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Stephen King ‘The Dark Tower’ Book VII (hard cover 2004)
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Stephen King ‘The Dark Tower’ Book VII (hard cover 2004)
US $20.00US $20.00
Oct 27, 03:14Oct 27, 03:14

Stephen King ‘The Dark Tower’ Book VII (hard cover 2004)

US $20.00
ApproximatelyS$ 26.02
Condition:
Like New
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    eBay item number:286885391978
    Last updated on Oct 25, 2025 22:07:08 SGTView all revisionsView all revisions

    Item specifics

    Condition
    Like New: A book in excellent condition. Cover is shiny and undamaged, and the dust jacket is ...
    Original Language
    English
    Personalize
    No
    Personalized
    No
    Features
    Dust Jacket
    Signed
    No
    Ex Libris
    No
    Narrative Type
    Fiction
    Intended Audience
    Adults
    Inscribed
    No
    Edition
    First Edition
    Type
    Novel
    Era
    2000s
    ISBN
    9781880418628
    Category

    About this product

    Product Identifiers

    Publisher
    Grant /Scribner, Donald M.
    ISBN-10
    1880418622
    ISBN-13
    9781880418628
    eBay Product ID (ePID)
    30749894

    Product Key Features

    Book Title
    Dark Tower
    Number of Pages
    864 Pages
    Language
    English
    Publication Year
    2004
    Topic
    Dystopian, Thrillers / Supernatural, Fantasy / Dark Fantasy, Fantasy / Epic
    Illustrator
    Yes, Whelan, Michael
    Genre
    Fiction
    Author
    Stephen King
    Book Series
    The Dark Tower Ser.
    Format
    Hardcover

    Dimensions

    Item Height
    2.2 in
    Item Weight
    48.7 Oz
    Item Length
    9 in
    Item Width
    6 in

    Additional Product Features

    Intended Audience
    Trade
    LCCN
    2004-109365
    TitleLeading
    The
    Dewey Edition
    22
    Reviews
    Publisher's WeeklyA pilgrimage that began with one lone man's quest to save multiple worlds from chaos and destruction unfolds into a tale of epic proportions. While King saw some criticism for the slow pace of 1982's The Gunslinger, the book that launched this series, The Drawing of the Three (Book II, 1987), reeled in readers with its fantastical allure. And those who have faithfully journeyed alongside Roland, Eddie, Susannah, Jake and Oy ever since will find their loyalty toward the series' creator richly rewarded.The tangled web of the tower's multiple worlds has manifested itself in many of King's other works -- The Stand (1978), Insomnia (1994) and Hearts in Atlantis (1999), to name a few. As one character explains here, "From the spring of 1970, when he typed the line The man in black fled across the desert, and the gunslinger followed...very few of the things Stephen King wrote were 'just stories.' He may not believe that; we do." King, in fact, intertwines his own life story deeper and deeper into the tale of Roland and his surrogate family of gunslingers, and, in this final installment, playfully and seductively suggests that it might not be the author who drives the story, but rather the fictional characters that control the author.This philosophical exploration of free will and destiny may surprise those who have viewed King as a prolific pop-fiction dispenser. But a closer look at the brilliant complexity of his Dark Tower world should explain why this bestselling author has finally been recognized for his contribution to the contemporary literary canon. With the conclusion of this tale, ostensibly the last published work of his career, King has certainly reached the top of his game. And as for who or what resides at the top of the tower...The many readers dying to know will have to start at the beginning and work their way up., Publisher's Weekly A pilgrimage that began with one lone man's quest to save multiple worlds from chaos and destruction unfolds into a tale of epic proportions. While King saw some criticism for the slow pace of 1982's The Gunslinger, the book that launched this series, The Drawing of the Three (Book II, 1987), reeled in readers with its fantastical allure. And those who have faithfully journeyed alongside Roland, Eddie, Susannah, Jake and Oy ever since will find their loyalty toward the series' creator richly rewarded. The tangled web of the tower's multiple worlds has manifested itself in many of King's other works -- The Stand (1978), Insomnia (1994) and Hearts in Atlantis (1999), to name a few. As one character explains here, "From the spring of 1970, when he typed the line The man in black fled across the desert, and the gunslinger followed... very few of the things Stephen King wrote were 'just stories.' He may not believe that; we do." King, in fact, intertwines his own life story deeper and deeper into the tale of Roland and his surrogate family of gunslingers, and, in this final installment, playfully and seductively suggests that it might not be the author who drives the story, but rather the fictional characters that control the author. This philosophical exploration of free will and destiny may surprise those who have viewed King as a prolific pop-fiction dispenser. But a closer look at the brilliant complexity of his Dark Tower world should explain why this bestselling author has finally been recognized for his contribution to the contemporary literary canon. With the conclusion of this tale, ostensibly the last published work of his career, King has certainly reached the top of his game. And as for who or what resides at the top of the tower...The many readers dying to know will have to start at the beginning and work their way up., Publisher's WeeklyA pilgrimage that began with one lone man's quest to save multiple worlds from chaos and destruction unfolds into a tale of epic proportions. While King saw some criticism for the slow pace of 1982'sThe Gunslinger,the book that launched this series,The Drawing of the Three(Book II, 1987), reeled in readers with its fantastical allure. And those who have faithfully journeyed alongside Roland, Eddie, Susannah, Jake and Oy ever since will find their loyalty toward the series' creator richly rewarded.The tangled web of the tower's multiple worlds has manifested itself in many of King's other works --The Stand(1978),Insomnia(1994) andHearts in Atlantis(1999), to name a few. As one character explains here, "From the spring of 1970, when he typed the lineThe man in black fled across the desert, and the gunslinger followed...very few of the things Stephen King wrote were 'just stories.' He may not believe that; we do." King, in fact, intertwines his own life story deeper and deeper into the tale of Roland and his surrogate family of gunslingers, and, in this final installment, playfully and seductively suggests that it might not be the author who drives the story, but rather the fictional characters that control the author.This philosophical exploration of free will and destiny may surprise those who have viewed King as a prolific pop-fiction dispenser. But a closer look at the brilliant complexity of his Dark Tower world should explain why this bestselling author has finally been recognized for his contribution to the contemporary literary canon. With the conclusion of this tale, ostensibly the last published work of his career, King has certainly reached the top of his game. And as for who or what resides at the top of the tower...The many readers dying to know will have to start at the beginning and work their way up.
    Series Volume Number
    7
    Dewey Decimal
    813.5/4
    Synopsis
    All good things must come to an end, Constant Reader, and not even Stephen King can make a story that goes on forever. The tale of Roland Deschain's relentless quest for the Dark Tower has, the author fears, sorely tried the patience of those who have followed it from its earliest chapters. But attend to it a while longer, if it pleases you, for this volume is the last, and often the last things are best.Roland's ka-tet remains intact, though scattered over wheres and whens. Susannah-Mia has been carried from the Dixie Pig (in the summer of 1999) to a birthing room -- really a chamber of horrors -- in Thunderclap's Fedic; Jake and Father Callahan, with Oy between them, have entered the restaurant on Lex and Sixty-first with weapons drawn, little knowing how numerous and noxious are their foes. Roland and Eddie are with John Cullum in Maine, in 1977, looking for the site on Turtleback Lane where "walk-ins" have been often seen. They want desperately to get back to the others, to Susannah especially, and yet they have come to realize that the world they need to escape is the only one that matters.Thus the book opens, like a door to the uttermost reaches of Stephen King's imagination. You've come this far. Come a little farther. Come all the way. The sound you hear may be the slamming of the door behind you. Welcome toThe Dark Tower., All good things must come to an end, Constant Reader, and not even Stephen King can make a story that goes on forever. The tale of Roland Deschain's relentless quest for the Dark Tower has, the author fears, sorely tried the patience of those who have followed it from its earliest chapters. But attend to it a while longer, if it pleases you, for this volume is the last, and often the last things are best. Roland's ka-tet remains intact, though scattered over wheres and whens. Susannah-Mia has been carried from the Dixie Pig (in the summer of 1999) to a birthing room -- really a chamber of horrors -- in Thunderclap's Fedic; Jake and Father Callahan, with Oy between them, have entered the restaurant on Lex and Sixty-first with weapons drawn, little knowing how numerous and noxious are their foes. Roland and Eddie are with John Cullum in Maine, in 1977, looking for the site on Turtleback Lane where "walk-ins" have been often seen. They want desperately to get back to the others, to Susannah especially, and yet they have come to realize that the world they need to escape is the only one that matters. Thus the book opens, like a door to the uttermost reaches of Stephen King's imagination. You've come this far. Come a little farther. Come all the way. The sound you hear may be the slamming of the door behind you. Welcome to The Dark Tower.
    LC Classification Number
    PS3561.I483D373 2004

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