Picture 1 of 1
Gallery
Picture 1 of 1
Have one to sell?
Political Allegory in Late Medieval England by Ann W. Astell (1999, Hardcover)
US $49.95
ApproximatelyS$ 64.17
Condition:
Brand New
A new, unread, unused book in perfect condition with no missing or damaged pages.
Oops! Looks like we're having trouble connecting to our server.
Refresh your browser window to try again.
Shipping:
US $5.97 (approx S$ 7.67) USPS Media MailTM.
Located in: Richmond, Virginia, United States
Delivery:
Estimated between Thu, 25 Sep and Tue, 30 Sep to 94104
Returns:
30 days return. Buyer pays for return shipping. If you use an eBay shipping label, it will be deducted from your refund amount.
Coverage:
Read item description or contact seller for details. See all detailsSee all details on coverage
(Not eligible for eBay purchase protection programmes)
Seller assumes all responsibility for this listing.
eBay item number:256871760266
Item specifics
- Condition
- Brand New: A new, unread, unused book in perfect condition with no missing or damaged pages. See all condition definitionsopens in a new window or tab
- Literary Movement
- Medieval
- ISBN
- 9780801435607
About this product
Product Identifiers
Publisher
Cornell University Press
ISBN-10
0801435609
ISBN-13
9780801435607
eBay Product ID (ePID)
758295
Product Key Features
Book Title
Political Allegory in Late Medieval England
Number of Pages
232 Pages
Language
English
Topic
Medieval, Poetry, Subjects & Themes / Politics, Europe / Medieval, Subjects & Themes / General
Publication Year
1999
Genre
Literary Criticism, History
Format
Hardcover
Dimensions
Item Height
0.9 in
Item Weight
32.1 Oz
Item Length
9 in
Item Width
6 in
Additional Product Features
Intended Audience
Trade
LCCN
98-042272
Grade From
College Graduate Student
Synopsis
Ann W. Astell here affords a radically new understanding of the rhetorical nature of allegorical poetry in the late Middle Ages. She shows that major English writers of that era--among them, William Langland, John Gower, Geoffrey Chaucer, and the..., Ann W. Astell here affords a radically new understanding of the rhetorical nature of allegorical poetry in the late Middle Ages. She shows that major English writers of that era--among them, William Langland, John Gower, Geoffrey Chaucer, and the Gawain-poet--offered in their works of fiction timely commentary on current events and public issues. Poems previously regarded as only vaguely political in their subject matter are seen by Astell to be highly detailed and specific in their veiled historical references, implied audiences, and admonitions. Astell begins by describing the Augustinian and Boethian rhetorical principles involved in the invention of allegory. She then compares literary and historical treatments of key events in fourteenth- and fifteenth-century England, finding an astonishing match of allusions and code words, especially those deriving from puns, titles, heraldic devices, and personal cognizances, as well as repeated proverbs, prophecies, and exempla. Among the works she discusses are John Ball's Letters and parts of Piers Plowman, which she presents as two examples of allegorical literature associated with the Peasants' Revolution of 1381; Gower's allegorical representation of the Merciless Parliament of 1388 in Confessio Amantis; and Chaucer's brilliant literary handling of key events in the reign of Richard II. In addition Astell argues for a precise dating of Sir Gawain and the Green Knight between 1397 and 1399 and decodes the work as a political allegory., Ann W. Astell here affords a radically new understanding of the rhetorical nature of allegorical poetry in the late Middle Ages. She shows that major English writers of that era--among them, William Langland, John Gower, Geoffrey Chaucer, and the Gawain-poet--offered in their works of fiction timely commentary on current events and public issues. Poems previously regarded as only vaguely political in their subject matter are seen by Astell to be highly detailed and specific in their veiled historical references, implied audiences, and admonitions. Astell begins by describing the Augustinian and Boethian rhetorical principles involved in the invention of allegory. She then compares literary and historical treatments of key events in fourteenth- and fifteenth-century England, finding an astonishing match of allusions and code words, especially those deriving from puns, titles, heraldic devices, and personal cognizances, as well as repeated proverbs, prophecies, and exempla. Among the works she discusses are John Ball's Letters and parts of Piers Plowman , which she presents as two examples of allegorical literature associated with the Peasants' Revolution of 1381; Gower's allegorical representation of the Merciless Parliament of 1388 in Confessio Amantis ; and Chaucer's brilliant literary handling of key events in the reign of Richard II. In addition Astell argues for a precise dating of Sir Gawain and the Green Knight between 1397 and 1399 and decodes the work as a political allegory., Ann W. Astell here affords a radically new understanding of the rhetorical nature of allegorical poetry in the late Middle Ages. She shows that major English writers of that era?among them, William Langland, John Gower, Geoffrey Chaucer, and the Gawain-poet?offered in their works of fiction timely commentary on current events and public issues. Poems previously regarded as only vaguely political in their subject matter are seen by Astell to be highly detailed and specific in their veiled historical references, implied audiences, and admonitions. Astell begins by describing the Augustinian and Boethian rhetorical principles involved in the invention of allegory. She then compares literary and historical treatments of key events in fourteenth- and fifteenth-century England, finding an astonishing match of allusions and code words, especially those deriving from puns, titles, heraldic devices, and personal cognizances, as well as repeated proverbs, prophecies, and exempla. Among the works she discusses are John Ball's Letters and parts of Piers Plowman , which she presents as two examples of allegorical literature associated with the Peasants' Revolution of 1381; Gower's allegorical representation of the Merciless Parliament of 1388 in Confessio Amantis ; and Chaucer's brilliant literary handling of key events in the reign of Richard II. In addition Astell argues for a precise dating of Sir Gawain and the Green Knight between 1397 and 1399 and decodes the work as a political allegory.
LC Classification Number
PR275.P64A68 1998
Item description from the seller
Seller feedback (237)
- Automatyczna opinia eBay- Feedback left by buyer.Past monthZamówienie zostało zrealizowane – ze śledzeniem i na czas
- Automatyczna opinia eBay- Feedback left by buyer.Past monthZamówienie zostało zrealizowane – ze śledzeniem i na czas
- Automatyczna opinia eBay- Feedback left by buyer.Past monthZamówienie zostało zrealizowane – ze śledzeniem i na czas
Seller feedback (237)
- Automatyczna opinia eBay- Feedback left by buyer.Past monthZamówienie zostało zrealizowane – ze śledzeniem i na czas
- Automatyczna opinia eBay- Feedback left by buyer.Past monthZamówienie zostało zrealizowane – ze śledzeniem i na czas
- Automatyczna opinia eBay- Feedback left by buyer.Past monthZamówienie zostało zrealizowane – ze śledzeniem i na czas