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The Original Copy: Photography of Sculpture, 1839 to Today
US $35.00
ApproximatelyS$ 45.28
Condition:
“Top corner of half-title page torn out, minimal wear to corners. Binding tight and square, pages ”... Read moreabout condition
Like New
A book in excellent condition. Cover is shiny and undamaged, and the dust jacket is included for hard covers. No missing or damaged pages, no creases or tears, and no underlining/highlighting of text or writing in the margins. May be very minimal identifying marks on the inside cover. Very minimal wear and tear.
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Shipping:
US $7.72 (approx S$ 9.99) USPS Media MailTM.
Located in: Webster, New York, United States
Delivery:
Estimated between Tue, 30 Sep and Sat, 4 Oct to 94104
Returns:
30 days return. Buyer pays for return shipping. If you use an eBay shipping label, it will be deducted from your refund amount.
Coverage:
Read item description or contact seller for details. See all detailsSee all details on coverage
(Not eligible for eBay purchase protection programmes)
Seller assumes all responsibility for this listing.
eBay item number:277371909090
Item specifics
- Condition
- Like New
- Seller Notes
- ISBN
- 9780870707575
About this product
Product Identifiers
Publisher
Museum of Modern Art
ISBN-10
0870707574
ISBN-13
9780870707575
eBay Product ID (ePID)
84577548
Product Key Features
Book Title
Original Copy : Photography of Sculpture, 1839 to Today
Number of Pages
256 Pages
Language
English
Publication Year
2010
Topic
Collections, Catalogs, Exhibitions / General, Subjects & Themes / General
Illustrator
Yes
Genre
Photography
Format
Hardcover
Dimensions
Item Height
1.1 in
Item Weight
67.8 Oz
Item Length
12 in
Item Width
10 in
Additional Product Features
Intended Audience
Trade
Dewey Edition
22
TitleLeading
The
Dewey Decimal
779.973
Synopsis
Since its birth in the first half of the nineteenth century, photography has offered extraordinary possibilities of documenting, redefining and disseminating works of art. Through crop, focus, angle of view, degree of close-up and lighting, as well as through expostfacto techniques of dark room manipulation, collage, montage and assemblage, artists not only interpret the works they record but create stunning reinventions of them. The Original Copy: Photography of Sculpture, 1839 to Today presents a critical examination of the intersections between photography and sculpture, exploring how the one medium has become implicated in the understanding of the other. Through a selection of nearly 300 outstanding pictures by more than 100 artists from the nineteenth century to the present, The Original Copy looks at how and why sculpture became a photographic subject and how photography at once informs and challenges our knowledge of sculpture. The images range in subject from inanimate objects to performing bodies, and include major works by Manuel Alvarez Bravo, Eugène Atget, Herbert Bayer, Hans Bellmer, Constantin Brancusi, Brassaï, Claude Cahun, Ken Domon, Marcel Duchamp, Fischli/Weiss, Robert Frank, Lee Friedlander, David Goldblatt, Rachel Harrison, Hannah Höch, André Kertész, Louise Lawler, Man Ray, Bruce Nauman, Charles Nègre, David Smith, Alina Szapocznikow, Gillian Wearing, Hannah Wilke and Iwao Yamawaki, among others., Since its birth in the first half of the nineteenth century, photography has offered extraordinary possibilities of documenting, redefining and disseminating works of art. Through crop, focus, angle of view, degree of close-up and lighting, as well as through expostfacto techniques of dark room manipulation, collage, montage and assemblage, artists not only interpret the works they record but create stunning reinventions of them. The Original Copy: Photography of Sculpture, 1839 to Today presents a critical examination of the intersections between photography and sculpture, exploring how the one medium has become implicated in the understanding of the other. Through a selection of nearly 300 outstanding pictures by more than 100 artists from the nineteenth century to the present, The Original Copy looks at how and why sculpture became a photographic subject and how photography at once informs and challenges our knowledge of sculpture. The images range in subject from inanimate objects to performing bodies, and include major works by Manuel Alvarez Bravo, Eug ne Atget, Herbert Bayer, Hans Bellmer, Constantin Brancusi, Brassa , Claude Cahun, Ken Domon, Marcel Duchamp, Fischli/Weiss, Robert Frank, Lee Friedlander, David Goldblatt, Rachel Harrison, Hannah H ch, Andr Kert sz, Louise Lawler, Man Ray, Bruce Nauman, Charles N gre, David Smith, Alina Szapocznikow, Gillian Wearing, Hannah Wilke and Iwao Yamawaki, among others., Since its birth in the first half of the 19th century, photography has offered extraordinary possibilities of isolating works of art for study and pleasure. Through cropping, focus, angle of view, distance and lighting as well as the ex post facto techniques of dark room manipulation, collage, montage and assemblage, photographers not only interpret the artworks they record but create stunning reinventions. The Original Copy: Photography of Sculpture, 1939 to Today presents a critical examination of the intersections between photography and sculpture. Through a selection of nearly 300 outstanding pictures by more than 100 artists from the 19th century to the present, The Original Copy explores how one medium has become implicated in the understanding of the other. Photographs reproduced in this richly illustrated volume range in subject from inanimate objects to performing bodies, and include major works by medium's most influential artists, from early modernism to the present., Since its birth in the first half of the nineteenth century, photography has offered extraordinary possibilities of documenting, redefining and disseminating works of art. Through crop, focus, angle of view, degree of close-up and lighting, as well as through expostfacto techniques of dark room manipulation, collage, montage and assemblage, artists not only interpret the works they record but create stunning reinventions of them. The Original Copy: Photography of Sculpture, 1839 to Today presents a critical examination of the intersections between photography and sculpture, exploring how the one medium has become implicated in the understanding of the other. Through a selection of nearly 300 outstanding pictures by more than 100 artists from the nineteenth century to the present, The Original Copy looks at how and why sculpture became a photographic subject and how photography at once informs and challenges our knowledge of sculpture. The images range in subject from inanimate objects to performing bodies, and include major works by Manuel Alvarez Bravo, Eugne Atget, Herbert Bayer, Hans Bellmer, Constantin Brancusi, Brassa, Claude Cahun, Ken Domon, Marcel Duchamp, Fischli/Weiss, Robert Frank, Lee Friedlander, David Goldblatt, Rachel Harrison, Hannah Hch, AndrKertsz, Louise Lawler, Man Ray, Bruce Nauman, Charles Ngre, David Smith, Alina Szapocznikow, Gillian Wearing, Hannah Wilke and Iwao Yamawaki, among others.
LC Classification Number
TR658.3
Item description from the seller
Seller feedback (5,060)
- Automatische Bewertung von eBay- Feedback left by buyer.Past monthBestellung erfolgreich durchgeführt - mit Sendungsverfolgung und fristgerecht
- Automatische Bewertung von eBay- Feedback left by buyer.Past monthBestellung erfolgreich durchgeführt - mit Sendungsverfolgung und fristgerecht
- h***3 (193)- Feedback left by buyer.Past monthVerified purchaseBook arrived quickly and very well packaged. Great transaction!