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Elliott Antokoletz The Music of Bela Bartok (Paperback)

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Item specifics

Condition
Brand New: A new, unread, unused book in perfect condition with no missing or damaged pages. See all condition definitionsopens in a new window or tab
Book Title
The Music of Bela Bartok
Publication Name
Music of Bela Bartok : a Study of Tonality and Progression in Twentieth-Century Music
Title
The Music of Bela Bartok
EAN
9780520067479
ISBN
9780520067479
Publisher
University of California Press
Format
Trade Paperback
Release Year
1990
Release Date
11/01/1990
Item Height
0.9in
Item Length
9in
Item Width
6in
Item Weight
19.2 Oz
Author
Elliott Antokoletz
Language
English
Subtitle
A Study of Tonality and Progression in Twentieth-Century Music
ISBN-10
0520067479
Country/Region of Manufacture
US
Genre
Music Dance & Theatre
Publication Year
1990
Type
Textbook
Number of Pages
472 Pages

About this product

Product Information

The basic principles of progression and the means by which tonality is established in Bart k's music remain problematical to many theorists. Elliott Antokoletz here demonstrates that the remarkable continuity of style in Bart k's evolution is founded upon an all-encompassing system of pitch relations in which one can draw together the diverse pitch formations in his music under one unified set of principles.

Product Identifiers

Publisher
University of California Press
ISBN-10
0520067479
ISBN-13
9780520067479
eBay Product ID (ePID)
192501

Product Key Features

Author
Elliott Antokoletz
Publication Name
Music of Bela Bartok : a Study of Tonality and Progression in Twentieth-Century Music
Format
Trade Paperback
Language
English
Publication Year
1990
Type
Textbook
Number of Pages
472 Pages

Dimensions

Item Length
9in
Item Height
0.9in
Item Width
6in
Item Weight
19.2 Oz

Additional Product Features

Lc Classification Number
Ml410.M9
Table of Content
List of Illustrations Preface Acknowledgments I The Musical Language of Bartok: Historical Backgrounds Folk- and Art-Music Sources Orientation toward French, Russian, and Folk-Music Sources: Nonfunctional Bases in Pentatonic, Modal, and Whole-Tone Constructions Use of Symmetrical Pitch Collections by Russian, French, and Hungarian Composers Russian Nationalists: Symmetrical Properties of the Dominant-Ninth Chord Russian Nationalists, Debussy, and Stravinsky: Symmetrical Properties of Nontraditional as Well as Traditional (Pentatonic and Modal) Pitch Constructions Russian Nationalists, Scriabin, and Kodaly: Symmetrical Partitions of the Octatonic Scale Late Nineteenth- and Early Twentieth-Century Germanic Influences: Symmetrical Organization of Chromatically Related Keys The Schoenberg School: Symmetrical Formations as the Basis of Progression in Free-Atonal Compositions Berg and Webern: Total Systematization of the Concepts of the Interval Cycle and Inversional Symmetry in Dodecaphonic Serial Compositions II Harmonization of Authentic Folk Tunes III Symmetrical Transformations of the Folk Modes IV Basic Principles of Symmetrical Pitch Construction V Construction, Development, and Interaction of lntervallic Cells VI Tonal Centricity Based on Axes of Symmetry Including the Concepts of: Symmetrical Organization around an Axis; Use of Symmetrical Cells in Establishing Axes; Interaction of Traditional Tonal Centers and Axes VII Interaction of Diatonic, Octatonic, and Whole-Tone Formations VIII Generation of the Interval Cycles IX Conclusion Chronological List of Cited Bartok Compositions Works Cited Index to Basic Terms, Definitions, and Concepts Index to Compositions General Index
Copyright Date
1990
Topic
Genres & Styles / Classical, Composers & Musicians
Lccn
82-017352
Intended Audience
College Audience
Illustrated
Yes
Genre
Biography & Autobiography, Music

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