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The James Taylor Quartet & Rochester Cathedral Choir The Rochester Mass (CD)

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Condition:
Brand New
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Price:
AU $11.53
ApproximatelyS$ 10.35
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Located in: GU14 0GT, United Kingdom
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eBay item number:305354307624
Last updated on Jun 11, 2024 21:43:08 SGTView all revisionsView all revisions

Item specifics

Condition
Brand New: An item that has never been opened or removed from the manufacturer's sealing. Item is in ...
EAN
5013929167230
Edition
Album
Style
Fusion
Release Date
27/11/2015
No Of Discs
1
MPN
CDBRED672
Title
The Rochester Mass
UPC
5013929167230
Artist
Rochester Cathedral Choir/James Taylor Quartet (Organ/Keys)
Format
CD
Producer
James Taylor
Release Year
2015
Record Label
Cherry Red
Release Title
The Rochester Mass [Digipak] *
Genre
R&B & Soul
Run Time
33 Mins 22 Seconds

About this product

Product Identifiers

Producer
James Taylor
Record Label
Cherry Red
UPC
5013929167230
eBay Product ID (ePID)
9050167721

Product Key Features

Release Year
2015
Format
CD
Genre
R&B & Soul
Run Time
33 Mins 22 Seconds
Artist
Rochester Cathedral Choir/James Taylor Quartet (Organ/Keys)
Release Title
The Rochester Mass [Digipak] *

Additional Product Features

Distribution
Cherry Red
Country/Region of Manufacture
(not USA)
Number of Discs
1
Engineer
Paul Golding
Additional information
Personnel: Claire Innes-Hopkins, Karl Gietzmann, John Ash (alto); Ewan Stockwell, Samuel Corkin (tenor); Mark Cox (guitar); Gareth Lockrane (flute); Rob Townsend (bass clarinet, saxophone); Nick Smart (flugelhorn); James Taylor (Fender Rhodes piano); Pat Illingworth (drums); Elizabeth Green, Maddy Elliott, Cosima Richards, Samantha Onyekwere, Angelica Onyekwere, David Shorinwa, Louis Dulanto-Sime. Recording information: Angel Studios (07/06/2015). Since the late '80s, keyboardist, composer, and bandleader James Taylor has been integrating the core elements of jazz-funk into as many musical settings as possible. The soul-jazz-tinged acid jazz he helped pioneer in the late '80s and throughout the 1990s has remained a central focus, but he's stretched it to embrace Motown, cinematic music, and 21st century progressive big-band sounds. Most recently, Taylor and band have been experimenting with classical music. Over the past few years, the keyboardist had been listening to French impressionist composers like Debussy, Ravel, and Delius while caring for his ailing father, who was suffering from Alzheimer's disease. They visited Rochester Cathedral together, and Taylor found beauty and solace in the choral liturgy. He realized it would be possible to wed liturgical music to jazz-funk. He began working on this mass with the Rochester Cathedral Choir in late 2013 and performing it during the following year. The Rochester Mass was recorded at Angel Street Studios during a single summer day in 2015. Taylor expanded his quartet (bassist Andrew McKinney, guitarist Mark Cox, and drummer Pat Illingworth) to an octet with orchestral percussion, reeds, flügelhorn, and flute, supporting the 34-voice Rochester Cathedral Choir. Taylor and his collaborators have created the first jazz-funk mass in the Latin tradition. The opening "Sanctus, Pt. 1" offers a bumping bassline; chunky guitar chords; short flügelhorn, flute, and saxophone solos guided by his twinkling Rhodes (the only instrument he plays on this date); and breakbeat drums. The singers offer the words in sweet, syncopated staccato cadences, curling around one another and dropping out occasionally to make room for the music. Its second part commences as a crescendo before slipping off into an emotionally resonant drift of interlocking voices and instruments and then returning with a sense of majesty. A brief tenor and baritone vocal duet introduces the "Agnus Dei," before a shimmering Debussy-esque chorus claims the center. Soft rimshots, Rhodes, and flügelhorn gently support them, followed by a solo flute cadenza and a sunny, funky resolution that is one of the album's highlights. Another is the first part of the soulful, resonant "Gloria." Usually the "Kyrie" is a solemn part of a mass, an entreaty for Divine forgiveness and reconciliation, but here -- as in the early "Sanctus, Pt. 1" -- Taylor treats it as a true celebration. Vamping guitar and Rhodes chords, shuffling R&B drums, and a backbone-rumbling b
Number of Audio Channels
Stereo

Item description from the seller

Business seller information

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  • GB 864 1548 11
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