasz Filmography Index
Copyright Date
2012
Target Audience
Scholarly & Professional
Topic
Film / General, Film / Genres / Documentary, Film / History & Criticism
Lccn
2011-279718
Dewey Decimal
070.1/8
Dewey Edition
23
Illustrated
Yes
Genre
Performing Arts
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