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Sarah Thomas Peter Lorre: Face Maker (Hardback) Film Europa
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eBay item number:314839094938
Item specifics
- Condition
- Brand New: A new, unread, unused book in perfect condition with no missing or damaged pages. See all condition definitionsopens in a new window or tab
- Book Title
- Peter Lorre: Face Maker
- Publication Name
- Peter Lorre: Face Maker : Constructing Stardom and Performance in Hollywood and Europe
- Title
- Peter Lorre: Face Maker
- Subtitle
- Constructing Stardom and Performance in Hollywood and Europe
- Format
- Hardcover
- ISBN-10
- 0857454412
- EAN
- 9780857454416
- ISBN
- 9780857454416
- Publisher
- Berghahn Books, Incorporated
- Genre
- Films & TV
- Subject
- Music Dance & Theatre
- Release Year
- 2012
- Release Date
- 01/02/2012
- Language
- English
- Country/Region of Manufacture
- GB
- Item Height
- 0.7in
- Item Length
- 9.3in
- Item Weight
- 16.5 Oz
- Series
- Film Europa Ser.
- Publication Year
- 2012
- Type
- Textbook
- Item Width
- 6.4in
- Number of Pages
- 222 Pages
About this product
Product Information
The author has a sophisticated command of the material and the book is balanced, judicious and very thorough. In particular, the author explores aspects of Lorre's career that have been neglected or misunderstood: his "Mr. Moto" roles; his extensive work on radio and television; and the final phase of his film career working at AIP. Andrew Spicer, University of the West of England This book] makes a significant contribution to the existing literature on stardom and acting, with not only a useful reappraisal of Lorre's work and reputation but also with some valuable insights into the nature of "extra cinematic person," the interrelationship between radio and cinema during the studio era, and the significance of actor collaborations. This is a fascinating study of how misconceptions arise over time regarding an actor's persona and reputation. Martin Shingler, University of Sunderland Peter Lorre described himself as merely a 'face maker'. His own negative attitude also characterizes traditional perspectives which position Lorre as a tragic figure within film history: the promising European artist reduced to a Hollywood gimmick, unable to escape the murderous image of his role in Fritz Lang's M. This book shows that the life of Peter Lorre cannot be reduced to a series of simplistic oppositions. It reveals that, despite the limitations of his macabre star image, Lorre's screen performances were highly ambitious, and the terms of his employment were rarely restrictive. Lorre's career was a complex negotiation between transnational identity, Hollywood filmmaking practices, the ownership of star images and the mechanics of screen performance. Sarah Thomas is Lecturer in Film Studies at Aberystwyth University.
Product Identifiers
Publisher
Berghahn Books, Incorporated
ISBN-10
0857454412
ISBN-13
9780857454416
eBay Product ID (ePID)
112661244
Product Key Features
Publication Name
Peter Lorre: Face Maker : Constructing Stardom and Performance in Hollywood and Europe
Format
Hardcover
Language
English
Series
Film Europa Ser.
Publication Year
2012
Type
Textbook
Number of Pages
222 Pages
Dimensions
Item Length
9.3in
Item Height
0.7in
Item Width
6.4in
Item Weight
16.5 Oz
Additional Product Features
Series Volume Number
12
Lc Classification Number
Pn2287.L65t46 2012
Reviews
"...in her important new study of Lorre's career...[the author pursues] a rewarding approach that combines careful archival research with clever film analysis to illuminate Lorre's career from a new angle that not only impacts our understanding of this actor, but also presents an important new way to understand the complex exchanges between on-screen and off-screen performances more generally." Senses of Cinema "In general, the strength of Thomas's work is that she is familiar with the previous scholarship but also feels free to critique the conclusions of those earlier authors. She focuses much less on biography and gives more attention to theories of drama, which allows her to explore new and interesting aspects of Lorre's performances...This is an excellent text that adds tremendously to our understanding of the works of Peter Lorre and, by extension, migr artists in general." Journal of Austrian Studies "The author has a sophisticated command of the material and the book is balanced, judicious and very thorough. In particular, the author explores aspects of Lorre's career that have been neglected or misunderstood: his "Mr. Moto" roles; his extensive work on radio and television; and the final phase of his film career working at AIP" Andrew Spicer, University of the West of England "[This book] makes a significant contribution to the existing literature on stardom and acting, with not only a useful reappraisal of Lorre's work and reputation but also with some valuable insights into the nature of "extra cinematic person," the interrelationship between radio and cinema during the studio era, and the significance of actor collaborations. This is a fascinating study of how misconceptions arise over time regarding an actor's persona and reputation" Martin Shingler, University of Sunderland, "...in her important new study of Lorre's career...[the author pursues] a rewarding approach that combines careful archival research with clever film analysis to illuminate Lorre's career from a new angle that not only impacts our understanding of this actor, but also presents an important new way to understand the complex exchanges between on-screen and off-screen performances more generally." · Senses of Cinema "In general, the strength of Thomas's work is that she is familiar with the previous scholarship but also feels free to critique the conclusions of those earlier authors. She focuses much less on biography and gives more attention to theories of drama, which allows her to explore new and interesting aspects of Lorre's performances...This is an excellent text that adds tremendously to our understanding of the works of Peter Lorre and, by extension, emigre artists in general." · Journal of Austrian Studies "The author has a sophisticated command of the material and the book is balanced, judicious and very thorough. In particular, the author explores aspects of Lorre's career that have been neglected or misunderstood: his "Mr. Moto" roles; his extensive work on radio and television; and the final phase of his film career working at AIP" · Andrew Spicer, University of the West of England "[This book] makes a significant contribution to the existing literature on stardom and acting, with not only a useful reappraisal of Lorre's work and reputation but also with some valuable insights into the nature of "extra cinematic person," the interrelationship between radio and cinema during the studio era, and the significance of actor collaborations. This is a fascinating study of how misconceptions arise over time regarding an actor's persona and reputation" · Martin Shingler, University of Sunderland, "In general, the strength of Thomas's work is that she is familiar with the previous scholarship but also feels free to critique the conclusions of those earlier authors. She focuses much less on biography and gives more attention to theories of drama, which allows her to explore new and interesting aspects of Lorre's performances...This is an excellent text that adds tremendously to our understanding of the works of Peter Lorre and, by extension, émigré artists in general." · Journal of Austrian Studies "The author has a sophisticated command of the material and the book is balanced, judicious and very thorough. In particular, the author explores aspects of Lorre's career that have been neglected or misunderstood: his "Mr. Moto" roles; his extensive work on radio and television; and the final phase of his film career working at AIP" · Andrew Spicer, University of the West of England "[This book] makes a significant contribution to the existing literature on stardom and acting, with not only a useful reappraisal of Lorre's work and reputation but also with some valuable insights into the nature of "extra cinematic person," the interrelationship between radio and cinema during the studio era, and the significance of actor collaborations. This is a fascinating study of how misconceptions arise over time regarding an actor's persona and reputation" · Martin Shingler, University of Sunderland, "...in her important new study of Lorre's career...[the author pursues] a rewarding approach that combines careful archival research with clever film analysis to illuminate Lorre's career from a new angle that not only impacts our understanding of this actor, but also presents an important new way to understand the complex exchanges between on-screen and off-screen performances more generally." · Senses of Cinema "In general, the strength of Thomas's work is that she is familiar with the previous scholarship but also feels free to critique the conclusions of those earlier authors. She focuses much less on biography and gives more attention to theories of drama, which allows her to explore new and interesting aspects of Lorre's performances...This is an excellent text that adds tremendously to our understanding of the works of Peter Lorre and, by extension, émigré artists in general." · Journal of Austrian Studies "The author has a sophisticated command of the material and the book is balanced, judicious and very thorough. In particular, the author explores aspects of Lorre's career that have been neglected or misunderstood: his "Mr. Moto" roles; his extensive work on radio and television; and the final phase of his film career working at AIP" · Andrew Spicer, University of the West of England "[This book] makes a significant contribution to the existing literature on stardom and acting, with not only a useful reappraisal of Lorre's work and reputation but also with some valuable insights into the nature of "extra cinematic person," the interrelationship between radio and cinema during the studio era, and the significance of actor collaborations. This is a fascinating study of how misconceptions arise over time regarding an actor's persona and reputation" · Martin Shingler, University of Sunderland
Table of Content
List of Illustrations Introduction Chapter 1. Lorre and the European Stage (1922-1931) Chapter 2. M, Fritz Lang and Hans Beckert (1931) Chapter 3. The Hollywood Leading Roles (1935-1941) Chapter 4. The Supporting Actor (1941-1946) Chapter 5. Der Verlorene (The Lost One)(1951) Chapter 6. The Final Screen Roles (1954-1964) Chapter 7. Alternative 'Hollywood' Media Contexts Conclusion Bibliography Index
Copyright Date
2012
Target Audience
Scholarly & Professional
Topic
Film / General, Entertainment & Performing Arts, Modern / 19th Century, Film / History & Criticism
Lccn
2011-044921
Dewey Decimal
791.4302/8092
Dewey Edition
23
Illustrated
Yes
Genre
Biography & Autobiography, History, Performing Arts
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eBay item number:314839094938
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60502, United States
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