Assuming Boycott : Resistance, Agency and Cultural Production (2017, TPB)

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Item specifics

Condition
Very Good
A book that has been read but is in excellent condition. No obvious damage to the cover, with the dust jacket included for hard covers. No missing or damaged pages, no creases or tears, and no underlining/highlighting of text or writing in the margins. May be very minimal identifying marks on the inside cover. Very minimal wear and tear. See all condition definitionsopens in a new window or tab
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“Book in very good condition. The cover has light wear along edges, with a few small ...
ISBN
9781944869434
Category

About this product

Product Identifiers

Publisher
Or Books, LLC
ISBN-10
1944869433
ISBN-13
9781944869434
eBay Product ID (ePID)
237896654

Product Key Features

Book Title
Assuming Boycott : Resistance, Agency and Cultural Production
Number of Pages
272 Pages
Language
English
Topic
Civil Rights, General, Political Process / Political Advocacy, Civics & Citizenship
Publication Year
2017
Genre
Political Science, Business & Economics
Author
Carin Kuoni
Format
Trade Paperback

Dimensions

Item Height
0.8 in
Item Weight
13.8 Oz
Item Length
8.2 in
Item Width
5.5 in

Additional Product Features

LCCN
2017-279454
Dewey Edition
23
Reviews
Praise for Assuming Boycott "Artistic resistance has seldom proven so socially useful, or as complicated. This intellectually engaging study targets the paradoxes, limitations, and media spectacle of organized cultural boycotts and state-sponsored censorship from South African apartheid in the 1980s, to present day Israel-Palestine, Cuba, the Gulf States, the United Kingdom, and the United States among other geopolitical zones of conflict." --Gregory Sholette, artist and author of Delirium and Resistance: Activist Art and the Crisis of Capitalism " Assuming Boycott defiantly holds the best arguments regarding boycott. It shows that boycott is not only a form of sanctions but also an invitation to dialogue. This collection of essays offers a historical perspective with comparative case studies, making it the ultimate resource to help decide where to draw the ethical line." --Galit Eilat, writer and curator, co-curator of 31st São Paulo Biennial " Assuming Boycott is an essential contribution to an ongoing, urgent conversation about how artists, writers, and thinkers have time and again created subtle, meaningful, powerful, and vibrant ways to engage the political sphere. This book is a valuable guide to cultural boycotts from South Africa to Palestine." --Walid Raad, artist, professor, Cooper Union "The brilliant writers and debaters assembled here come at the issue from different angles, all from the central belief that art is never not political." --Holland Cotter, co-chief art critic, The New York Times "An essential guide to the terrain of cultural politics today. With colleagues and comrades like these, one feels not only bolstered but downright emboldened." --Hal Foster, Professor of Art and Archaeology, Princeton University, Praise for Assuming Boycott "Artistic resistance has seldom proven so socially useful, or as complicated. This intellectually engaging study targets the paradoxes, limitations, and media spectacle of organized cultural boycotts and state-sponsored censorship from South African apartheid in the 1980s, to present day Israel-Palestine, Cuba, the Gulf States, the United Kingdom, and the United States among other geopolitical zones of conflict." --Gregory Sholette, artist and author of Delirium and Resistance: Activist Art and the Crisis of Capitalism " Assuming Boycott defiantly holds the best arguments regarding boycott. It shows that boycott is not only a form of sanctions but also an invitation to dialogue. This collection of essays offers a historical perspective with comparative case studies, making it the ultimate resource to help decide where to draw the ethical line." --Galit Eilat, writer and curator, co-curator of 31st So Paulo Biennial " Assuming Boycott is an essential contribution to an ongoing, urgent conversation about how artists, writers, and thinkers have time and again created subtle, meaningful, powerful, and vibrant ways to engage the political sphere. This book is a valuable guide to cultural boycotts from South Africa to Palestine." --Walid Raad, artist, professor, Cooper Union "The brilliant writers and debaters assembled here come at the issue from different angles, all from the central belief that art is never not political." --Holland Cotter, co-chief art critic, The New York Times "An essential guide to the terrain of cultural politics today. With colleagues and comrades like these, one feels not only bolstered but downright emboldened." --Hal Foster, Professor of Art and Archaeology, Princeton University
Dewey Decimal
327.117
Table Of Content
Introduction by Kareem EstefanI. The Cultural Boycott of Apartheid South AfricaSean Jacobs, The Legacy of the Cultural Boycott Against South AfricaJohn Peffer, Art, Resistance, and Community in 1980s South AfricaHlonipha Mokoena, Kwaito: The Revolution Was Not Televised; It Announced Itself in SongFrank B. Wilderson III, Incognegro: A Memoir of Exile and Apartheid (excerpt)II. BDS and the Cultural Boycott of IsraelAriella Azoulay, "We," Palestinians and Jewish Israelis: The Right Not to Be a PerpetratorNoura Erakat, The Case for BDS and the Path to Co-ResistanceEyal Weizman and Kareem Estefan, Extending Co-ResistanceNasser Abourahme, Boycott, Decolonization, Return: BDS and the Limits of Political SolidarityJoshua Simon, Neoliberal Politics, Protective Edge, and BDSYazan Khalili, The Utopian ConflictIII. Who Speaks? Who Is Silenced?Tania Bruguera, The Shifting Grounds of Censorship and Freedom of Expression, from Cuba to IsraelNaeem Mohaiemen, The Loneliness of the Long-Distance CampaignSvetlana Mintcheva, Structures of Power and the Ethical Limits of SpeechAnn Laura Stoler, By Colonial Design: Or, Why We Say We Don't Know EnoughIV. Dis/engagement From AfarChelsea Haines, The Distant ImageMariam Ghani with Haig Aivazian, 52 Weeks, and Engaging by DisengagingNathan Gray and Ahmet Ögüt, Not Walking Away: Participation and Withdrawal in the 2014 SydneyBiennialRadhika Subramaniam, Loose Connection
Synopsis
Street protests are one side of a worldwide citizens' movement. Another side is the increasing use of boycotts, one of the most powerful weapons in the organizer's arsenal: it is an effective and moral lever for civil rights, most notably today in its adoption by the BDS movement. Since the days of the 19th century Irish land wars, when Irish tenant farmers defied the actions of Captain Charles Boycott and English landlords, "boycott" has been a method that's had an impact time and again. In the 20th century, it notably played central roles in the liberation of India and South Africa and the struggle for civil rights in the U.S.: the 1955 Montgomery bus boycott is generally seen as a turning point in the movement against segregation. Assuming Boycott is the essential reader for today's creative leaders and cultural practitioners, including original contributions by artists, scholars, activists, critics, curators and writers who examine the historical precedent of South Africa; the current cultural boycott of Israel; freedom of speech and self-censorship; and long-distance activism. It is about consequences and causes of cultural boycott. Far from withdrawal or cynicism, boycott emerges as a productive tool of creative and productive engagement., The power of refusing to participate has never been on people's minds as much as it is today. Non-violent and supremely effective, cultural boycotts are in place around the world and gaining in popularity. The essential anthology on a topic that's constantly in the news.
LC Classification Number
HD5461.A8 2017

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Goodware by Konseptual

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Goodware is a carefully curated collection of thrift and used items, mostly consisting of Books, DVDs and other Media, as well as select Clothing and Miscellaneous items.. I had previously sold on ...
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