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Uncredited: Graphic Design & Opening Titles in Movies Z12
US $35.00
ApproximatelyS$ 45.21
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Condition:
“Very good, no DVD”
Good
A book that has been read but is in good condition. Very minimal damage to the cover including scuff marks, but no holes or tears. The dust jacket for hard covers may not be included. Binding has minimal wear. The majority of pages are undamaged with minimal creasing or tearing, minimal pencil underlining of text, no highlighting of text, no writing in margins. No missing pages.
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Shipping:
US $3.99 (approx S$ 5.15) USPS Media MailTM.
Located in: Shippensburg, Pennsylvania, United States
Delivery:
Estimated between Wed, 1 Oct and Tue, 7 Oct to 94104
Returns:
30 days return. Seller pays for return shipping.
Coverage:
Read item description or contact seller for details. See all detailsSee all details on coverage
(Not eligible for eBay purchase protection programmes)
Seller assumes all responsibility for this listing.
eBay item number:267129049413
Item specifics
- Condition
- Good
- Seller Notes
- “Very good, no DVD”
- ISBN
- 9788496309524
About this product
Product Identifiers
Publisher
INDEX Books, Spain
ISBN-10
8496309525
ISBN-13
9788496309524
eBay Product ID (ePID)
66849867
Product Key Features
Book Title
Uncredited : Graphic Design and Opening Titles in Movies
Number of Pages
320 Pages
Language
English
Topic
Graphic Arts / Typography, Film / History & Criticism, Graphic Arts / General
Publication Year
2008
Illustrator
Yes
Genre
Design, Performing Arts
Format
Hardcover
Dimensions
Item Height
1.3 in
Item Weight
81 Oz
Item Length
12.1 in
Item Width
9.8 in
Additional Product Features
Intended Audience
Trade
Dewey Edition
23
Dewey Decimal
741.6
Synopsis
Uncredited examines how opening sequences in films, classic and contemporary, act as hooks to draw the viewer into the film, showing frame by frame how graphics, type and animation are used to create atmosphere, set tone, and lend impact to movies. Chapters include Casting Titles on to Film, Titles as Logos, Textures, Concepts, and well as chapters focusing on specific title designers including Maurice Binder who was responsible for Dr. No and the brand image for every 007 film since 1962. Also included is an examination of the technological advancements in filmmaking that have allowed designers to direct credits as an aide, an advertisement, or as a sort of short abstract film within a film. From Hitchcock and Godard to Tarantino, Luc Besson, and Tim Burton, this large format coffee table book finally illuminates this critical role designers play in filmmaking and gives credit to those, that often goes uncredited.
Item description from the seller
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