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Modal Subjectivities
by McClary, Susan | HC | Good
US $10.76
ApproximatelyS$ 13.82
Condition:
“Missing dust jacket; Pages can have notes/highlighting. Spine may show signs of wear. ~ ”... Read moreabout condition
Good
A book that has been read but is in good condition. Very minimal damage to the cover including scuff marks, but no holes or tears. The dust jacket for hard covers may not be included. Binding has minimal wear. The majority of pages are undamaged with minimal creasing or tearing, minimal pencil underlining of text, no highlighting of text, no writing in margins. No missing pages.
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Located in: Aurora, Illinois, United States
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Estimated between Wed, 20 Aug and Tue, 26 Aug to 94104
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eBay item number:197015881605
Item specifics
- Condition
- Good
- Seller Notes
- Binding
- Hardcover
- Book Title
- Modal Subjectivities
- Weight
- 1 lbs
- Product Group
- Book
- IsTextBook
- No
- ISBN
- 9780520234932
About this product
Product Identifiers
Publisher
University of California Press
ISBN-10
0520234936
ISBN-13
9780520234932
eBay Product ID (ePID)
6066485
Product Key Features
Number of Pages
386 Pages
Language
English
Publication Name
Modal Subjectivities : Self-Fashioning in the Italian Madrigal
Publication Year
2004
Subject
History & Criticism, Genres & Styles / Classical, Europe / Renaissance, Instruction & Study / Theory
Type
Textbook
Subject Area
Music, History
Format
Hardcover
Dimensions
Item Height
1.2 in
Item Weight
24.1 Oz
Item Length
9 in
Item Width
6 in
Additional Product Features
Intended Audience
Scholarly & Professional
LCCN
2003-002587
Dewey Edition
22
Reviews
...the book's engaging style, bold premise, and persuasive argument will reward and gratify the reader who possesses a modicum of music literacy and a general interest in Renaissance poetics, regardless of discipline.
Illustrated
Yes
Dewey Decimal
782.430945
Table Of Content
List of Examples Acknowledgments 1 Introduction: The Cultural Work of the Madrigal 2 Night and Deceit: Verdelot's Machiavelli 3 The Desiring Subject, or Subject to Desire: Arcadelt 4 Radical Inwardness: Willaert's Musica nova 5 The Prisonhouse of Mode: Cipriano de Rore 6 The Coney Island of the Madrigal: Wert and Marenzio 7 The Luxury of Solipsism: Gesualdo 8 The Mirtillo/Amarilli Controversy: Monteverdi 9 I modi Appendix: Examples Index
Synopsis
In this boldly innovative book, renowned musicologist Susan McClary presents an illuminating cultural interpretation of the Italian madrigal, one of the most influential repertories of the Renaissance. A genre that sought to produce simulations in sound of complex interiorities, the madrigal introduced into music a vast range of new signifying practices: musical representations of emotions, desire, gender stereotypes, reason, madness, tensions between mind and body, and much more. In doing so, it not only greatly expanded the expressive agendas of European music but also recorded certain assumptions of the time concerning selfhood, making it an invaluable resource for understanding the history of Western subjectivity. Modal Subjectivitiescovers the span of the sixteenth-century polyphonic madrigal, from its early manifestations in Philippe Verdelot's settings of Machiavelli in the 1520s through the tortured chromatic experiments of Carlo Gesualdo. Although McClary takes the lyrics into account in shaping her readings, she focuses particularly on the details of the music itself--the principal site of the genre's self-fashionings. In order to work effectively with musical meanings in this pretonal repertory, she also develops an analytical method that allows her to unravel the sophisticated allegorical structures characteristic of the madrigal. This pathbreaking book demonstrates how we might glean insights into a culture on the basis of its nonverbal artistic enterprises., In this boldly innovative book, renowned musicologist Susan McClary presents an illuminating cultural interpretation of the Italian madrigal, one of the most influential repertories of the Renaissance. A genre that sought to produce simulations in sound of complex interiorities, the madrigal introduced into music a vast range of new signifying practices: musical representations of emotions, desire, gender stereotypes, reason, madness, tensions between mind and body, and much more. In doing so, it not only greatly expanded the expressive agendas of European music but also recorded certain assumptions of the time concerning selfhood, making it an invaluable resource for understanding the history of Western subjectivity. Modal Subjectivities covers the span of the sixteenth-century polyphonic madrigal, from its early manifestations in Philippe Verdelot's settings of Machiavelli in the 1520s through the tortured chromatic experiments of Carlo Gesualdo. Although McClary takes the lyrics into account in shaping her readings, she focuses particularly on the details of the music itself--the principal site of the genre's self-fashionings. In order to work effectively with musical meanings in this pretonal repertory, she also develops an analytical method that allows her to unravel the sophisticated allegorical structures characteristic of the madrigal. This pathbreaking book demonstrates how we might glean insights into a culture on the basis of its nonverbal artistic enterprises., In this boldly innovative book, renowned musicologist Susan McClary presents an illuminating cultural interpretation of the Italian madrigal, one of the most influential repertories of the Renaissance. A genre that sought to produce simulations in sound of complex interiorities, the madrigal introduced into music a vast range of new signifying practices: musical representations of emotions, desire, gender stereotypes, reason, madness, tensions between mind and body, and much more. In doing so, it not only greatly expanded the expressive agendas of European music but also recorded certain assumptions of the time concerning selfhood, making it an invaluable resource for understanding the history of Western subjectivity. Modal Subjectivities covers the span of the sixteenth-century polyphonic madrigal, from its early manifestations in Philippe Verdelot's settings of Machiavelli in the 1520s through the tortured chromatic experiments of Carlo Gesualdo. Although McClary takes the lyrics into account in shaping her readings, she focuses particularly on the details of the music itself-the principal site of the genre's self-fashionings. In order to work effectively with musical meanings in this pretonal repertory, she also develops an analytical method that allows her to unravel the sophisticated allegorical structures characteristic of the madrigal. This pathbreaking book demonstrates how we might glean insights into a culture on the basis of its nonverbal artistic enterprises.
LC Classification Number
ML2633.2.M332004
Item description from the seller
Seller feedback (5,706,129)
- t***k (160)- Feedback left by buyer.Past monthVerified purchaseA bit slow shipping and somewhat less than excellent condition but well priced. Thank you.
- e***o (1930)- Feedback left by buyer.Past monthVerified purchaseQuick Arrival. Packaged Well. Item in New Condition.
- e***a (100)- Feedback left by buyer.Past monthVerified purchaseGreat quality... excellent condition... definitely worth the price....looked fantastic for an old book...will definitely buy from this seller again ...
Seller feedback (5,706,129)
- t***k (160)- Feedback left by buyer.Past monthVerified purchaseA bit slow shipping and somewhat less than excellent condition but well priced. Thank you.
- e***o (1930)- Feedback left by buyer.Past monthVerified purchaseQuick Arrival. Packaged Well. Item in New Condition.
- e***a (100)- Feedback left by buyer.Past monthVerified purchaseGreat quality... excellent condition... definitely worth the price....looked fantastic for an old book...will definitely buy from this seller again ...