Picture 1 of 1
Gallery
Picture 1 of 1
Have one to sell?
BRAND NEW SEALED SEBASTIÃO SALGADO. KINDER (2016, Hardcover) WO71
US $19.99
ApproximatelyS$ 25.94
Condition:
8 available11 sold
Oops! Looks like we're having trouble connecting to our server.
Refresh your browser window to try again.
Shipping:
US $5.00 (approx S$ 6.49) USPS Media MailTM.
Located in: Greenville, North Carolina, United States
Delivery:
Estimated between Sat, 13 Dec and Thu, 18 Dec to 94104
Returns:
30 days return. Buyer pays for return shipping. If you use an eBay shipping label, it will be deducted from your refund amount.
Coverage:
Read item description or contact seller for details. See all detailsSee all details on coverage
(Not eligible for eBay purchase protection programmes)
About this item
Seller assumes all responsibility for this listing.
eBay item number:312570974967
Item specifics
- Condition
- Brand New: A new, unread, unused book in perfect condition with no missing or damaged pages. See all condition definitionsopens in a new window or tab
- Special Attributes
- Dust Jacket
- ISBN
- 9783836561365
About this product
Product Identifiers
Publisher
Taschen
ISBN-10
3836561360
ISBN-13
9783836561365
eBay Product ID (ePID)
221606580
Product Key Features
Book Title
Sebastião Salgado. Children
Number of Pages
124 Pages
Language
Multiple Languages
Topic
Subjects & Themes / Children, Individual Photographers / General, Photojournalism
Publication Year
2016
Illustrator
Yes
Genre
Photography
Format
Hardcover
Dimensions
Item Height
0.9 in
Item Weight
54.1 Oz
Item Length
13.3 in
Item Width
10.2 in
Additional Product Features
Intended Audience
Trade
Edition Description
Multilanguage edition
Synopsis
In every crisis situation, children are the greatest victims. Physically weak, they are often the first to succumb to hunger, disease, and dehydration. Innocent to the workings and failings of the world, they are unable to understand why there is danger, why there are people who want to hurt them, or why they must leave, perhaps quite suddenly, and abandon their schools, their friends, and their home. In this companion series to Exodus, Sebasti o Salgado presents 90 portraits of the youngest exiles, migrants, and refugees. His subjects are from different countries, victims to different crises, but they are all on the move, and all under the age of 15. Through his extensive refugee project, what struck Salgado about these boys and girls was not only the implicit innocence in their suffering but also their radiant reserves of energy and enthusiasm, even in the most miserable of circumstances. From roadside refuges in Angola and Burundi to city slums in Brazil and sprawling camps in Lebanon and Iraq, the children remained children: they were quick to laugh as much as to cry, they played soccer, splashed in dirty water, got up to mischief with friends, and were typically ecstatic at the prospect of being photographed. For Salgado, the exuberance presented a curious paradox. How can a smiling child represent circumstances of deprivation and despair? What he noticed, though, was that when he asked the children to line up, and took their portraits one by one, the group giddiness would fade. Face to face with his camera, each child would become much more serious. They would look at him not as part of a noisy crowd, but as an individual. Their poses would become earnest. They looked into the lens with a sudden intensity, as if abruptly taking stock of themselves and their situation. And in the expression of their eyes, or the nervous fidget of small hands, or the way frayed clothes hung off painfully thin frames, Salgado found he had a refugee portfolio that deserved a forum of its own. The photographs do not try to make a statement about their subjects' feelings, or to spell out the particulars of their health, educational, and housing deficits. Rather, the collection allows 90 children to look out at the viewer with all the candor of youth and all the uncertainty of their future. Beautiful, proud, pensive, and sad, they stand before the camera for a moment in their lives, but ask questions that haunt for years to come. Will they remain in exile? Will they always know an enemy? Will they grow up to forgive or seek revenge? Will they grow up at all?, In every crisis situation, children are the greatest victims. Physically weak, they are often the first to succumb to hunger, disease, and dehydration. Innocent to the workings and failings of the world, they are unable to understand why there is danger, why there are people who want to hurt them, or why they must leave, perhaps quite suddenly, and abandon their schools, their friends, and their home. In this companion series to Exodus , Sebastião Salgado presents 90 portraits of the youngest exiles, migrants, and refugees. His subjects are from different countries, victims to different crises, but they are all on the move, and all under the age of 15. Through his extensive refugee project, what struck Salgado about these boys and girls was not only the implicit innocence in their suffering but also their radiant reserves of energy and enthusiasm, even in the most miserable of circumstances. From roadside refuges in Angola and Burundi to city slums in Brazil and sprawling camps in Lebanon and Iraq, the children remained children: they were quick to laugh as much as to cry, they played soccer, splashed in dirty water, got up to mischief with friends, and were typically ecstatic at the prospect of being photographed. For Salgado, the exuberance presented a curious paradox. How can a smiling child represent circumstances of deprivation and despair? What he noticed, though, was that when he asked the children to line up, and took their portraits one by one, the group giddiness would fade. Face to face with his camera, each child would become much more serious. They would look at him not as part of a noisy crowd, but as an individual. Their poses would become earnest. They looked into the lens with a sudden intensity, as if abruptly taking stock of themselves and their situation. And in the expression of their eyes, or the nervous fidget of small hands, or the way frayed clothes hung off painfully thin frames, Salgado found he had a refugee portfolio that deserved a forum of its own. The photographs do not try to make a statement about their subjects' feelings, or to spell out the particulars of their health, educational, and housing deficits. Rather, the collection allows 90 children to look out at the viewer with all the candor of youth and all the uncertainty of their future. Beautiful, proud, pensive, and sad, they stand before the camera for a moment in their lives, but ask questions that haunt for years to come. Will they remain in exile? Will they always know an enemy? Will they grow up to forgive or seek revenge? Will they grow up at all?, In every crisis situation, children are the greatest victims. Physically weak, they are often the first to succumb to hunger, disease, and dehydration. Innocent to the workings and failings of the world, they are unable to understand why there is danger, why there are people who want to hurt them, or why they must leave, perhaps quite suddenly, and abandon their schools, their friends, and their home. In this companion series to Exodus, Sebastião Salgado presents 90 portraits of the youngest exiles, migrants, and refugees. His subjects are from different countries, victims to different crises, but they are all on the move, and all under the age of 15. Through his extensive refugee project, what struck Salgado about these boys and girls was not only the implicit innocence in their suffering but also their radiant reserves of energy and enthusiasm, even in the most miserable of circumstances. From roadside refuges in Angola and Burundi to city slums in Brazil and sprawling camps in Lebanon and Iraq, the children remained children: they were quick to laugh as much as to cry, they played soccer, splashed in dirty water, got up to mischief with friends, and were typically ecstatic at the prospect of being photographed. For Salgado, the exuberance presented a curious paradox. How can a smiling child represent circumstances of deprivation and despair? What he noticed, though, was that when he asked the children to line up, and took their portraits one by one, the group giddiness would fade. Face to face with his camera, each child would become much more serious. They would look at him not as part of a noisy crowd, but as an individual. Their poses would become earnest. They looked into the lens with a sudden intensity, as if abruptly taking stock of themselves and their situation. And in the expression of their eyes, or the nervous fidget of small hands, or the way frayed clothes hung off painfully thin frames, Salgado found he had a refugee portfolio that deserved a forum of its own. The photographs do not try to make a statement about their subjects' feelings, or to spell out the particulars of their health, educational, and housing deficits. Rather, the collection allows 90 children to look out at the viewer with all the candor of youth and all the uncertainty of their future. Beautiful, proud, pensive, and sad, they stand before the camera for a moment in their lives, but ask questions that haunt for years to come. Will they remain in exile? Will they always know an enemy? Will they grow up to forgive or seek revenge? Will they grow up at all?, In this companion portfolio to Exodus, Sebastião Salgado presents 90 portraits of the youngest migrants and refugees. From roadside refuges in Angola to sprawling camps in Lebanon, Salgado's subjects are all on the move and all under the age of 15. Proud, pensive, or sad, they gaze at the viewer with all the candor of youth as much as the uncertainty of their future.
Item description from the seller
Seller feedback (14,452)
- l***4 (3425)- Feedback left by buyer.Past monthVerified purchaseThis item was mailed promptly, arrived by the anticipated delivery date, and was exactly as described. Item was securely packaged and, as a result, was undamaged during shipment. This was a smooth transaction, and I had a nice experience working with this seller. Thank you for making this item available.
- t***2 (39)- Feedback left by buyer.Past 6 monthsVerified purchasePackaged nicely. Item as described. Professional seller. Great communicator. Shipped nicely.MARC JACOBS DARK PINK LEATHER MADE IN ITALY SHOULDER/HAND BAG NG33 (#362178526552)
- m***9 (402)- Feedback left by buyer.Past 6 monthsVerified purchaseA+ seller! Quickly and safely packaged and shipped, everything as described.Coming Of Age live the spirit residency presents the young masters 1 CD JZ1773 (#311956791620)
Seller feedback (14,452)
- l***4 (3425)- Feedback left by buyer.Past monthVerified purchaseThis item was mailed promptly, arrived by the anticipated delivery date, and was exactly as described. Item was securely packaged and, as a result, was undamaged during shipment. This was a smooth transaction, and I had a nice experience working with this seller. Thank you for making this item available.
- t***2 (39)- Feedback left by buyer.Past 6 monthsVerified purchasePackaged nicely. Item as described. Professional seller. Great communicator. Shipped nicely.MARC JACOBS DARK PINK LEATHER MADE IN ITALY SHOULDER/HAND BAG NG33 (#362178526552)
- m***9 (402)- Feedback left by buyer.Past 6 monthsVerified purchaseA+ seller! Quickly and safely packaged and shipped, everything as described.Coming Of Age live the spirit residency presents the young masters 1 CD JZ1773 (#311956791620)