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One-Way Street
US $13.75
ApproximatelyS$ 17.76
Condition:
Very Good
A book that has been read but is in excellent condition. No obvious damage to the cover, with the dust jacket included for hard covers. No missing or damaged pages, no creases or tears, and no underlining/highlighting of text or writing in the margins. May be very minimal identifying marks on the inside cover. Very minimal wear and tear.
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Located in: Skokie, Illinois, United States
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eBay item number:236336918431
Item specifics
- Condition
- Release Year
- 2016
- ISBN
- 9780674052291
About this product
Product Identifiers
Publisher
Harvard University Press
ISBN-10
0674052293
ISBN-13
9780674052291
eBay Product ID (ePID)
219186414
Product Key Features
Book Title
One Way Street
Number of Pages
144 Pages
Language
English
Topic
European / German, Quotations, Form / Anecdotes & Quotations, History & Surveys / Modern, Aesthetics, Semiotics & Theory
Publication Year
2016
Genre
Literary Criticism, Philosophy, Reference, Humor
Format
Trade Paperback
Dimensions
Item Height
0.6 in
Item Weight
4.9 Oz
Item Length
7.4 in
Item Width
5 in
Additional Product Features
Intended Audience
Trade
Preface by
Marcus, Greil
LCCN
2015-039382
Dewey Edition
23
Reviews
The prose in One-Way Street is positively electrified by the historical moment...Far more important than any residues of past literature, however prevalent, are the ways in which One-Way Street ushers in a wholly original literary aesthetics. Its formal daring is unmatched by any of Benjamin's earlier work... One-Way Street is dead set on a new mode of materialism, one that shares with Surrealism an esteem for everyday objects, debris, junk, and dross-for whatever is marginal, marginalized, outmoded, or fleeting. This edition's index testifies to the dizzying thematic diversity of Benjamin's undertaking: children's toys, capital punishment, money, mobs, utopia, fancy goods, misery, souvenirs, beggars, and red neon advertising signs reflected in pools of dirty rain. Form in One-Way Street is no mere envelope, but the very arena in which these objects and phenomena clash and generate their sparks. Benjamin's aphorisms mimic the rhythms of the street, instantiating the experiences most proper to it: distraction, reverie, shock, haste, detour, etc. Scathing critique is mixed with imagistic commentary and surrealistic prose poetry-all broken into shards and scattered like a mosaic of fragments. But however atomized and heterogeneous, the little pieces of One-Way Street pursue a common goal: an idiosyncratic expos on history (specifically, the disintegration of culture) as deciphered in the most concrete of its artifacts and rituals., The prose in One-Way Street is positively electrified by the historical moment...Far more important than any residues of past literature, however prevalent, are the ways in which One-Way Street ushers in a wholly original literary aesthetics. Its formal daring is unmatched by any of Benjamin's earlier work... One-Way Street is dead set on a new mode of materialism, one that shares with Surrealism an esteem for everyday objects, debris, junk, and dross--for whatever is marginal, marginalized, outmoded, or fleeting. This edition's index testifies to the dizzying thematic diversity of Benjamin's undertaking: children's toys, capital punishment, money, mobs, utopia, fancy goods, misery, souvenirs, beggars, and red neon advertising signs reflected in pools of dirty rain. Form in One-Way Street is no mere envelope, but the very arena in which these objects and phenomena clash and generate their sparks. Benjamin's aphorisms mimic the rhythms of the street, instantiating the experiences most proper to it: distraction, reverie, shock, haste, detour, etc. Scathing critique is mixed with imagistic commentary and surrealistic prose poetry--all broken into shards and scattered like a mosaic of fragments. But however atomized and heterogeneous, the little pieces of One-Way Street pursue a common goal: an idiosyncratic expos on history (specifically, the disintegration of culture) as deciphered in the most concrete of its artifacts and rituals., The prose in One-Way Street is positively electrified by the historical moment...Far more important than any residues of past literature, however prevalent, are the ways in which One-Way Street ushers in a wholly original literary aesthetics. Its formal daring is unmatched by any of Benjamin's earlier work... One-Way Street is dead set on a new mode of materialism, one that shares with Surrealism an esteem for everyday objects, debris, junk, and dross--for whatever is marginal, marginalized, outmoded, or fleeting. This edition's index testifies to the dizzying thematic diversity of Benjamin's undertaking: children's toys, capital punishment, money, mobs, utopia, fancy goods, misery, souvenirs, beggars, and red neon advertising signs reflected in pools of dirty rain. Form in One-Way Street is no mere envelope, but the very arena in which these objects and phenomena clash and generate their sparks. Benjamin's aphorisms mimic the rhythms of the street, instantiating the experiences most proper to it: distraction, reverie, shock, haste, detour, etc. Scathing critique is mixed with imagistic commentary and surrealistic prose poetry--all broken into shards and scattered like a mosaic of fragments. But however atomized and heterogeneous, the little pieces of One-Way Street pursue a common goal: an idiosyncratic exposé on history (specifically, the disintegration of culture) as deciphered in the most concrete of its artifacts and rituals., One-Way Street is Benjamin's most daring and experimental book; though short, it contains a wide range of genres ranging from aphorisms and political satire to maxims and instructions.
Dewey Decimal
838/.91209
Synopsis
Presented in a new edition with expanded notes, this genre-defying meditation on the semiotics of late-1920s Weimar culture, composed of 60 short prose pieces that vary wildly in style and theme, offers a fresh opportunity to encounter Walter Benjamin at his most virtuosic and experimental, writing in a vein that anticipates later masterpieces., One-Way Street is a thoroughfare unlike anything else in literature-by turns exhilarating and bewildering, requiring mental agility and a special kind of urban literacy. Presented here in a new edition with expanded notes, this genre-defying meditation on the semiotics of late-1920s Weimar culture offers a fresh opportunity to encounter Walter Benjamin at his most virtuosic and experimental, writing in a vein that anticipates later masterpieces such as "On the Concept of History" and The Arcades Project . Composed of sixty short prose pieces that vary wildly in style and theme, One-Way Street evokes a dense cityscape of shops, cafes, and apartments, alive with the hubbub of social interactions and papered over with public inscriptions of all kinds: advertisements, signs, posters, slogans. Benjamin avoids all semblance of linear narrative, enticing readers with a seemingly random sequence of aphorisms, reminiscences, jokes, off-the-cuff observations, dreamlike fantasias, serious philosophical inquiries, apparently unserious philosophical parodies, and trenchant political commentaries. Providing remarkable insight into the occluded meanings of everyday things, Benjamin time and again proves himself the unrivalled interpreter of what he called "the soul of the commodity." Despite the diversity of its individual sections, Benjamin's text is far from formless. Drawing on the avant-garde aesthetics of Dada, Constructivism, and Surrealism, its unusual construction implies a practice of reading that cannot be reduced to simple formulas. Still refractory, still radical, One-Way Street is a work in perpetual progress., One-Way Street is a thoroughfare unlike anything else in literature--by turns exhilarating and bewildering, requiring mental agility and a special kind of urban literacy. Presented here in a new edition with expanded notes, this genre-defying meditation on the semiotics of late-1920s Weimar culture offers a fresh opportunity to encounter Walter Benjamin at his most virtuosic and experimental, writing in a vein that anticipates later masterpieces such as "On the Concept of History" and The Arcades Project . Composed of sixty short prose pieces that vary wildly in style and theme, One-Way Street evokes a dense cityscape of shops, cafes, and apartments, alive with the hubbub of social interactions and papered over with public inscriptions of all kinds: advertisements, signs, posters, slogans. Benjamin avoids all semblance of linear narrative, enticing readers with a seemingly random sequence of aphorisms, reminiscences, jokes, off-the-cuff observations, dreamlike fantasias, serious philosophical inquiries, apparently unserious philosophical parodies, and trenchant political commentaries. Providing remarkable insight into the occluded meanings of everyday things, Benjamin time and again proves himself the unrivalled interpreter of what he called "the soul of the commodity." Despite the diversity of its individual sections, Benjamin's text is far from formless. Drawing on the avant-garde aesthetics of Dada, Constructivism, and Surrealism, its unusual construction implies a practice of reading that cannot be reduced to simple formulas. Still refractory, still radical, One-Way Street is a work in perpetual progress.
LC Classification Number
PN6283.B413 2016
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