Ruth Barton Irish Cinema in the Twenty-First Century (Paperback)

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Item specifics

Condition
Brand New: A new, unread, unused book in perfect condition with no missing or damaged pages. See all condition definitionsopens in a new window or tab
Country of Origin
GB
Book Title
Irish Cinema in the Twenty-First Century
EAN
9781526124449
ISBN-10
1526124440
Publication Name
Irish Cinema in the Twenty-First Century
ISBN
9781526124449
Genre
Films & TV
Release Date
03/25/2019
Release Year
2019
Category

About this product

Product Identifiers

Publisher
Manchester University Press
ISBN-10
1526124440
ISBN-13
9781526124449
eBay Product ID (ePID)
24038374203

Product Key Features

Number of Pages
248 Pages
Publication Name
Irish Cinema in the Twenty-First Century
Language
English
Subject
Europe / Ireland, Film / History & Criticism
Publication Year
2019
Type
Textbook
Subject Area
Performing Arts, History
Author
Ruth Barton
Format
Trade Paperback

Dimensions

Item Height
0.5 in
Item Weight
12.5 Oz
Item Length
9.2 in
Item Width
6.1 in

Additional Product Features

Intended Audience
College Audience
Reviews
'Irish Cinema in the Twenty-First Century is aimed at an academic readership and, achieving impressive comprehensiveness in a compact package, it deserves to become a standard text on an exciting, still-developing period in Irish culture. There is useful material here on horror, Northern Ireland, animation and the continuing underrepresentation of women. Her decision to begin each chapter with analysis of a short film lends the book a satisfyingly eccentric structure.'Donald Clarke, Irish Times, August 2019'With the relative lack of published literature on the Irish film industry and its product, Barton's book is a most welcome and authoritative discourse on the subject.'Books Ireland, 'Irish Cinema in the Twenty-First Century is aimed at an academic readership and, achieving impressive comprehensiveness in a compact package, it deserves to become a standard text on an exciting, still-developing period in Irish culture. There is useful material here on horror, Northern Ireland, animation and the continuing underrepresentation of women. Her decision to begin each chapter with analysis of a short film lends the book a satisfyingly eccentric structure.' Donald Clarke, Irish Times, August 2019 'With the relative lack of published literature on the Irish film industry and its product, Barton's book is a most welcome and authoritative discourse on the subject.' Books Ireland 'This is a rich, insightful book. It is intellectually rigorous but also written in an accessible, clear and concise manner, and is essential for those with an interest in Irish cinema. It will likely stand alongside Barton's earlier works as a touchstone of Irish film studies.' NewsFour, 'Irish Cinema in the Twenty-First Century is aimed at an academic readership and, achieving impressive comprehensiveness in a compact package, it deserves to become a standard text on an exciting, still-developing period in Irish culture. There is useful material here on horror, Northern Ireland, animation and the continuing underrepresentation of women. Her decision to begin each chapter with analysis of a short film lends the book a satisfyingly eccentric structure.'Donald Clarke, Irish Times, August 2019'With the relative lack of published literature on the Irish film industry and its product, Barton's book is a most welcome and authoritative discourse on the subject.'Books Ireland'This is a rich, insightful book. It is intellectually rigorous but also written in an accessible, clear and concise manner, and is essential for those with an interest in Irish cinema. It will likely stand alongside Barton's earlier works as a touchstone of Irish film studies.'NewsFour, 'Irish Cinema in the Twenty-First Century is aimed at an academic readership and, achieving impressive comprehensiveness in a compact package, it deserves to become a standard text on an exciting, still-developing period in Irish culture. There is useful material here on horror, Northern Ireland, animation and the continuing underrepresentation of women. Her decision to begin each chapter with analysis of a short film lends the book a satisfyingly eccentric structure.' Donald Clarke, Irish Times , August 2019 'With the relative lack of published literature on the Irish film industry and its product, Barton's book is a most welcome and authoritative discourse on the subject.' Books Ireland 'This is a rich, insightful book. It is intellectually rigorous but also written in an accessible, clear and concise manner, and is essential for those with an interest in Irish cinema. It will likely stand alongside Barton's earlier works as a touchstone of Irish film studies.' NewsFour
Dewey Edition
23
Illustrated
Yes
Dewey Decimal
791.43094150905
Table Of Content
Introduction 1 How to make an Irish film Short film Granny O'Grimm's Sleeping Beauty 2 Animating Ireland Short film Foxes 3 Ireland of the horrors Short film The Herd 4 Documenting Ireland Short film Pentecost 5 Irish history and trauma Short film The Shore 6 Filming Northern Ireland Short film Six Shooter 7 Rural and small-town Ireland on screen Short film New Boy 8 images of the city Conclusion Index
Synopsis
Written by one of the leading scholars in the field, this book provides a detailed account of Irish cinema in the twenty-first century. It covers new areas in Irish film production such as the creative documentary, animation and horror, and revisits key themes including the representation of history, post-Troubles cinema and Northern Ireland, rural representations and the cinema of the city. The book is informed by theories of globalisation, the transnational, cultural trauma and spatiality. One of its key concerns is the question of gender representation, but it also looks at how the new social structures of Ireland, from the Celtic Tiger to today, are treated in the work of leading filmmakers such as Lenny Abrahamson, John Crowley, Neil Jordan, the McDonagh brothers and Jim Sheridan. Focusing on exemplary case studies, the book examines how high-profile films straddle both the local and the global industries. In addition, each chapter is preceded by the analysis of a short film. Irish cinema in the twenty-first century is an important contribution to debates on the possibility of a national cinema in the age of globalisation. It will appeal to students and lecturers in film studies and Irish studies, as welt as general readers interested in contemporary Irish cinema. Book jacket., This book provides an accessible, comprehensive discussion of how a small national cinema can remain relevant in the wider environment of globalisation. It includes chapters on the creative documentary, animation and the horror film, as well as Irish history on screen and the depiction of the countryside and the city., An accessible, comprehensive overview of contemporary Irish cinema, this book is intended for use as a third-level textbook and is designed to appeal to academics in the areas of film studies and Irish studies. Responding to changes in the Irish production environment, it includes chapters on new Irish genres such as creative documentary, animation and horror. It discusses shifting representations of the countryside and the city, always with a strong concern for gender representations, and looks at how Irish historical events, from the Civil War to the Troubles, and the treatment of the traumatic narrative of clerical sexual abuse have been portrayed in recent films. It covers works by established auteurs such as Neil Jordan and Jim Sheridan, as well as new arrivals, including the Academy Award-winning Lenny Abrahamson. -- ., An accessible, comprehensive overview of contemporary Irish cinema, this book is intended for use as a third-level textbook and is designed to appeal to academics in the areas of film studies and Irish studies. Responding to changes in the Irish production environment, it includes chapters on new Irish genres such as creative documentary, animation and horror. It discusses shifting representations of the countryside and the city, always with a strong concern for gender representations, and looks at how Irish historical events, from the Civil War to the Troubles, and the treatment of the traumatic narrative of clerical sexual abuse have been portrayed in recent films. It covers works by established auteurs such as Neil Jordan and Jim Sheridan, as well as new arrivals, including the Academy Award-winning Lenny Abrahamson.
LC Classification Number
PN1993.5

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