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Archival Storytelling: A Filmmaker’s Guide to Finding, Using, and Licensing Thir

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Item specifics

Condition
Very Good: A book that has been read but is in excellent condition. No obvious damage to the cover, ...
ISBN
9781138915039

About this product

Product Identifiers

Publisher
Taylor & Francis Group
ISBN-10
1138915033
ISBN-13
9781138915039
eBay Product ID (ePID)
219229664

Product Key Features

Number of Pages
328 Pages
Language
English
Publication Name
Archival Storytelling : A Filmmaker's Guide to Finding, Using, and Licensing Third-Party Visuals and Music
Subject
Film / General, Printed Music / Musicals, Film & TV
Publication Year
2020
Type
Textbook
Subject Area
Music, Performing Arts
Author
Sheila Curran Bernard, Kenn Rabin
Format
Trade Paperback

Dimensions

Item Length
9 in
Item Width
6 in

Additional Product Features

Edition Number
2
Intended Audience
College Audience
LCCN
2019-052869
Dewey Edition
23
Illustrated
Yes
Dewey Decimal
070.1/8
Table Of Content
Acknowledgments CHAPTER 1Introduction PART 1 * ABOUT ARCHIVAL MATERIALS CHAPTER 2 Still and motion picture photography: a brief history CHAPTER 3 Recorded sound: a brief history CHAPTER 4 User beware: evaluating the archival record CHAPTER 5 Evidence on film: A conversation with Rick Prelinger PART 2 * working with ARCHIVAL MATERIALS CHAPTER 6 Finding what you need CHAPTER 7 Should you hire a professional? CHAPTER 8 Organizing and ordering third-party materials CHAPTER 9 Creative and ethical considerations CHAPTER 10 The power of eyewitness accounts: A conversation with Roberta Grossman PART 3 * RIGHTS AND LICENSES CHAPTER 11Introduction to rights and licenses CHAPTER 12Public domain CHAPTER 13Fair use CHAPTER 14 Fair dealing, moral rights, and more: A conversation with Hubert Best CHAPTER 15Licensing visuals CHAPTER 16Licensing music PART 4 * Additional Material CHAPTER 17Afterword About the authors Index
Synopsis
Fully revised and updated, Archival Storytelling second edition is a timely, pragmatic look at the use of audiovisual materials available to filmmakers and scholars, from the earliest photographs of the 19th century to the work of media makers today. Whether you're a top Hollywood filmmaker or a first-time documentarian, at some point you are going to want to find, use, and license third-party materials-images, audio, or music that you yourself did not create-to use them in your work. This book explains what's involved in researching and licensing visuals and music, and exactly what media makers need to know when filming in a world crowded with rights-protected images and sounds. Filled with insights from filmmakers, archivists, and intellectual property experts, this second edition defines key terms such as copyright, fair use, public domain, and orphan works. It guides readers through the complex archival process and challenges them to become not only archival users but also archival and copyright activists. This book is an essential resource for both students and professionals, from seasoned filmmakers to those creating their first projects, offering practical advice for how to effectively and ethically draw on the wealth of cultural materials that surround us., Fully revised and updated, Archival Storytelling is a timely, pragmatic look at the use of audiovisual materials available to filmmakers and scholars, from the earliest photographs of the 19th century to the work of media makerstoday. Whether you're a top Hollywood filmmaker or a first-time documentarian, at some point you are going to want to find, use, and license third-party materials--images, audio, or music that you yourself did not create--to use them in your work. This book explains what's involved in researching and licensing visuals and music, and exactly what media makers needs to know when filming in a world crowded with rights-protected images and sounds. Filled with insights from filmmakers, archivists, and intellectual property experts, this second edition defines key terms such as copyright, fair use, public domain, and orphan works. It guides readers through the complex archival process and challenges them to become not only archival users but also archival and copyright activists. This book is an essential resource for both students and professionals, from seasoned filmmakers to those creating their first projects, offering practical advice for how to effectively and ethically draw on the wealth of cultural materials that surround us., Fully revised and updated, Archival Storytellingsecond edition is a timely, pragmatic look at the use of audiovisual materials available to filmmakers and scholars, from the earliest photographs of the 19th century to the work of media makers today. Whether you're a top Hollywood filmmaker or a first-time documentarian, at some point you are going to want to find, use, and license third-party materials--images, audio, or music that you yourself did not create--to use them in your work. This book explains what's involved in researching and licensing visuals and music, and exactly what media makers need to know when filming in a world crowded with rights-protected images and sounds. Filled with insights from filmmakers, archivists, and intellectual property experts, this second edition defines key terms such as copyright, fair use, public domain, and orphan works. It guides readers through the complex archival process and challenges them to become not only archival users but also archival and copyright activists. This book is an essential resource for both students and professionals, from seasoned filmmakers to those creating their first projects, offering practical advice for how to effectively and ethically draw on the wealth of cultural materials that surround us.
LC Classification Number
PN1995.9.D6B393 2017

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