Art History in the Wake of the Global Turn (Clark Studies in the Visual Arts), ,

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Item specifics

Condition
Good: A book that has been read but is in good condition. Very minimal damage to the cover including ...
ISBN
9780300196856
Category

About this product

Product Identifiers

Publisher
Yale University Press
ISBN-10
0300196857
ISBN-13
9780300196856
eBay Product ID (ePID)
166711989

Product Key Features

Number of Pages
256 Pages
Publication Name
Art History in the Wake of the Global Turn
Language
English
Subject
Globalization, Criticism & Theory, Study & Teaching, History / General
Publication Year
2014
Type
Textbook
Author
Jill Casid
Subject Area
Art, Political Science
Series
Clark Studies in the Visual Arts Ser.
Format
Trade Paperback

Dimensions

Item Height
0.1 in
Item Weight
23.9 Oz
Item Length
1 in
Item Width
0.7 in

Additional Product Features

Intended Audience
Scholarly & Professional
LCCN
2013-043432
Dewey Edition
23
Illustrated
Yes
Dewey Decimal
701.18
Synopsis
With globalization steadily reshaping the cultural landscape, scholars have long called for a full-scale reassessment of art history's largely Eurocentric framework. This collection of case studies and essays, the latest in the Clark Studies in the Visual Arts series, brings together voices from various disciplinary and theoretical backgrounds, each proposing ways to remap, decenter, and reorient what is often assumed to be a unified field. Rather than devise a one-size-fits-all strategy for what has long been a divided and disjointed terrain, these authors and artists reframe the inherent challenges of the global--most notably geographic, political, aesthetic, and linguistic differences--as productive starting points for study. As the book demonstrates, approaching art history from such alternative perspectives rewrites some of the most basic narratives, from the origins of representation to the beginnings of the "modern" to the very history of globalization and its effects. Distributed for the Sterling and Francine Clark Art Institute, With globalization steadily reshaping the cultural landscape, scholars have long called for a full-scale reassessment of art history's largely Eurocentric framework. This collection of case studies and essays, the latest in the Clark Studies in the Visual Arts series, brings together voices from various disciplinary and theoretical backgrounds, each proposing ways to remap, decenter, and reorient what is often assumed to be a unified field. Rather than devise a one-size-fits-all strategy for what has long been a divided and disjointed terrain, these authors and artists reframe the inherent challenges of the global--most notably geographic, political, aesthetic, and linguistic differences--as productive starting points for study. As the book demonstrates, approaching art history from such alternative perspectives rewrites some of the most basic narratives, from the origins of representation to the beginnings of the "modern" to the very history of globalization and its effects.
LC Classification Number
N7480

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