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Acting (Re)Considered : A Theoretical and Practical Guide by Phillip B. Zarrilli
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Condition:
Very Good
A book that has been read but is in excellent condition. No obvious damage to the cover, with the dust jacket included for hard covers. No missing or damaged pages, no creases or tears, and no underlining/highlighting of text or writing in the margins. May be very minimal identifying marks on the inside cover. Very minimal wear and tear.
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US $5.22 (approx S$ 6.74) USPS Media MailTM.
Located in: Ypsilanti, Michigan, United States
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Estimated between Fri, 10 Oct and Wed, 15 Oct to 94104
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eBay item number:255539113334
Item specifics
- Condition
- ISBN
- 9780415263009
About this product
Product Identifiers
Publisher
Taylor & Francis Group
ISBN-10
041526300X
ISBN-13
9780415263009
eBay Product ID (ePID)
16038417891
Product Key Features
Number of Pages
416 Pages
Publication Name
Acting (Re) Considered : a Theoretical and Practical Guide
Language
English
Subject
Theater / General, General, Acting & Auditioning
Publication Year
2002
Type
Textbook
Subject Area
Performing Arts
Format
Uk-B Format Paperback
Dimensions
Item Height
0.9 in
Item Weight
30.4 Oz
Item Length
9.6 in
Item Width
7 in
Additional Product Features
Edition Number
2
Intended Audience
College Audience
LCCN
2002-028460
Reviews
'Changes the parameters of what acting is, or is thought to be.' - Theatre Journal 'A bridge between the theoretical and the practical ... an important contribution to theatre studies.' - Back Stage 'An exciting cross section of contemporary writing about acting ... immensely valuable, and a model of critical acumen.' - The Drama Review
Dewey Edition
21
Grade From
College Freshman
Illustrated
Yes
Dewey Decimal
792/.028
Table Of Content
Chapter 1 GENERAL INTRODUCTION, Phillip B. Zarrilli; Part 1 THEORIES OF AND MEDITATIONS ON ACTING; Chapter 2 INTRODUCTION, Phillip B. Zarrilli; Chapter 3 THE ACTOR'S PRESENCE, Bert O. States; Chapter 4 ON ACTING AND NOT-ACTING, Michael Kirby; Chapter 5 JUST BE YOUR SELF, Philip Auslander; Chapter 6 THE ACTOR'S EMOTIONS RECONSIDERED, Elly Konijn; Part 2 (RE)CONSIDERING THE BODY AND TRAINING; Chapter 7 INTRODUCTION, Phillip B. Zarrilli; Chapter 8 AN AMULET MADE OF MEMORY, Eugenio Barba; Chapter 9 MEYERHOLD'SETIENNE DECROUX'S PROMETHEAN MIME, Deidre Sklar; Chapter 11 ACTOR TRAINING IN THE NEUTRAL MASK, Sears A. Eldredge, Hollis W. Huston; Chapter 12 BALI AND GROTOWSKI, I Wayan Lendra; Chapter 13 CULTURE IS THE BODY, Tadashi Suzuki; Chapter 14 MY BODIES, Kathy Foley; Chapter 15 ON THE EDGE OF A BREATH, LOOKING, Phillip B. Zarrilli; Chapter 16 THE GARDZIENICE THEATRE ASSOCIATION OF POLAND, Paul Allain; Chapter 17 EFFECTOR PATTERNS OF BASIC EMOTIONS, Susana Bloch, Pedro Orthous, Guy Santibañez-H; Part 3 (RE)CONSIDERING THE ACTOR IN PERFORMANCE; Chapter 18 INTRODUCTION, Phillip B. Zarrilli; Chapter 19 BRECHT AND THE CONTRADICTORY ACTOR, John Rouse; Chapter 20 DARIO FO, Ron Jenkins; Chapter 21 FORUM THEATRE, Augusto Boal; Chapter 22 RESISTING THE ORGANIC, Lauren Love; Chapter 23 RACHEL ROSENTHAL CREATING HER SELVES, Eelka Lampe; Chapter 24 TASK AND VISION, Philip Auslander; Chapter 25 DAVID WARRILOW, Laurie Lassiter; Chapter 26 ROBERT WILSON AND THE ACTOR, Ellen Halperin-Royer; Chapter 27 ANNA DEAVERE SMITH;
Edition Description
Revised edition,New Edition
Synopsis
This is an exceptionally wide-ranging collection of theories on acting, ideas about body and training, and statements about the actor in performance., Acting (Re)Considered is an exceptionally wide-ranging collection of theories on acting, ideas about body and training, and statements about the actor in performance. This second edition includes five new essays and has been fully revised and updated, with discussions by or about major figures who have shaped theories and practices of acting and performance from the late nineteenth century to the present. The essays - by directors, historians, actor trainers and actors - bridge the gap between theories and practices of acting, and between East and West. No other book provides such a wealth of primary and secondary sources, bibliographic material, and diversity of approaches. It includes discussions of such key topics as: * how we think and talk about acting * acting and emotion * the actor's psychophysical process * the body and training * the actor in performance * non-Western and cross-cultural paradigms of the body, training and acting. Acting (Re)Considered is vital reading for all those interested in performance.
LC Classification Number
PN2061.A3 2002
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