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Cinematography : Theory and Practice 3rd Edition [Textbook 2016]
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Condition:
“Used and in acceptable condition. No writing or highlighting inside book. Front /back cover / spine ”... Read moreabout condition
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A book with obvious wear. May have some damage to the cover but integrity still intact. The binding may be slightly damaged but integrity is still intact. Possible writing in margins, possible underlining and highlighting of text, but no missing pages or anything that would compromise the legibility or understanding of the text.
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eBay item number:306528655338
Item specifics
- Condition
- Acceptable
- Seller Notes
- Brand
- Unbranded
- Book Title
- Cinematography: Theory and Practice: Image Making for Cinematogr
- MPN
- Does not apply
- ISBN
- 9781138940925
About this product
Product Identifiers
Publisher
Routledge
ISBN-10
1138940925
ISBN-13
9781138940925
eBay Product ID (ePID)
224121963
Product Key Features
Number of Pages
422 Pages
Publication Name
Cinematography: Theory and Practice : Image Making for Cinematographers and Directors
Language
English
Publication Year
2016
Subject
Film / General, Techniques / Cinematography & Videography
Type
Textbook
Subject Area
Performing Arts, Photography
Format
Trade Paperback
Dimensions
Item Height
0.9 in
Item Weight
43.3 Oz
Item Length
10.5 in
Item Width
7.5 in
Additional Product Features
Edition Number
3
Intended Audience
College Audience
Reviews
"It's been a painful transition from film to digital for many cinematographers. Brown takes the mystery out of it and presents the technical aspects of this change seamlessly. It is, after all, about art!" - Judy Irola, ASC, Conrad Hall Chair in Cinematography and Color Timing, USC School of Cinematic Arts "As a practicing cinematographer who also teaches, I consider The Filmmaker's Guide to Digital Imagingessential reading for my students. Blain Brown demystifies the technical processes of digital cinematography from the most basic to the more complex. Given the recent rapid development in this field, working professionals too will find this is a must-have guide. I'm one of them." - Anthony Jannelli, Head of Graduate Cinematography, Tisch School of the Arts, New York University, "It's been a painful transition from film to digital for many cinematographers. Brown takes the mystery out of it and presents the technical aspects of this change seamlessly. It is, after all, about art!" - Judy Irola, ASC, Conrad Hall Chair in Cinematography and Color Timing, USC School of Cinematic Arts "As a practicing cinematographer who also teaches, I consider The Filmmaker's Guide to Digital Imaging essential reading for my students. Blain Brown demystifies the technical processes of digital cinematography from the most basic to the more complex. Given the recent rapid development in this field, working professionals too will find this is a must-have guide. I'm one of them." - Anthony Jannelli, Head of Graduate Cinematography, Tisch School of the Arts, New York University
Dewey Edition
22
Illustrated
Yes
Dewey Decimal
778.5
Edition Description
Revised edition,New Edition
Table Of Content
Introduction Writing with Motion Visual Language Language of the Lens Visual Storytelling Coverage & Continuity Color Cameras & Sensors Measurement Exposure Linear, Gamma, Log Image Control & Grading The Tools of Lighting Lighting Basics Optics & Focus Camera Movement Set Operations Data Management Technical Issues Acknowlegements About the Website Bibliography Film Formats
Synopsis
The world of cinematography has changed more in the last few years than it has since it has in 1929, when sound recording was introduced. New technology, new tools and new methods have revolutionized the art and craft of telling stories visually. While some aspects of visual language, lighting and color are eternal, shooting methods, workflow and cameras have changed radically. Even experienced film artists have a need to update and review new methods and equipment. These change affect not only the director of photography but also the director, the camera assistants, gaffers, and digital imaging technicians. Cinematography: Theory and Practice covers both the artistry and craftsmanship of cinematography and visual storytelling. Few art forms are as tied to their tools and technology as is cinematography. Take your mastery of these new tools, techniques, and roles to the next level with this cutting-edge roadmap from author and filmmaker Blain Brown. Whether you are a student of filmmaking, just breaking into the business, currently working in the industry and looking to move up to the next level, or an experienced professional who wants to update their knowledge of tools and techniques, this book provides both a basic introduction to these issues as well as more advanced and in-depth coverage of the subject. The companion website features additional material, including lighting demonstrations, basic methods of lighting, using diffusion and other topics. Topics Include: Visual language Visual storytelling Continuity and coverage Cameras and digital sensors Exposure techniques for film and video Color in-depth Understanding digital images Waveform monitors, vectorscopes, and test charts Using linear, gamma, and log encoded video Image control and grading on the set The tools and basics of film lighting ASC-CDL, ACES and other new methods Optics and focus Camera movement Set operations Green screen, high speed and other topics
LC Classification Number
TR850.B7598 2016
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