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Alberto Burri The Trauma of Painting 2015 Guggenheim Italian Arte Povera art
US $248.00
ApproximatelyS$ 321.63
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Condition:
“Please read item description and see photos for full details”
Very Good
A book that has been read but is in excellent condition. No obvious damage to the cover, with the dust jacket included for hard covers. No missing or damaged pages, no creases or tears, and no underlining/highlighting of text or writing in the margins. May be very minimal identifying marks on the inside cover. Very minimal wear and tear.
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Shipping:
US $9.22 (approx S$ 11.96) USPS Media MailTM.
Located in: New York, New York, United States
Delivery:
Estimated between Thu, 16 Oct and Mon, 20 Oct to 94104
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Coverage:
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(Not eligible for eBay purchase protection programmes)
Seller assumes all responsibility for this listing.
eBay item number:227001327159
Item specifics
- Condition
- Very Good
- Seller Notes
- “Please read item description and see photos for full details”
- Harmonized System Code
- 97060000
- Country/Region of Manufacture
- United States
- ISBN-10
- 0892075236
- ISBN-13
- 9780892075232
- Reviews
- ...the catalogue accompanying the exhibition is a lodestone of in
- ISBN
- 9780892075232
About this product
Product Identifiers
Publisher
Guggenheim Museum, Solomon R.
ISBN-10
0892075236
ISBN-13
9780892075232
eBay Product ID (ePID)
212142848
Product Key Features
Book Title
Alberto Burri : the Trauma of Painting
Number of Pages
280 Pages
Language
English
Publication Year
2015
Topic
Individual Artists / General, Individual Artists / Monographs, Collections, Catalogs, Exhibitions / General
Illustrator
Yes
Genre
Art
Format
Hardcover
Dimensions
Item Height
1.2 in
Item Weight
67 Oz
Item Length
11.7 in
Item Width
10 in
Additional Product Features
LCCN
2023-277262
Dewey Edition
23
Reviews
...the catalogue accompanying the exhibition is a lodestone of information about Burri. Not only has Emily Braun, who supervised this exhibition, unearthed a wealth of information, but she has also written a substantial essay, "The Trauma of Painting," that is wonderfully absent of academic jargon and hyperbole, making it a pleasure to read., In a dazzlingly researched, often eloquent catalog essay, Emily Braun, an art historian who oversaw the Guggenheim show, "Alberto Burri: The Trauma of Painting" (and is also curator of the Leonard A. Lauder Collection of Cubist Art), argues that Burri's art is a crucial, underacknowledged link in the development of collage and assemblage and helped set the stage for a host of postwar art movements-Neo-Dada, Process Art, Arte Povera and more., Honorable Mention in the Catalogue/Publication category of institutions with an operating budget over $20 million from the Association of Art Museum Curators (AAMC) and AAMC Foundation's 2015 Awards for Excellence, [ Alberto Burri: The Trauma of Painting ] reveals how the artist succeeded in deconstructing Western ideologies and, in that process, devised a singular language of his own., In a dazzlingly researched, often eloquent catalog essay, Emily Braun, an art historian who oversaw the Guggenheim show, "Alberto Burri: The Trauma of Painting" (and is also curator of the Leonard A. Lauder Collection of Cubist Art), argues that Burri's art is a crucial, underacknowledged link in the development of collage and assemblage and helped set the stage for a host of postwar art movements--Neo-Dada, Process Art, Arte Povera and more.
Dewey Decimal
709.2
Synopsis
Published to accompany a major retrospective exhibition--the first in the United States in more than 35 years and the most comprehensive ever mounted--this title showcases the pioneering work of Italian artist Alberto Burri (1915-95). Exploring the beauty and complexity of Burri's process-based works, the exhibition positions the artist as a central and singular protagonist of postwar art. Burri is best known for his series of Sacchi (sacks) made of stitched and patched remnants of torn burlap bags, often combined with fragments of discarded clothing. Far less familiar to American audiences are his other series, which this exhibition represents in depth: Catrami (tars), Gobbi(hunchbacks), Muffe (molds), Bianchi (whites), Legni (woods), Ferri (irons), Combustioni plastiche (plastic combustions), Cretti and Cellotex works.Burri's work both demolished and reconfigured the Western pictorial tradition, while reconceptualizing modernist collage. Using unconventional materials, he moved beyond the painted surfaces and markmaking of American Abstract Expressionism and European Art Informel. Burri's unprecedented approaches to manipulating humble substances--and his abject picture-objects--also profoundly influenced Arte Povera, Neo-Dada and Process art. Alberto Burri was born in Italy in 1915. He first garnered attention in the US in the early 1950s when his work was included in the group exhibition Younger European Painters at the Guggenheim Museum and was also shown at the Frumkin Gallery, Chicago, and at the Stable Gallery, New York. In 1977 a retrospective was presented at the University of California's Frederick S. Wight Gallery, Los Angeles, and traveled to the Marion Koogler McNay Art Institute, San Antonio, Texas, and the Guggenheim Museum (1978). He died in Nice, France, in 1995., Published to accompany a major retrospective exhibition--the first in the United States in more than 35 years and the most comprehensive ever mounted--this title showcases the pioneering work of Italian artist Alberto Burri (1915-95). Exploring the beauty and complexity of Burri's process-based works, the exhibition positions the artist as a central and singular protagonist of postwar art. Burri is best known for his series of Sacchi (sacks) made of stitched and patched remnants of torn burlap bags, often combined with fragments of discarded clothing. Far less familiar to American audiences are his other series, which this exhibition represents in depth: Catrami (tars), Gobbi (hunchbacks), Muffe (molds), Bianchi (whites), Legni (woods), Ferri (irons), Combustioni plastiche (plastic combustions), Cretti and Cellotex works.Burri's work both demolished and reconfigured the Western pictorial tradition, while reconceptualizing modernist collage. Using unconventional materials, he moved beyond the painted surfaces and markmaking of American Abstract Expressionism and European Art Informel. Burri's unprecedented approaches to manipulating humble substances--and his abject picture-objects--also profoundly influenced Arte Povera, Neo-Dada and Process art. Alberto Burri was born in Italy in 1915. He first garnered attention in the US in the early 1950s when his work was included in the group exhibition Younger European Painters at the Guggenheim Museum and was also shown at the Frumkin Gallery, Chicago, and at the Stable Gallery, New York. In 1977 a retrospective was presented at the University of California's Frederick S. Wight Gallery, Los Angeles, and traveled to the Marion Koogler McNay Art Institute, San Antonio, Texas, and the Guggenheim Museum (1978). He died in Nice, France, in 1995., Published to accompany a major retrospective exhibition - the first in the United States in more than 35 years and the most comprehensive ever mounted - this title showcases the pioneering work of Italian artist Alberto Burri (1915-1995). Exploring the beauty and complexity of Burri's process-based works, the exhibition positions the artist as a central and singular protagonist of postwar art. Burri is best known for his series of Sacchi (sacks) made of stitched and patched remnants of torn burlap bags, often combined with fragments of discarded clothing. Far less familiar are his other series, which this exhibition represents in depth: Catrami (tars), Gobbi (hunchbacks), Muffe (molds), Bianchi (whites), Legni (woods), Ferri (irons), Combustioni plastiche (plastic combustions), Cretti and Cellotex works. Burri's work both demolished and reconfigured the Western pictorial tradition, while reconceptualizing modernist collage. Using unconventional materials, he moved beyond the painted surfaces and mark making of American Abstract Expressionism and European Art Informel. Burri's unprecedented approaches to manipulating humble substances - and his abject picture-objects - also profoundly influenced Arte Povera, Neo-Dada and Process art.
LC Classification Number
ND623.B94
Text by
Stringari, Carol, Fontanella, Megan
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- i***b (628)- Feedback left by buyer.Past monthVerified purchaseLOVELY picture frame I'm looking forward to looking at every day! Arrived on time, in excellent condition, lovingly packaged, fairly priced, better than described and shown. Thank you for listing this for sale!
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