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PRETTY MAIDS - FUTURE WORLD (IMPORT) NEW CD

Condition:
Brand New
5 available
Price:
AU $30.99
ApproximatelyS$ 27.73
Postage:
AU $20.00 (approx S$ 17.90) International Economy : tracked-no signature (11 to 35 business days). See detailsfor shipping
Located in: South Australia, Australia
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Estimated between Tue, 25 Jun and Wed, 17 Jul to 43230
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Seller information

Registered as a Business Seller
Seller assumes all responsibility for this listing.
eBay item number:295840639849
Last updated on May 28, 2024 02:26:35 SGTView all revisionsView all revisions

Item specifics

Condition
Brand New: An item that has never been opened or removed from the manufacturer's sealing. Item is in ...
CD Grading
Mint (M)
Title
FUTURE WORLD (GERMANY)
eBay Category
CDs > Pop
UPC
Does not apply
Artist
Pretty Maids
Format
CD
Record Label
Epic
Release Year
1987
Release Title
Future World
Run Time
41 Mins 22 Seconds
Genre
Heavy Metal

About this product

Product Identifiers

Record Label
Epic
UPC
5099745028122
eBay Product ID (ePID)
5050152951

Product Key Features

Artist
Pretty Maids
Format
CD
Release Year
1987
Release Title
Future World
Run Time
41 Mins 22 Seconds
Genre
Heavy Metal

Additional Product Features

Number of Discs
1
Country/Region of Manufacture
USA
Additional information
Pretty Maids: Ronnie Atkins (vocals); Ken Hammer (guitar); Alan Owen (keyboards); Allan Delong (bass); Phil Moorehead (drums). Originally released on Epic (40713). After achieving regional success with their first three records, Danish rockers Pretty Maids released Future World. Fueled by constant airplay on MTV's Headbanger's Ball and fresh off of a Scandinavian tour with Black Sabbath, the band finally had a record that connected with American audiences. Future World falls into some of the same traps that have ensnared past metal bands taking a detour into pop, as in "We Came to Rock," a diluted facsimile of Ronnie James Dio's superb "We Rock." However, the blistering title track boasts a killer guitar riff, a driving rhythm section, and lead vocalist Ronnie Atkins' full-throated Klaus Meine-like snarl. Keyboardist Alan Owen punctuates Ken Hammer's licks with a refreshing urgency that's the direct antithesis of wimpy contemporaries like White Lion and Night Ranger. And even requisite '80s power ballads -- a painful genre unto itself -- like "Love Games" and "Eye of the Storm" sound less contrived than anything that Europe ever recorded. ~ James Christopher Monger

Item description from the seller

themusesaustralia

themusesaustralia

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