Quite Enough of Calvin Trillin : Forty Years of Funny Stuff Hardback Dust Jacket

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eBay item number:226568735697

Item specifics

Condition
Brand New: A new, unread, unused book in perfect condition with no missing or damaged pages. See all condition definitionsopens in a new window or tab
Publication Name
Random House Publishing Group
ISBN
9781400069828
Category

About this product

Product Identifiers

Publisher
Random House Publishing Group
ISBN-10
1400069823
ISBN-13
9781400069828
eBay Product ID (ePID)
127420050

Product Key Features

Book Title
Quite Enough of Calvin Trillin : Forty Years of Funny Stuff
Number of Pages
368 Pages
Language
English
Publication Year
2011
Topic
Topic / Politics, General, Literary, Form / Essays
Genre
Biography & Autobiography, Humor
Author
Calvin Trillin
Format
Hardcover

Dimensions

Item Height
1.1 in
Item Weight
22 Oz
Item Length
9.6 in
Item Width
6.4 in

Additional Product Features

Intended Audience
Trade
LCCN
2011-004050
Dewey Edition
22
Reviews
Praise for Calvin Trillin   "A classic American humorist." --The New Republic   "I spent my college years deep into the great humorists: Benchley, Perelman, Woody Allen. Calvin Trillin is up there with any of them." -- David Brooks, The Daily Beast   "Trillin may be the funniest columnist in America -- bemused, amused, wry and right on the mark." -- People, Praise for Calvin Trillin   "A classic American humorist." -The New Republic   "I spent my college years deep into the great humorists: Benchley, Perelman, Woody Allen. Calvin Trillin is up there with any of them." - David Brooks, The Daily Beast   "Trillin may be the funniest columnist in America - bemused, amused, wry and right on the mark." - People
Dewey Decimal
814/.54 B
Synopsis
For at least forty years, Calvin Trillin has committed blatant acts of funniness all over the place--in The New Yorker, in one-man off-Broadway shows, in his "deadline poetry" for The Nation, in comic novels like Tepper Isn't Going Out, in books chronicling his adventures as a happy eater, and in the column USA Today called "simply the funniest regular column in journalism." Now Trillin selects the best of his funny stuff and organizes it into topics like high finance ("My long-term investment strategy has been criticized as being entirely too dependent on Publishers Clearing House Sweepstakes") and the literary life ("The average shelf life of a book is somewhere between milk and yogurt.") In Quite Enough of Calvin Trillin, the author deals with such subjects as the horrors of witnessing a voodoo economics ceremony and the mystery of how his mother managed for thirty years to feed her family nothing but leftovers ("We have a team of anthropologists in there now looking for the original meal") and the true story behind the Shoe Bomber: "The one terrorist in England with a sense of humor, a man known as Khalid the Droll, had said to the cell, 'I bet I can get them all to take off their shoes in airports.' " He remembers Sarah Palin with a poem called "On a Clear Day, I See Vladivostok" and John Edwards with one called "Yes, I Know He's a Mill Worker's Son, but There's Hollywood in That Hair." In this, the definitive collection of his humor, Calvin Trillin is prescient, insightful, and invariably hilarious., Taking up the historical evolution of Darwin and his theories and the cultural responses they have inspired, Reflecting on Darwin poses the following questions: 'How are the apparatuses in the mid-nineteenth century and at the turn of the twenty-first century interconnected with bio-scientific paradigms in art, literature, culture and science?' 'How are naturalism, determinism and Darwinism - the eugenics of the nineteenth century and the genetic coding of the twentieth century - positioned, embodied and staged in various media configurations and media genres?' and 'How have particular media apparatuses formed, displaced or stabilized the various concepts of humankind in the framework of evolutionary theory?' Ranging from the early circulation of Darwin's ideas to the present, this interdisciplinary collection pays particular attention to Darwin's postmillennial reception. Beginning with an overview of the historical development of contemporary ecological and ethical fears, Reflecting on Darwin then turns to Darwin's influence on contemporary media, neo-Victorian literature and culture, science fiction literature and film, and contemporary theory. In examining the plurality of ways in which Darwin has been rewritten and reappropriated, this unique volume both mirrors and inspects the complexity of recent debates in Victorian and neo-Victorian studies.
LC Classification Number
PS3570.R5Z475 2011

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