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Thomas Hirschhorn, Phaidon, 2004, Near Fine softcover w/dust jacket.
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Thomas Hirschhorn, Phaidon, 2004, Near Fine softcover w/dust jacket.
US $38.00US $38.00
Jul 12, 12:12Jul 12, 12:12
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Thomas Hirschhorn, Phaidon, 2004, Near Fine softcover w/dust jacket.

US $38.00
ApproximatelyS$ 48.65
Condition:
Like New
    Shipping:
    US $6.88 (approx S$ 8.81) USPS Media MailTM.
    Located in: Sacramento, California, United States
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    eBay item number:235960254492

    Item specifics

    Condition
    Like New: A book in excellent condition. Cover is shiny and undamaged, and the dust jacket is ...
    ISBN
    9780714842738

    About this product

    Product Identifiers

    Publisher
    Phaidon Press, Incorporated
    ISBN-10
    0714842737
    ISBN-13
    9780714842738
    eBay Product ID (ePID)
    30784616

    Product Key Features

    Book Title
    Thomas Hirschhorn
    Number of Pages
    160 Pages
    Language
    English
    Publication Year
    2004
    Topic
    Individual Artists / General
    Illustrator
    Yes
    Genre
    Art
    Author
    Carlos Basualdo, Alison M. Gingeras, Benjamin H. D. Buchloh
    Book Series
    Phaidon Contemporary Artist Ser.
    Format
    Trade Paperback

    Dimensions

    Item Height
    0.7 in
    Item Weight
    35.1 Oz
    Item Length
    11.4 in
    Item Width
    9.8 in

    Additional Product Features

    Intended Audience
    Trade
    Dewey Edition
    22
    Reviews
    'The boldest, best executed, and most far-reaching publishing project devoted to contemporary art. These books will revolutionize the way contemporary art is presented and written about.' (Artforum) 'The combination of intelligent analysis, personal insight, useful facts and plentiful pictures is a superb format invaluable for specialists but also interesting for casual readers, it makes these books a must for the library of anyone who cares about contemporary art.' (Time Out) 'A unique series of informative monographs on individual artists.' (The Sunday Times) 'Gives the reader the impression of a personal encounter with the artists. Apart from the writing which is lucid and illuminating, it is undoubtedly the wealth of lavish illustrations which makes looking at these books a satisfying entertainment.' (The Art Book)
    Grade From
    Eighth Grade
    Dewey Decimal
    709.2
    Grade To
    College Graduate Student
    Synopsis
    The work of Paris-based Swiss artist Thomas Hirschhorn (b.1957) comprises giant, labour-intensive, room-sized collages of low-grade materials - that is to say, rubbish. Hirschhorn is among the most significant artists to have emerged internationally in the 1990s. His work has been included in the world's top exhibitions (including Documenta 11, 2003, and the 48th Venice Biennale, 1999), and he was recipient of the prestigious Prix Marcel Duchamp in 2001. Hirschhorn's work, a commentary on the spectacle of late-capitalist consumerism, is characterized by collages of tinfoil, cardboard, plywood, plastic and packing tape combined with an infinite variety of debris: handwritten texts and images culled from popular magazines, miniature toy airplanes and trains, knick-knacks by the hundreds, armies of plastic 'gold' watches, effigies of Nietzsche and Princess Diana, monitors duct-taped into vitrines, and so on. Part text, part sculpture, part junk heap, and incorporating furniture, cardboard boxes, wooden frames and more, these installations reflect an extraordinarily prolific imagination. Their sheer volume and the time it takes to read and see these massive installations make them unforgettable, often quite humorous experiences. Half-sculptural, half-architectural and fully revolutionary, some of Hirschhorn's most elaborate installations, such as the multi-room Cavemanman (Barbara Gladstone Gallery, New York, 2002), transform ordinary spaces into a labyrinthine, parallel universe of hybrid forms and fascinating accumulations. A key player in the contemporary art scene today, Hirschhorn moves beyond existing genres - the readymade, the post-Conceptual, video - to offer an important, unprecedented direction for twenty-first-century art. Noted professor and art theorist Benjamin H. D. Buchloh surveys the artist's work, form its anonymous beginnings in the streets of Paris to his recent virtuoso installations, as part of a long tradition of politically motivated anti-monuments. In her Interview, Alison M. Gingeras, who has worked with Hirschhorn numerous times since 2000, discusses with the artist his beginnings as a graphic designer and his more recent dealings with the contemporary art system. Carlos Basualdo offers a full analysis of, as well as a little background on, Bataille Monument at Documenta 11, which Basualdo co-curated. Emergency Library is a unique Artist's Choice comprised of a series of oversized books attesting to Hirschhorn's love, both aesthetic and intellectual, for the the familiar, well-thumbed copies of his beloved books. Hirschhorn's emphatic Artist's Writings include project notes and personal correspondence., The work of Paris-based Swiss artist Thomas Hirschhorn (b.1957) comprises giant, labour-intensive, room-sized collages of low-grade materials - that is to say, rubbish. Hirschhorn is among the most significant artists to have emerged internationally in the 1990s. His work has been included in the world's top exhibitions (including Documenta 11, 2003, and the 48th Venice Biennale, 1999), and he was recipient of the prestigious Prix Marcel Duchamp in 2001. Hirschhorn's work, a commentary on the spectacle of late-capitalist consumerism, is characterized by collages of tinfoil, cardboard, plywood, plastic and packing tape combined with an infinite variety of debris: handwritten texts and images culled from popular magazines, miniature toy airplanes and trains, knick-knacks by the hundreds, armies of plastic 'gold' watches, effigies of Nietzsche and Princess Diana, monitors duct-taped into vitrines, and so on. Part text, part sculpture, part junk heap, and incorporating furniture, cardboard boxes, wooden frames and more, these installations reflect an extraordinarily prolific imagination. Their sheer volume and the time it takes to read and see these massive installations make them unforgettable, often quite humorous experiences. Half-sculptural, half-architectural and fully revolutionary, some of Hirschhorn's most elaborate installations, such as the multi-room Cavemanman (Barbara Gladstone Gallery, New York, 2002), transform ordinary spaces into a labyrinthine, parallel universe of hybrid forms and fascinating accumulations. A key player in the contemporary art scene today, Hirschhorn moves beyond existing genres - the readymade, the post-Conceptual, video - to offer an important, unprecedented direction for twenty-first-century art. Noted professor and art theorist Benjamin H. D. Buchloh surveys the artist's work, form its anonymous beginnings in the streets of Paris to his recent virtuoso installations, as part of a long tradition of politically motivated anti-monuments. In her Interview, Alison M. Gingeras, who has worked with Hirschhorn numerous times since 2000, discusses with the artist his beginnings as a graphic designer and his more recent dealings with the contemporary art system. Carlos Basualdo offers a full analysis of, as well as a little background on, Bataille Monumentat Documenta 11, which Basualdo co-curated. Emergency Library is a unique Artist's Choice comprised of a series of oversized books attesting to Hirschhorn's love, both aesthetic and intellectual, for the the familiar, well-thumbed copies of his beloved books. Hirschhorn's emphatic Artist's Writings include project notes and personal correspondence.

    Item description from the seller

    About this seller

    Amatoria Fine Art Books

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    Greetings! We are a woman-artist-owned brick & mortar in the heart of Sacramento, CA. We specialize in fine art, antiquarian, and collectibles, including photography, architecture, California Art, ...
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