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William Kentridge, Nalini Malani: The Shadow Play as Medium of Memory, 2013, S..
US $168.00
ApproximatelyS$ 215.48
Condition:
Brand New
A new, unread, unused book in perfect condition with no missing or damaged pages.
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Located in: Sacramento, California, United States
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eBay item number:234951247662
Item specifics
- Condition
- Brand New: A new, unread, unused book in perfect condition with no missing or damaged pages. See all condition definitionsopens in a new window or tab
- Signed By
- Nalini Malani
- Signed
- Yes
- Narrative Type
- Nonfiction
- ISBN
- 9788881588756
About this product
Product Identifiers
Publisher
Charta
ISBN-10
8881588757
ISBN-13
9788881588756
eBay Product ID (ePID)
170119926
Product Key Features
Book Title
William Kentridge, Nalini Malani : the Shadowy Play As Medium of Memory
Publication Year
2013
Topic
Individual Artists / General, Individual Artists / Monographs, Collections, Catalogs, Exhibitions / General, Performance
Number of Pages
80 Pages
Language
English
Illustrator
Yes
Genre
Art
Format
Hardcover
Additional Product Features
LCCN
2015-419827
Dewey Edition
23
Dewey Decimal
709.22
Synopsis
This comparative study of contemporary artists William Kentridge (born 1955) and Nalini Malani (born 1946) focuses on their use of the shadow play as a medium of memory. Independently of each other, both artists have deployed this centuries-old performative art form in works that are widely considered to be highpoints of their respective careers--works such as Kentridge's installation "The Refusal of Time" and Malani's video/shadow play "In Search of Vanished Blood." Both artists belong to a generation whose experience is shaped by colonialism and decolonization; their works reflect on the long-term traces of historical trauma, partition and apartheid, always in aesthetically complex forms (rather than in documentary or agit-prop style). In creative dialogue with modernism and the historical avant-garde, they provide persuasive examples of a new negotiation between aesthetics, ethics and politics., This comparative study of contemporary artists William Kentridge (born 1955) and Nalini Malani (born 1946) focuses on their use of the shadow play as a medium of memory. Independently of each other, both artists have deployed this centuries-old performative art form in works that are widely considered to be highpoints of their respective careers--works such as Kentridge's installation The Refusal of Time and Malani's video/shadow play In Search of Vanished Blood . Both artists belong to a generation whose experience is shaped by colonialism and decolonization; their works reflect on the long-term traces of historical trauma, partition and apartheid, always in aesthetically complex forms (rather than in documentary or agit-prop style). In creative dialogue with modernism and the historical avant-garde, they provide persuasive examples of a new negotiation between aesthetics, ethics and politics.
LC Classification Number
NX456.5.P38
Item description from the seller
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