Seurat And The Avante - Garde Paul Smith hardcover

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ApproximatelyS$ 32.53
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Condition:
Very Good
Used, pre-owned, very good "like new" condition. Binding intact. Pages: no rips, tears, wrinkles, ... Read moreabout condition
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eBay item number:204317255541
Last updated on Oct 26, 2025 08:07:51 SGTView all revisionsView all revisions

Item specifics

Condition
Very Good
A book that has been read but is in excellent condition. No obvious damage to the cover, with the dust jacket included for hard covers. No missing or damaged pages, no creases or tears, and no underlining/highlighting of text or writing in the margins. May be very minimal identifying marks on the inside cover. Very minimal wear and tear. See all condition definitionsopens in a new window or tab
Seller Notes
“Used, pre-owned, very good "like new" condition. Binding intact. Pages: no rips, tears, wrinkles, ...
Country of Origin
United States
Series
N/A
Unit Type
Unit
Educational Level
Adult & Further Education, High School, Middle School, Vocational School
Personalized
No
Level
N/A
Features
Illustrated
MPN
N/A
Unit Quantity
1
California Prop 65 Warning
Does Not Apply
ISBN
9780300070026
Category

About this product

Product Identifiers

Publisher
Yale University Press
ISBN-10
0300070020
ISBN-13
9780300070026
eBay Product ID (ePID)
299379

Product Key Features

Number of Pages
224 Pages
Publication Name
Seurat and the Avantgarde
Language
English
Subject
Individual Artists / General, Aesthetics, History / General
Publication Year
1997
Type
Textbook
Author
Paul Smith
Subject Area
Art, Philosophy
Format
Hardcover

Dimensions

Item Height
0.1 in
Item Weight
51.3 Oz
Item Length
1.1 in
Item Width
1 in

Additional Product Features

Intended Audience
Scholarly & Professional
LCCN
96-034527
Dewey Edition
20
Illustrated
Yes
Dewey Decimal
759.4
Synopsis
Georges Seurat, one of the most popular and admired of post-Impressionist painters, has been the focus of much attention in recent years. This book by Paul Smith views the artist in a new context and explodes some of the myths that have grown up about him. Challenging the assumption that Seurat's work was scientific or that it expressed a serious commitment to anarchism, Smith instead traces the painters involvement with the various factions of the avant-garde and shows that he was perhaps the earliest exponent of Idealism in modern art. Smith studies contemporary interpretations of Impressionism and analyzes how the groups surrounding Seurat constructed meaning from his art. From this investigation he creates a portrait of Seurat as one who was willing to accept, even encourage, interpretations of his art that he may not have intended. Smith shows, for example, that the "scientific" account of Seurat's color first developed by Félix Fénéon actually represents the theory and practice of Pissaro. He examines Seurat's involvement with anarchist critics and concludes that he merely posed as a painter with left-wing sympathies in order to benefit from the publicity these writers gave him. He explains that Seurat was sympathetic to Symbolism from its very inception and that he and his early Symbolist critics developed a theory of his art that was founded on Schopenhauer and Wagner's ideas on art. And he explores the ways that Seurat focused on the musicality of art and on incorporating certain "musical" features in his work. Beautifully illustrated and engagingly written, this book presents a convincing new interpretation of the work of a major artist., Georges Seurat, one of the most popular and admired of post-Impressionist painters, has been the focus of much attention in recent years. This book by Paul Smith views the artist in a new context and explodes some of the myths that have grown up about him. Challenging the assumption that Seurat's work was scientific or that it expressed a serious commitment to anarchism, Smith instead traces the painters involvement with the various factions of the avant-garde and shows that he was perhaps the earliest exponent of Idealism in modern art. Smith studies contemporary interpretations of Impressionism and analyzes how the groups surrounding Seurat constructed meaning from his art. From this investigation he creates a portrait of Seurat as one who was willing to accept, even encourage, interpretations of his art that he may not have intended. Smith shows, for example, that the "scientific" account of Seurat's color first developed by F lix F n on actually represents the theory and practice of Pissaro. He examines Seurat's involvement with anarchist critics and concludes that he merely posed as a painter with left-wing sympathies in order to benefit from the publicity these writers gave him. He explains that Seurat was sympathetic to Symbolism from its very inception and that he and his early Symbolist critics developed a theory of his art that was founded on Schopenhauer and Wagner's ideas on art. And he explores the ways that Seurat focused on the musicality of art and on incorporating certain "musical" features in his work. Beautifully illustrated and engagingly written, this book presents a convincing new interpretation of the work of a major artist.
LC Classification Number
ND553.S52S65 1997

Item description from the seller

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Vernonstudio

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Vernonstudio has been around since 1999. We enjoy the thrill of finding new old vintage items, researching those items, and adding them to our store. We are always trying to find the most unique, ...
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  • a***2 (1341)- Feedback left by buyer.
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    As described, well packaged and shipped.
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    Fast shipping. Great packaging. Highly recommend seller!
  • d***0 (34)- Feedback left by buyer.
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    Item arrived in great brand new condition as described, seller was super fast with shipping and overall im happy with the purchase!