Caravaggio: The First Medusa

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ApproximatelyS$ 89.16
Condition:
Brand New
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eBay item number:313220002046
Last updated on Oct 11, 2025 05:48:50 SGTView all revisionsView all revisions

Item specifics

Condition
Brand New: A new, unread, unused book in perfect condition with no missing or damaged pages. See all condition definitionsopens in a new window or tab
ISBN
9788874395828
Category

About this product

Product Identifiers

Publisher
5 Continents
ISBN-10
8874395825
ISBN-13
9788874395828
eBay Product ID (ePID)
109311575

Product Key Features

Book Title
First Medusa : Caravaggio
Number of Pages
160 Pages
Language
English
Publication Year
2012
Topic
Individual Artists / General, Criticism & Theory, European
Illustrator
Yes
Genre
Art
Author
Mina Gregori, Maurizio Marini, Maurizio Serracini
Format
Hardcover

Dimensions

Item Height
1 in
Item Weight
58.5 Oz
Item Length
11 in
Item Width
11 in

Additional Product Features

Intended Audience
Trade
Dewey Edition
22
TitleLeading
The
Grade From
Eighth Grade
Grade To
College Graduate Student
Dewey Decimal
759.5
Synopsis
This stunning book reveals how a version of the Medusa in private hands has been newly attributed to Caravaggio (1571-1610). The similarity of the work, and its frame, to the better-known version at the Uffizi in Florence attracted the attention of experts. X-rays and new technologies eventually confirmed that this version was the original. Here, the results of historical and technological research are accompanied by superb illustrations and close-ups of the painting, the X-rays, and more, enabling art lovers the opportunity to appreciate this previously neglected work., - A masterpiece that is still unknown to the public at large and has only recently been officially recognized as by the hand of Caravaggio: the first Medusa has been subjected to a detailed analysis in which art is combined with Science This monograph on the version of the Medusa, which has only recently been attributed to the hand of Caravaggio by the most respected experts, recounts the process of recognition of this masterpiece. Initially the similarity of the work to the better known version at the Uffizi in Florence and the analogous manufacture of the frame brought the attention of the experts to this other Medusa. The hypothesis that Caravaggio executed doubles, the high quality of the painting, and the reference to it by the contemporary poet Murtola led to the conviction that another version of the known Medusa existed. Confirmation of the hypothesis was provided by x-rays and new technologies, which revealed the painting's genesis and eventually supported the suggestion that this version was the original. Analysis of the painting followed the twin paths of the more traditional historical and stylistic research and the more modern approach that also makes use of technology. This masterpiece by Caravaggio was thus the object of dedicated research in which modern instrumentation supported and was combined with the study of archive documentation and the style in which the work was painted, thereby opening potentially new lines of research and a new way of looking at an artwork. The accounts of the experts are accompanied by illustrations and photographs of the highest order, enabling not only scholars but all art lovers the opportunity to appreciate and know this previously neglected work in full detail. Text in English and Italian.
LC Classification Number
759.5

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