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CAMBRIDGE COMPANION TO MOLIERE by David Bradby, Andrew Calder HC 2006 New
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eBay item number:252399218951
Item specifics
- Condition
- Brand New: A new, unread, unused book in perfect condition with no missing or damaged pages. See all condition definitionsopens in a new window or tab
- Topic
- Moliere, Art History
- Subject
- Literary Criticism
- Title/Series
- Cambridge Companions to Literature Series
- ISBN
- 9780521837590
About this product
Product Identifiers
Publisher
Cambridge University Press
ISBN-10
0521837596
ISBN-13
9780521837590
eBay Product ID (ePID)
52429189
Product Key Features
Number of Pages
268 Pages
Publication Name
Cambridge Companion to Molière
Language
English
Subject
Drama, European / General
Publication Year
2006
Type
Textbook
Subject Area
Literary Criticism, Drama
Series
Cambridge Companions to Literature Ser.
Format
Hardcover
Dimensions
Item Height
0.6 in
Item Weight
18.8 Oz
Item Length
9 in
Item Width
6 in
Additional Product Features
Intended Audience
Scholarly & Professional
LCCN
2006-002816
Reviews
"The highest compliment that one can pay to this well-written, appropriately illustrated book is that it spurs us on to revisit Moliere. These essays demonstrate the appropriateness of the focus on Moliere in the past decade, first with the creation of the admirable toutmolier.net website, then with the publication of the eminently useful Moliere Encyclopedia in 2002, and now with the Cambridge Companion." - Ronald W. Tobin, University of California, Santa Barbara
TitleLeading
The
Dewey Edition
22
Illustrated
Yes
Dewey Decimal
842/.4
Table Of Content
Preface; Acknowledgements; Chronology; 1. The career strategy of an actor turned playwright: 'de l'audace, encore de l'audace, toujours de l'audace' Marie-Claude Canova-Green; 2. The material conditions of Molière's stage Jan Clarke; 3. The master and the mirror: Scaramouche and Molière Stephen Knapper; 4. Molière as satirist Larry F. Norman; 5. How (and why) not to take Molière too seriously Richard Parish; 6. L'Avare or Harpagon's masterclass in comedy Robert McBride; 7. Laughter and irony in Le Misanthrope Andrew Calder; 8. Comédies-ballets Charles Mazouer; 9. Le Bourgeois gentilhomme: Molière and music John S. Powell; 10. Medicine and entertainment in Le Malade imaginaire Julia Prest; 11. Molière and the teaching of Frenchness: Les Femmes savantes as a case study Ralph Albanese, Jr; 12. L'École des femmes: matrimony and the laws of chance Roxanne Lalande; 13. Molière nationalised: Tartuffe on the British stage from the Restoration to the present day Noël Peacock; 14. Landmark twentieth-century productions of Molière: a transatlantic perspective on Molière: mise en scène and its historiography Jim Carmody; 15. Dom Juan: the directors' play David Whitton; 16. 'Reculer pour mieux sauter': modern experimental theatre's debt to Molière David Bradby; Select bibliography.
Synopsis
A broad and detailed introduction to Molière and his plays, this Companion examines Molière's life and career, his theatres, comedy and satire in his plays, and his innovative comédies-ballets., A detailed introduction to Moli re and his plays, this Companion evokes his own theatrical career, his theatres, patrons, the performers and theatre staff with whom he worked, and the various publics he and his troupes entertained with such success. It looks at his particular brands of comedy and satire. L' cole des femmes, Le Tartuffe, Dom Juan, Le Misanthrope, L'Avare and Les Femmes savantes are examined from a variety of different viewpoints, and through the eyes of different ages and cultures. The comedies-ballets, a genre invented by Moli re and his collaborators, are re-instated to the central position which they held in his oeuvre in Moli re's own lifetime; his two masterpieces in this genre, Le Bourgeois gentilhomme and Le Malade imaginaire, have chapters to themselves. Finally, the Companion looks at modern directors' theatre, exploring the central role played by productions of his work in successive 'revolutions' in the dramatic arts in France., A detailed introduction to Moliere and his plays, this Companion evokes his own theatrical career, his theatres, patrons, the performers and theatre staff with whom he worked, and the various publics he and his troupes entertained with such success. It looks at his particular brands of comedy and satire. L'Ecole des femmes, Le Tartuffe, Dom Juan, Le Misanthrope, L'Avare and Les Femmes savantes are examined from a variety of different viewpoints, and through the eyes of different ages and cultures. The comedies-ballets, a genre invented by Moliere and his collaborators, are re-instated to the central position which they held in his uvre in Moliere's own lifetime; his two masterpieces in this genre, Le Bourgeois gentilhomme and Le Malade imaginaire, have chapters to themselves. Finally, the Companion looks at modern directors' theatre, exploring the central role played by productions of his work in successive 'revolutions' in the dramatic arts in France.", A detailed introduction to Molière and his plays, this Companion evokes his own theatrical career, his theatres, patrons, the performers and theatre staff with whom he worked, and the various publics he and his troupes entertained with such success. It looks at his particular brands of comedy and satire. L'École des femmes, Le Tartuffe, Dom Juan, Le Misanthrope, L'Avare and Les Femmes savantes are examined from a variety of different viewpoints, and through the eyes of different ages and cultures. The comedies-ballets, a genre invented by Molière and his collaborators, are re-instated to the central position which they held in his oeuvre in Molière's own lifetime; his two masterpieces in this genre, Le Bourgeois gentilhomme and Le Malade imaginaire, have chapters to themselves. Finally, the Companion looks at modern directors' theatre, exploring the central role played by productions of his work in successive 'revolutions' in the dramatic arts in France.
LC Classification Number
PQ1860.C36 2006
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