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THE DOOBIE BROTHERS - What Were Once Vices Are Now Habits - Hybrid SACD
US $62.79
ApproximatelyS$ 80.50
Condition:
Brand New
An item that has never been opened or removed from the manufacturer's sealing. Item is in original shrink wrap.
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Shipping:
Free USPS Media MailTM.
Located in: Kaukauna, Wisconsin, United States
Delivery:
Estimated between Fri, 26 Sep and Tue, 30 Sep to 94104
Returns:
No returns accepted.
Coverage:
Read item description or contact seller for details. See all detailsSee all details on coverage
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eBay item number:197428941052
Item specifics
- Condition
- Type
- Album
- Language
- English
- Case Type
- Cardboard Sleeve
- Style
- Southern Rock
- Case Condition
- Mint (M)
- Fidelity Level
- High-Fidelity
- Features
- Hybrid SACD, Limited Edition, Digipak, Numbered, SACD, Sealed
- Duration
- Album
- Country/Region of Manufacture
- United States
- Inlay Condition
- Mint (M)
- Edition
- Limited Edition, Numbered Edition
- UPC
- 0821797206068
About this product
Product Identifiers
Record Label
Mobile Fidelity, MOFI
UPC
0821797206068
eBay Product ID (ePID)
12046058756
Product Key Features
Release Year
2012
Format
Super Audio CD (SACD)
Genre
Rock
Artist
The Doobie Brothers
Release Title
What Were Once Vices Are NOW Habits
Dimensions
Item Height
0.27 in
Item Weight
0.17 lb
Item Length
5.59 in
Item Width
5.31 in
Additional Product Features
Number of Tracks
12
Tracks
'Song to See You Through' (Johnston) - 4:06, 'Spirit' (Johnston Simpson) - 3:15, 'Pursuit on 53rd St.' (Johnston) - 2:33, 'Black Water' (Simmons) - 4:17, 'Eyes of Silver' (Johnston) - 2:57, 'Road Angel' (Hartman Hossack Johnston Porter) - 4:49, 'You Just Can't Stop It' (Simmons) - 3:28, 'Tell Me What You Want (And I'll Give You What You Need)' (Simmons) - 3:53, 'Down in the Track' (Johnston) - 4:15, 'Another Park Another Sunday' (Johnston) - 4:27, 'Daughters of the Sea' (Simmons) - 4:29, 'Flying Cloud' (Porter) - 2:00
Number of Discs
1
Notes
New Numbered Edition Mini-LP-Style Packaging. Doobie Brothers' Most Diverse Record Includes #1 Smash 'Black Water'. What could The Doobie Brothers possibly do to follow-up the excellent The Captain and Me? Plenty. They started by inviting the Memphis Horns to inject more soul into their trademark, Southern-styled boogie rock. Next, they secured the services of Steely Dan virtuoso Jeff 'Skunk' Baxter to supply guitar and pedal-steel parts. And for extra spice, the band recruitedArlo Guthrie to play autoharp. The results? What Were Once Vices Are Now Habits, the group's most diverse album to date. It's just one reason Mobile Fidelity is proud to include the 1974 effort in it's phenomenal Doobie Brothers catalog restoration series. Of course, no record is worth it's salt without sharp songwriting. Fret not. What Were Once Vices Are Now Habits overflows with one memorable tune after another. It's a true collective effort, with the material reflecting the musical strengths of each of the members. Picking up where the disbanded Creedence Clearwater Revival had left off, Tom Johnston contributes the rousing 'Pursuit on 53rd Street' and 'Down in the Track. ' Patrick Simmons' 'Black Water' advances swamp rock, and gave the band it's first Number One hit. The Doobies also mine the country-rock vein like nobody's business. 'Tell Me What You Want (And I'll Give You What You Need)' and 'Another Park, Another Sunday' cross roots rhythms with edgy melodies. And the instrumental 'Flying Cloud,' contributed by bassist Tiran Porter, finds the Doobies further expanding their sonic palette while remaining faithful to their loose, good-time themes. By every stretch, What Were Once Vices Are Now Habits defies easy categorization yet soars on amiable vibes designed to satisfy the listener. Having reached #4 on the Billboard Album charts, it's safe to say the public was indeed impressed. Our engineers had the same goals in mind when mastering this 70s rock classic from the original master tapes. And so The Doobie Brothers' dual-drum approach now resonates with a punchiness it never previously possessed. Johnson's high-pitched vocals no longer hit an artificial ceiling or lurk behind a veiled curtain. The Memphis Horns' brassy accents carry, and the all-important midrange sounds immediate, transparent, and dynamic.
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- eBay automated feedback- Feedback left by buyer.Past monthOrder completed successfully—tracked and on time
- *****- Feedback left by buyer.Past monthVerified purchaseEverything looks Great. Thank You!
- eBay automated feedback- Feedback left by buyer.Past monthOrder completed successfully—tracked and on time