DOWNVERSE, Very Good Books

US $6.27
ApproximatelyS$ 8.03
Condition:
Very Good
***VERY GOOD CONDITION***CLEAN PAGES*** [Ex-library: call number, 2 stamps, 2 stickers.] Light ... Read moreabout condition
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eBay item number:267054952954
Last updated on Aug 14, 2025 22:44:09 SGTView all revisionsView all revisions

Item specifics

Condition
Very Good
A book that has been read but is in excellent condition. No obvious damage to the cover, with the dust jacket included for hard covers. No missing or damaged pages, no creases or tears, and no underlining/highlighting of text or writing in the margins. May be very minimal identifying marks on the inside cover. Very minimal wear and tear. See all condition definitionsopens in a new window or tab
Seller Notes
“***VERY GOOD CONDITION***CLEAN PAGES*** [Ex-library: call number, 2 stamps, 2 stickers.] Light ...
Ex Libris
Yes
Era
2010s
Vintage
No
Intended Audience
Adults
Country/Region of Manufacture
Canada
Features
Ex-Library
ISBN
9780889228542
Category

About this product

Product Identifiers

Publisher
Talonbooks, The Limited
ISBN-10
088922854X
ISBN-13
9780889228542
eBay Product ID (ePID)
23038512102

Product Key Features

Book Title
Downverse
Number of Pages
128 Pages
Language
English
Publication Year
2013
Topic
Canadian
Genre
Poetry
Author
Nikki Reimer
Format
Trade Paperback

Dimensions

Item Height
0.2 in
Item Weight
6 Oz
Item Length
9 in
Item Width
6 in

Additional Product Features

Intended Audience
Trade
Reviews
"... if Downverse succeeds where other works in a similar mien do not, it is because Reimer articulates a counter-grammar to its own cliché-laden registers. What Reimer ultimately delivers is a poetics of conjunction itself, a poetics in which even disjunction is a form of joining. Downverse is the reliquary appropriate to this alchemy of joining, and the multifarious, obstinate objects you will find within it become ever more fascinating as you turn them over in your hands." - Ethos Review, "What Reimer ultimately delivers is a poetics of conjunction itself, a poetics in which even disjunction is a form of joining. Downverse is the reliquary appropriate to this alchemy of joining, and the multifarious, obstinate objects you will find within it become ever more fascinating as you turn them over in your hands." 'e" Ethos Review 'eoeNikki Reimer'e(tm)s DOWNVERSE registers the commotion of noise when it'e(tm)s pronounced choice in the heated work of poetic composition. Right there, at the edge of the word, the phrase, the pronoun, the vortex of the sudden twists in the urgency of procedure. Her poetry has more to do with being there than getting there; each moment in the language opts for the next now. The advantage of total assault in this performance is understanding by immersion. Placed, justifiably, in the pantheon of recent city poems, the section 'e~vancouverlament'e(tm) opens with 'e~haute action material,'e(tm) a title that also accurately underscores this collection of writing as hot!'e� 'e" Fred Wah 'eoeThe poems in DOWNVERSE are centered in rage, boredom, grief, confusion and despair. Reimer displays a mistrust in the poem, while concurrently stretching the scope of what just might be possible.'e� 'e" The Small Press Book Review, "humorous and sharply critical. Reimer immerses her writing within the conditions of millennials - a generation of supposedly disappointed and disenfranchised persons faced with social, economic, and political uncertainty. Employing tactics of erasure, collage, and unconventional typography, DOWNVERSE intervenes into and reconfigures the linguistic materials of new media to work through these issues in a way that is reflective of the disjunctive information age, but also critical of the conditions that come with it. ... Both a lament and an expression of frustration, DOWNVERSE perfectly captures the cynicism of a generation, but also represents a desire to find a pathway out of these mired conditions. " - Canadian Literature, "Nikki Reimer's DOWNVERSE registers the commotion of noise when it's pronounced choice in the heated work of poetic composition. Right there, at the edge of the word, the phrase, the pronoun, the vortex of the sudden twists in the urgency of procedure. Her poetry has more to do with being there than getting there; each moment in the language opts for the next now. The advantage of total assault in this performance is understanding by immersion. Placed, justifiably, in the pantheon of recent city poems, the section 'vancouverlament' opens with 'haute action material,' a title that also accurately underscores this collection of writing as hot!" - Fred Wah, "The poems in DOWNVERSE are centered in rage, boredom, grief, confusion and despair. Reimer displays a mistrust in the poem, while concurrently stretching the scope of what just might be possible." - The Small Press Book Review
Dewey Edition
23
Dewey Decimal
811/.6
Synopsis
In this quick-witted collection of poems, Nikki Reimer mines the language of new media - hashtags, YouTube comments, Twitter updates - to defamiliarize the very substance of modern life: the Ingram CoreSource of media-enforced ideals that barrage our newsfeeds, daily commutes to #work, and (mostly online) excursions to the (Apple) store. #nuffsaid DOWNVERSE soothes the oversaturated reader. A natural translator, Reimer writes for anyone who has felt overwhelmed by the phrase "never read the comments." Reimer has read all of the comments; paying close attention to musicality and her own poetic process, she guides found text into whiplike stanzas with original typos intact. Conscious of its birthplace, DOWNVERSE crafts both an ode to and an elegy for Vancouver's middle-class, Gen-Y, millennial angst, and even Vancouver itself - not the physical place, but rather the idea of #Vancouver, presented through images plastered over billboards and stamped into Special Edition footwear. In its shifty way, Reimer's text alternates between the voices of Vancouver's youth- and consumer-driven populace, asking the question, "What happens when The Market is the Way, the Truth, and the Life?", In this quick-witted collection of poems, Nikki Reimer mines the language of new media - hashtags, YouTube comments, Twitter updates - to defamiliarize the very substance of modern life: the constellation of media-enforced ideals that barrage our newsfeeds, daily commutes to #work, and (mostly online) excursions to the (Apple) store. #nuffsaid DOWNVERSE soothes the oversaturated reader. A natural translator, Reimer writes for anyone who has felt overwhelmed by the phrase "never read the comments." Paying close attention to musicality and her own poetic process, Reimer guides found text into whiplike stanzas with original typos intact. Conscious of its birthplace, DOWNVERSE crafts both an ode to and an elegy for Vancouver's middle-class, Gen-Y, millennial angst, and even Vancouver itself - not the physical place, but rather the idea of #Vancouver, presented through images plastered over billboards and stamped into Special Edition footwear. In its shifty way, Reimer's text alternates between the voices of Vancouver's youth- and consumer-driven populace, asking the question, "What happens when the Market is the Way, the Truth, and the Life?" He had everything he had hoped to have by that age - a well-paying job, a new house, a fancy car, true love - but he still couldn't shake his jitters. What the hell do you know about layout, anyhow? And so, on the afternoon of the actual day, he swung by his doctor and had several units of Botox injected into the slight furrows in his brow. It was past midnight when we realized that the sunscreen we were wearing had sparkles. Thirty may have felt old to him, but there was no reason he had to look it., DOWNVERSE bristles with insight and wit as it shifts seamlessly between issues of globalism, neoliberalism, economic volatility, and pop culture.

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Lot O'Books

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