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Don E. Wayne Renaissance Papers 2018 (Hardback) Renaissance Papers
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eBay item number:235203734437
Item specifics
- Condition
- Brand New: A new, unread, unused book in perfect condition with no missing or damaged pages. See all condition definitionsopens in a new window or tab
- Book Title
- Renaissance Papers 2018
- Publication Name
- Renaissance Papers 2018
- Title
- Renaissance Papers 2018
- EAN
- 9781640140592
- ISBN
- 9781640140592
- Publisher
- Boydell & Brewer, Incorporated
- Format
- Hardcover
- Release Year
- 2019
- Release Date
- 15/11/2019
- Item Height
- 0.7 in
- Item Length
- 9.4 in
- Language
- English
- ISBN-10
- 164014059X
- Country/Region of Manufacture
- US
- Contributor
- James M Pearce (Edited by)
- Series
- Renaissance Papers
- Genre
- Literary Criticism
- Subject Area
- Literary Criticism
- Subject
- Renaissance, Drama, Modern / 16th Century
- Publication Year
- 2019
- Type
- Textbook
- Item Width
- 5.7 in
- Number of Pages
- 172 Pages
About this product
Product Information
Sixty-fifth annual volume, focusing notably on Shakespearean drama and the poetry of early modern England but with essays on a variety of other topics relevant to the period. Renaissance Papers collects the best scholarly essays submitted each year to the Southeastern Renaissance Conference. The 2018 volume features essays presented at the conference at Queens University of Charlotte, North Carolina, as well as essays submitted directly to the journal. The volume opens with four essays on Shakespearean drama, offering readings ranging from the heteroglossia in Henry VIII to the limits of language in King Lear, social networks in Anthony and Cleopatra, and epiphanic excursions in the Shakespearean corpus. The next essays look at iconology, agency, and alterity on the early modern stage and colonial Peruvian art. The journal then returns us to the poetry of early modern England. The first of this group explores the perils of poor reading in The Countess of Montgomery's Uriana and is followed by essays investigating the aesthetic connection between Spenser and Catullus and the sacred circularities in John Donne's "Good Friday 1613. Riding Westward." The volume concludes with an extended consideration of meritocracy and misogyny in the works of Ben Jonson. Contributors: Nathan Dixon, Lisandra Estevez, Melissa J. Rack, Robert Lanier Reid, Rachel M. De Smith Roberts, Deneen Senasi, Jonathon Shelley, Kendall Spillman, John Wall, and Don E. Wayne. The journal is edited by Jim Pearce of North Carolina Central University and Ward Risvold of the University of California, San Diego.
Product Identifiers
Publisher
Boydell & Brewer, Incorporated
ISBN-10
164014059x
ISBN-13
9781640140592
eBay Product ID (ePID)
10038837804
Product Key Features
Publication Name
Renaissance Papers 2018
Format
Hardcover
Language
English
Subject
Renaissance, Drama, Modern / 16th Century
Publication Year
2019
Series
Renaissance Papers
Type
Textbook
Subject Area
Literary Criticism
Number of Pages
172 Pages
Dimensions
Item Length
9.4 in
Item Height
0.7 in
Item Width
5.7 in
Additional Product Features
Intended Audience
Scholarly & Professional
Series Volume Number
23
Table of Content
"One Little Room, An Everywhere": Staging Silence in London's Blackfriars and Shakespeare's Henry VIII - Deneen M. Senasi "What they are yet I know not": Speech, Silence, and Meaning in King Lear - John N. Wall Shakespearean Epiphany - Robert Lanier Reid Between the "triple pillar" and "mutual pair": Love, Friendship, and Social Networks in Antony and Cleopatra - Jonathan Shelley "Beauty Changed to Ugly Whoredom": Analyzing the Mermaid Figure in The Changeling - Kendell Spillman Imagining the Other in a Cuzco Defense of the Eucharist - Lisandra Estevez A Critique of Poor Reading: Antissia's Madness in The Countess of Montgomery's Urania - Rachel M. De Smith Roberts "Thou thyself likewise art lyttle made": Spenser, Catullus, and the Aesthetics of "smale poemes" - Melissa J. Rack The ordo salutis: Sacred Circularities in John Donne's "Good Friday 1613. Riding Westward" - Nathan Dixon "Broken-Backed" Texts: Meritocracy and Misogyny in Ben Jonson's The Forrest - Don E. Wayne, "One Little Room, An Everywhere": Staging Silence in London's Blackfriars and Shakespeare's Henry VIII - Deneen M. Senasi"What they are yet I know not": Speech, Silence, and Meaning in King Lear - John N. WallShakespearean Epiphany - Robert Lanier ReidBetween the "triple pillar" and "mutual pair": Love, Friendship, and Social Networks in Antony and Cleopatra - Jonathan Shelley"Beauty Changed to Ugly Whoredom": Analyzing the Mermaid Figure in The Changeling - Kendell SpillmanImagining the Other in a Cuzco Defense of the Eucharist - Lisandra EstevezA Critique of Poor Reading: Antissia's Madness in The Countess of Montgomery's Urania - Rachel M. De Smith Roberts"Thou thyself likewise art lyttle made": Spenser, Catullus, and the Aesthetics of "smale poemes" - Melissa J. RackThe ordo salutis: Sacred Circularities in John Donne's "Good Friday 1613. Riding Westward" - Nathan Dixon"Broken-Backed" Texts: Meritocracy and Misogyny in Ben Jonson's The Forrest - Don E. Wayne
Copyright Date
2019
Illustrated
Yes
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