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Dena Davida Curating Live Arts (Hardback) (UK IMPORT)
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eBay item number:276282267866
Item specifics
- Condition
- Brand New: A new, unread, unused book in perfect condition with no missing or damaged pages. See all condition definitionsopens in a new window or tab
- Book Title
- Curating Live Arts
- Publication Name
- Curating Live Arts : Critical Perspectives, Essays, and Conversations on Theory and Practice
- Title
- Curating Live Arts
- Subtitle
- Critical Perspectives, Essays, and Conversations on Theory and Pr
- Contributor
- Marc Pronovost (Edited by)
- Format
- Hardcover
- ISBN-10
- 178533963X
- EAN
- 9781785339639
- ISBN
- 9781785339639
- Publisher
- Berghahn Books, Incorporated
- Genre
- Music Dance & Theatre
- Subject
- Language & Reference
- Release Date
- 29/11/2018
- Release Year
- 2018
- Language
- English
- Country/Region of Manufacture
- GB
- Item Height
- 229mm
- Item Length
- 9in
- Publication Year
- 2018
- Type
- Textbook
- Item Width
- 6in
- Item Weight
- 0 Oz
- Number of Pages
- 382 Pages
About this product
Product Information
Situated at the crossroads of performance practice, museology, and cultural studies, live arts curation has grown in recent years to become a vibrant interdisciplinary project and a genuine global phenomenon. Curating Live Arts brings together bold and innovative essays from an international group of theorist-practitioners to pose vital questions, propose future visions, and survey the landscape of this rapidly evolving discipline. Reflecting the field's characteristic eclecticism, the writings assembled here offer practical and insightful investigations into the curation of theatre, dance, sound art, music, and other performance forms--not only in museums, but in community, site-specific, and time-based contexts, placing it at the forefront of contemporary dialogue and discourse.
Product Identifiers
Publisher
Berghahn Books, Incorporated
ISBN-10
178533963x
ISBN-13
9781785339639
eBay Product ID (ePID)
9038720353
Product Key Features
Publication Name
Curating Live Arts : Critical Perspectives, Essays, and Conversations on Theory and Practice
Format
Hardcover
Language
English
Publication Year
2018
Type
Textbook
Number of Pages
382 Pages
Dimensions
Item Length
9in
Item Width
6in
Item Weight
0 Oz
Additional Product Features
Lc Classification Number
Pn1575.5 .C87 2019
Reviews
"The outstanding group of researchers in this innovative book engage in a lucid flow of passion and creative power. Its narratives are drawn from experimental approaches grounded in their authors' rich lives. This anthology is comprised of unexpected revelations about curation that break the barriers of its canonic definitions, while remaining concerned with Beauty as a fundamental value and the live arts as a celebration of living." * Alma Salem, independent curator, Syria Sixth Space "This is a rich, global compilation of pieces that explore issues of power, community, inclusiveness, belonging, aesthetics, history, embodiment, epistemology, and pedagogy, all within the context of performance and the live arts." * Nicole Stanton, Wesleyan University "In seeking to reinvigorate one of the art world's most ubiquitous terms, Curating Live Arts both interrogates and celebrates the historical in tandem with new possibilities for intervention into the complex space between artists, arts workers, art projects, participants and audiences. It asks critical questions about the values, the sensibilities, and the preoccupations of curating the live arts, and includes writing from artists, curators, and activists working in politically urgent contexts far removed from the centres of 'high' art. This wide-ranging anthology makes an invaluable contribution to the complex aspirations of this ever-expanding field." * Sarah Miller, University of Wollongong, "This is a rich, global compilation of pieces that explore issues of power, community, inclusiveness, belonging, aesthetics, history, embodiment, epistemology, and pedagogy, all within the context of performance and the live arts." * Nicole Stanton, Wesleyan University, "The volume appears as an assemblage that is not immediately easy to approach, but precisely because of that, it is an extremely interesting polyphony that can illuminate our understanding of what we are talking about when we talk about curation today." * JRAI "[This book] provides momentum for the evolution of research in the curation of performance, performing arts, theatre, music, and other media included in the live arts." * ESSE (European Journal for the Study of English) "Anyone interested in the significance, purpose, or agenda of curating and curators in performing arts should read this book. The curators promoted here are not rock stars, they don't wear expensive designer clothing or hang out with celebrities, but they are deeply committed to their work, to the artists they work with, and to the communities they serve." * thINKingDANCE "The outstanding group of researchers in this innovative book engage in a lucid flow of passion and creative power. Its narratives are drawn from experimental approaches grounded in their authors' rich lives. This anthology is comprised of unexpected revelations about curation that break the barriers of its canonic definitions, while remaining concerned with Beauty as a fundamental value and the live arts as a celebration of living." * Alma Salem, independent curator, Syria Sixth Space "This is a rich, global compilation of pieces that explore issues of power, community, inclusiveness, belonging, aesthetics, history, embodiment, epistemology, and pedagogy, all within the context of performance and the live arts." * Nicole Stanton, Wesleyan University "In seeking to reinvigorate one of the art world's most ubiquitous terms, Curating Live Arts both interrogates and celebrates the historical in tandem with new possibilities for intervention into the complex space between artists, arts workers, art projects, participants and audiences. It asks critical questions about the values, the sensibilities, and the preoccupations of curating the live arts, and includes writing from artists, curators, and activists working in politically urgent contexts far removed from the centres of 'high' art. This wide-ranging anthology makes an invaluable contribution to the complex aspirations of this ever-expanding field." * Sarah Miller, University of Wollongong, "[This book] provides momentum for the evolution of research in the curation of performance, performing arts, theatre, music, and other media included in the live arts." * ESSE (European Journal for the Study of English) "Anyone interested in the significance, purpose, or agenda of curating and curators in performing arts should read this book. The curators promoted here are not rock stars, they don't wear expensive designer clothing or hang out with celebrities, but they are deeply committed to their work, to the artists they work with, and to the communities they serve." * thINKingDANCE "The outstanding group of researchers in this innovative book engage in a lucid flow of passion and creative power. Its narratives are drawn from experimental approaches grounded in their authors' rich lives. This anthology is comprised of unexpected revelations about curation that break the barriers of its canonic definitions, while remaining concerned with Beauty as a fundamental value and the live arts as a celebration of living." * Alma Salem, independent curator, Syria Sixth Space "This is a rich, global compilation of pieces that explore issues of power, community, inclusiveness, belonging, aesthetics, history, embodiment, epistemology, and pedagogy, all within the context of performance and the live arts." * Nicole Stanton, Wesleyan University "In seeking to reinvigorate one of the art world's most ubiquitous terms, Curating Live Arts both interrogates and celebrates the historical in tandem with new possibilities for intervention into the complex space between artists, arts workers, art projects, participants and audiences. It asks critical questions about the values, the sensibilities, and the preoccupations of curating the live arts, and includes writing from artists, curators, and activists working in politically urgent contexts far removed from the centres of 'high' art. This wide-ranging anthology makes an invaluable contribution to the complex aspirations of this ever-expanding field." * Sarah Miller, University of Wollongong, "Anyone interested in the significance, purpose, or agenda of curating and curators in performing arts should read this book. The curators promoted here are not rock stars, they don't wear expensive designer clothing or hang out with celebrities, but they are deeply committed to their work, to the artists they work with, and to the communities they serve." * thINKingDANCE "The outstanding group of researchers in this innovative book engage in a lucid flow of passion and creative power. Its narratives are drawn from experimental approaches grounded in their authors' rich lives. This anthology is comprised of unexpected revelations about curation that break the barriers of its canonic definitions, while remaining concerned with Beauty as a fundamental value and the live arts as a celebration of living." * Alma Salem, independent curator, Syria Sixth Space "This is a rich, global compilation of pieces that explore issues of power, community, inclusiveness, belonging, aesthetics, history, embodiment, epistemology, and pedagogy, all within the context of performance and the live arts." * Nicole Stanton, Wesleyan University "In seeking to reinvigorate one of the art world's most ubiquitous terms, Curating Live Arts both interrogates and celebrates the historical in tandem with new possibilities for intervention into the complex space between artists, arts workers, art projects, participants and audiences. It asks critical questions about the values, the sensibilities, and the preoccupations of curating the live arts, and includes writing from artists, curators, and activists working in politically urgent contexts far removed from the centres of 'high' art. This wide-ranging anthology makes an invaluable contribution to the complex aspirations of this ever-expanding field." * Sarah Miller, University of Wollongong
Copyright Date
2018
Target Audience
Scholarly & Professional
Topic
Collections, Catalogs, Exhibitions / General, Museum Studies, General, Performance
Lccn
2018-039457
Dewey Decimal
708
Dewey Edition
23
Illustrated
Yes
Genre
Art, Performing Arts
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- GB 864 1548 11
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Excellent! Record sounds great!