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Probing the Limits of Representation : Nazism and the Final Solution by Saul...
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Condition:
“Solid Copy Showing Moderate Edge Wear Moderate Underlining And Margin Notes In Text (30)”
Very Good
A book that has been read but is in excellent condition. No obvious damage to the cover, with the dust jacket included for hard covers. No missing or damaged pages, no creases or tears, and no underlining/highlighting of text or writing in the margins. May be very minimal identifying marks on the inside cover. Very minimal wear and tear.
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eBay item number:235627721520
Item specifics
- Condition
- Very Good
- Seller Notes
- “Solid Copy Showing Moderate Edge Wear Moderate Underlining And Margin Notes In Text (30)”
- ISBN
- 9780674707665
About this product
Product Identifiers
Publisher
Harvard University Press
ISBN-10
0674707664
ISBN-13
9780674707665
eBay Product ID (ePID)
1057574
Product Key Features
Number of Pages
416 Pages
Publication Name
Probing the Limits of Representation : Nazism and the Final Solution
Language
English
Subject
Holocaust, Jewish, Jewish Studies
Publication Year
1992
Type
Textbook
Subject Area
Social Science, History
Format
Trade Paperback
Dimensions
Item Height
1 in
Item Weight
21.6 Oz
Item Length
8.9 in
Item Width
6.7 in
Additional Product Features
Intended Audience
Scholarly & Professional
LCCN
91-029609
Dewey Edition
20
Reviews
What might it mean to call the Holocaust a "crisis in form"...the Shoah nonetheless challenges our powers to draw something like a meaning, or maybe even more than one, from this powerful sense of meaningfulness. At the same time that it renders the task of historical comprehension ethically imperative, it threatens to expose the inadequacies, or at the very least the limitations of our familiar modes of coming to understand cultural events., What might it mean to call the Holocaust a 'crisis in form'...the Shoah nonetheless challenges our powers to draw something like a meaning, or maybe even more than one, from this powerful sense of meaningfulness. At the same time that it renders the task of historical comprehension ethically imperative, it threatens to expose the inadequacies, or at the very least the limitations of our familiar modes of coming to understand cultural events.
Illustrated
Yes
Dewey Decimal
940.53/18
Table Of Content
Introduction Saul Friedlander 1. German Memory, Judicial Interrogation, and Historical Reconstruction: Writing Perpetrator History from Postwar Testimony Christopher R. Browing 2. Historical Emplotment and the Problem of Truth Hayden White 3. On Emplotment: Two Kinds of Ruin Perry Anderson 4. History, Counterhistory and Narrative Amos Funkenstien 5. Just One Witness Carlo Ginzburg 6. Of Plots, Witness and Judgments Martin Jay 7. Representing the Holocaust: Reflections on the Historians' Debate Dominick LaCapra 8. Historical Understanding and Counterrationally: The Judenrat as Epistemological Vantage Dan Diner 9. History beyond the Pleasure Principle: Some Thoughts on the Representation of Trauma Eric L. Santner 10. Habermas, Enlightenment, and Antisemitism Vincent P. Pecora 11. Between Image and Phrase: Progessive History and the "Final Solution" as Dispossession Sande Cohen 12. Science, Modernity, and the "Final Solution" Mario Biagioli 13. Holocaust and the End of History: Postmodern Historiography in Cinema Anton Kaes 14. Whose Story Is It, Anyways? Ideology and Psychology in the Representation of the Shoah in Israeli Literature Yael S. Feldman 15. Translating Paul Celan's "Todesfuge": Rhythm and Repetition as Metaphor John Felstiner 16. "The Grave in the Air": Unbound Metaphors in Post-Holocaust Poetry Sidra DeKoven Ezrahi 17. The Dialectics of Unspeakability: Language, Silence, and the Narratives of Desubjectification Peter Haidu 18. The Representation of Limits Berel Lang 19. The Book of the Destruction Geoffrey H. Hartman Notes Contributors Index
Synopsis
Can the Holocaust be compellingly described or represented? Or is there some core aspect of the extermination of the Jews of Europe which resists our powers of depiction, of theory, of narrative? In this volume, twenty scholars probe the moral, epistemological, and aesthetic limits of an account or portrayal of the Nazi horror. These essays expose to scrutiny questions that have a pressing claim on our attention, our conscience, and our cultural memory. First presented at a conference organized by Saul Friedlander, they are now made available for the wide consideration and discussion they merit. Christopher Browning, Hayden White, Carlo Ginzburg, Martin Jay, Dominick LaCapra, and others focus first on the general question: can the record of his historical event be established objectively through documents and witnesses, or is every historical interpretation informed by the perspective of its narrator? The suggestion that all historical accounts are determined by a preestablished narrative choice raises the ethical and intellectual issues of various forms of relativization. In more specific terms, what are the possibilities of historicizing National Socialism without minimizing the historical place of the Holocaust. Also at issue are the problems related to an artistic representation, particularly the dilemmas posed by aestheticization. John Felstiner, Yael S. Feldman, Sidra DeKoven Ezrahi, Eric Santner, and Anton Kaes grapple with these questions and confront the inadequacy of words in the face of the Holocaust. Others address the problem of fitting Nazi policies and atrocities into the history of Western thought and science. The book concludes with Geoffrey Hartman's evocative meditation on memory., Can the Holocaust be compellingly described or represented? Or is there some core aspect of the extermination of the Jews of Europe which resists our powers of depiction, of theory, of narrative? In this volume, twenty scholars probe the moral, epistemological, and aesthetic limits of an account or portrayal of the Nazi horror., Can the Holocaust be compellingly described or represented? Or is there some core aspect of the extermination of the Jews of Europe which resists our powers of depiction, of theory, of narrative? In this volume, twenty scholars probe the moral, epistemological, and aesthetic limits of an account or portrayal of the Nazi horror. Christopher Browning, Hayden White, Carlo Ginzburg, Martin Jay, Dominick LaCapra, and others focus first on the general question: can the record of his historical event be established objectively through documents and witnesses, or is every historical interpretation informed by the perspective of its narrator? The suggestion that all historical accounts are determined by a preestablished narrative choice raises the ethical and intellectual issues of various forms of relativization. In more specific terms, what are the possibilities of historicizing National Socialism without minimizing the historical place of the Holocaust? Also at issue are the problems related to an artistic representation, particularly the dilemmas posed by aestheticization. John Felstiner, Yael S. Feldman, Sidra Ezrahi, Eric Santner, and Anton Kaes grapple with these questions and confront the inadequacy of words in the face of the Holocaust. Others address the problem of fitting Nazi policies and atrocities into the history of Western thought and science. The book concludes with Geoffrey Hartman's evocative meditation on memory. These essays expose to scrutiny questions that have a pressing claim on our attention, our conscience, and our cultural memory. First presented at a conference organized by Saul Friedlander, they are now made available for the wide consideration and discussion they merit.
LC Classification Number
D804.3.P76 1992
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