
Banjo Roots and Branches (Music in American Life)
US $17.93US $17.93
Aug 13, 06:51Aug 13, 06:51
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Banjo Roots and Branches (Music in American Life)
US $17.93
ApproximatelyS$ 23.01
Condition:
Good
A book that has been read but is in good condition. Very minimal damage to the cover including scuff marks, but no holes or tears. The dust jacket for hard covers may not be included. Binding has minimal wear. The majority of pages are undamaged with minimal creasing or tearing, minimal pencil underlining of text, no highlighting of text, no writing in margins. No missing pages.
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US $5.22 (approx S$ 6.70) USPS Media MailTM.
Located in: Greensboro, North Carolina, United States
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Estimated between Wed, 17 Sep and Mon, 22 Sep to 94104
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eBay item number:236202110668
Item specifics
- Condition
- Release Year
- 2018
- Book Title
- Banjo Roots and Branches (Music in American Life)
- ISBN
- 9780252083600
About this product
Product Identifiers
Publisher
University of Illinois Press
ISBN-10
0252083601
ISBN-13
9780252083600
eBay Product ID (ePID)
240029722
Product Key Features
Number of Pages
360 Pages
Publication Name
Banjo Roots and Branches
Language
English
Subject
Printed Music / Guitar & Fretted Instruments, Printed Music / Strings, Ethnomusicology, Genres & Styles / Folk & Traditional, Ethnic, Musical Instruments / General
Publication Year
2018
Type
Textbook
Subject Area
Music
Series
Music in American Life Ser.
Format
Trade Paperback
Dimensions
Item Height
0.9 in
Item Weight
18.3 Oz
Item Length
9.2 in
Item Width
6.1 in
Additional Product Features
Intended Audience
Scholarly & Professional
LCCN
2017-060726
Reviews
" Banjo Roots and Branches is a comprehensively researched and pathbreaking piece of banjo roots scholarship. " -- Music in American Life, "Anyone with a strong interest in the early history of the banjo or in the broader history of American instrumental music in oral tradition will want a copy of this fine collection. All the work is imaginative, careful, and thoroughly documented. The essays flow smoothly." -- Western Folklore, Nicholas Bessaraboff Prize, American Musical Instrument Society, 2020 "Anyone with a strong interest in the early history of the banjo or in the broader history of American instrumental music in oral tradition will want a copy of this fine collection. All the work is imaginative, careful, and thoroughly documented. The essays flow smoothly." -- Western Folklore, "A significant contribution to our understanding of the history and current significance of the banjo." -- Ethnomusicology, "As far as I know this book has no real equivalents. Several of the essays are pioneering contributions to the esoteric but intriguing field of banjo research and folklore and ethnomusicology generally."--Robert S. Cantwell, author of Bluegrass Breakdown: The Making of the Old Southern Sound, "Inspired by Dena Epstein, this is the first book to use a holistic approach in exploring the history of the banjo; it is an excellent compilation of articles for those interested in the music of Africa and the Americas."--Jacqueline Cogdell DjeDje, author of Fiddling in West Africa: Touching the Spirit in Fulbe, Hausa, and Dagbamba Cultures "As far as I know this book has no real equivalents. Several of the essays are pioneering contributions to the esoteric but intriguing field of banjo research and folklore and ethnomusicology generally."--Robert S. Cantwell, author of Bluegrass Breakdown: The Making of the Old Southern Sound Publication of this book was made possible in part through a donation from the Uncle Shlomo's Brooklyn Kids Fund for Music, dedicated to ensuring that Shlomo Pestcoe's generous spirit will continue to enrich us with the music he so loved to share, and by a grant from the L. J. and Mary C. Skaggs Folklore Fund., "Inspired by Dena Epstein, this is the first book to use a holistic approach in exploring the history of the banjo; it is an excellent compilation of articles for those interested in the music of Africa and the Americas."--Jacqueline Cogdell DjeDje, author of Fiddling in West Africa: Touching the Spirit in Fulbe, Hausa, and Dagbamba Cultures "Winans makes a rich addition to the literature. Recommended." -- Choice, "As far as I know this book has no real equivalents. Several of the essays are pioneering contributions to the esoteric but intriguing field of banjo research and folklore and ethnomusicology generally."--Robert S. Cantwell, author of Bluegrass Breakdown: The Making of the Old Southern Sound "An excellent book with plenty of material for both specialist and casual readers." -- Galpin Society Journal, "An excellent book with plenty of material for both specialist and casual readers." -- Galpin Society Journal, " Roots and Branches collects an extraordinary amount of research into the ongoing discovery of the banjo's Byzantine history. . . .Each essay speaks directly to all others, lending the book an unusual level of cohesion for an edited volume." -- The World of Music, "Inspired by Dena Epstein, this is the first book to use a holistic approach in exploring the history of the banjo; it is an excellent compilation of articles for those interested in the music of Africa and the Americas."--Jacqueline Cogdell DjeDje, author of Fiddling in West Africa: Touching the Spirit in Fulbe, Hausa, and Dagbamba Cultures
Dewey Edition
23
Illustrated
Yes
Dewey Decimal
787.8/809
Synopsis
The story of the banjo's journey from Africa to the western hemisphere blends music, history, and a union of cultures. In Banjo Roots and Branches , Robert B. Winans presents cutting-edge scholarship that covers the instrument's West African origins and its adaptations and circulation in the Caribbean and United States. The contributors provide detailed ethnographic and technical research on gourd lutes and ekonting in Africa and the banza in Haiti while also investigating tuning practices and regional playing styles. Other essays place the instrument within the context of slavery, tell the stories of black banjoists, and shed light on the banjo's introduction into the African- and Anglo-American folk milieus. Wide-ranging and illustrated with twenty color images, Banjo Roots and Branches offers a wealth of new information to scholars of African American and folk musics as well as the worldwide community of banjo aficionados. Contributors: Greg C. Adams, Nick Bamber, Jim Dalton, George R. Gibson, Chuck Levy, Shlomo Pestcoe, Pete Ross, Tony Thomas, Saskia Willaert, and Robert B. Winans., The story of the banjo's journey from Africa to the western hemisphere blends music, history, and a union of cultures. In Banjo Roots and Branches, Robert B. Winans presents cutting-edge scholarship that covers the instrument's West African origins and its adaptations and circulation in the Caribbean and United States. The contributors provide detailed ethnographic and technical research on gourd lutes and ekonting in Africa and the banza in Haiti while also investigating tuning practices and regional playing styles. Other essays place the instrument within the context of slavery, tell the stories of black banjoists, and shed light on the banjo's introduction into the African- and Anglo-American folk milieus. Wide-ranging and illustrated with twenty color images, Banjo Roots and Branches offers a wealth of new information to scholars of African American and folk musics as well as the worldwide community of banjo aficionados. Contributors: Greg C. Adams, Nick Bamber, Jim Dalton, George R. Gibson, Chuck Levy, Shlomo Pestcoe, Pete Ross, Tony Thomas, Saskia Willaert, and Robert B. Winans., West African precursors, African-Caribbean origins, North American journeys The story of the banjo's journey from Africa to the western hemisphere blends music, history, and a union of cultures. In Banjo Roots and Branches, Robert B. Winans presents cutting-edge scholarship that covers the ......, West African precursors, African-Caribbean origins, North American journeys The story of the banjo's journey from Africa to the western hemisphere blends music, history, and a union of cultures. In Banjo Roots and Branches, Robert B. Winans presents cutting-edge scholarship that covers the instrument's West African origins and its adaptations and circulation in the Caribbean and United States. The contributors provide detailed ethnographic and technical research on gourd lutes and ekonting in Africa and the banza in Haiti while also investigating tuning practices and regional playing styles. Other essays place the instrument within the context of slavery, tell the stories of black banjoists, and shed light on the banjo's introduction into the African- and Anglo-American folk milieus. Wide-ranging and illustrated with twenty color images, Banjo Roots and Branches offers a wealth of new information to scholars of African American and folk musics as well as the worldwide community of banjo aficionados. Contributors: Greg C. Adams, Nick Bamber, Jim Dalton, George R. Gibson, Chuck Levy, Shlomo Pestcoe, Pete Ross, Tony Thomas, Saskia Willaert, and Robert B. Winans.
LC Classification Number
ML1015.B3B34 2018
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