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Cosmological Aesthetics through the Kantian Sublime and Nietzschean Dionysian

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Located in: Hagerstown, Maryland, United States

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Estimated between Tue, 28 May and Wed, 29 May to 43230

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eBay item number:195686123824

Last updated on May 16, 2024 20:49:32 SGTView all revisionsView all revisions

Item specifics

Condition: Very Good: A book that has been read but is in excellent condition. No obvious damage to the cover, ... Very Good: A book that has been read but is in excellent condition. No obvious damage to the cover, with the dust jacket included for hard covers. No missing or damaged pages, no creases or tears, and no underlining/highlighting of text or writing in the margins. May be very minimal identifying marks on the inside cover. Very minimal wear and tear. See all condition definitionsopens in a new window or tab

ISBN: 9780761861560

Publication Year: 2013

Type: Textbook

Format: Hardcover

Language: English

Publication Name: Cosmological Aesthetics Through the Kantian Sublime and Nietzschean Dionysian

Item Height: 0.8in

Author: Erman Kaplama

Item Length: 9.2in

Publisher: University Press of America, Incorporated

Item Width: 6.3in

Item Weight: 16 Oz

Number of Pages: 222 Pages

About this product

Product Information

Erman Kaplama explores the principle of transition (Übergang) from metaphysics to physics developed by Kant in his unfinished magnum opus, Opus Postumum. Drawing on the Heraclitean logos and Kant's notions of sense-intuition (Anschauung) and reflective judgment, Kaplama interprets transition as an aesthetic principle. He revises the idea of nature (phusis) as the principle of motion referring to Heraclitus' cosmology as well as Heidegger's and Nietzsche's lectures on the pre-Socratics. Kaplama compares the Kantian sublime and Nietzschean Dionysian as aesthetic theories representing the transition from the sensible to supersensible and as cosmological theories that consider human nature (ethos) as an extension of nature. In light of such Nietzschean notions as the eternal recurrence and will to power, the Dionysian is shown to trigger the transition by which nature and art are redefined. Finally, Cosmological Aesthetics employs the principles of transition and motion to analyze Van Gogh's Starry Night in an excursus.

Product Identifiers

Publisher

University Press of America, Incorporated

ISBN-10

0761861564

ISBN-13

9780761861560

eBay Product ID (ePID)

174840580

Product Key Features

Author

Erman Kaplama

Publication Name

Cosmological Aesthetics Through the Kantian Sublime and Nietzschean Dionysian

Format

Hardcover

Language

English

Publication Year

2013

Type

Textbook

Number of Pages

222 Pages

Dimensions

Item Length

9.2in

Item Height

0.8in

Item Width

6.3in

Item Weight

16 Oz

Additional Product Features

Lc Classification Number

Bh39

Reviews

This is a deeply impressive book. Well-researched and argued, it proposes nothing less than a principle of motion/transition that operates prior to the object/subjecte"or phenomena/noumenae"split. . . . There are many highly original parts. . . . For myself, however, the excursus is the most exciting and compelling part of this work. I am very taken with the image of the spiral, and, indeed, with the reading of Van Goghe(tm)s Starry Night. . . . Indeed, there are parts here that are beautifully written, poetic, and grand., This is a deeply impressive book. Well-researched and argued, it proposes nothing less than a principle of motion/transition that operates prior to the object/subject--or phenomena/noumena--split. . . . There are many highly original parts. . . . For myself, however, the excursus is the most exciting and compelling part of this work. I am very taken with the image of the spiral, and, indeed, with the reading of Van Gogh's Starry Night. . . . Indeed, there are parts here that are beautifully written, poetic, and grand.

Table of Content

Acknowledgments Introduction Chapter One: On "Transition" as one of the Founding Principles of Cosmological Aesthetics and its Applications in the Kantian Sublime and Nietzschean Dionysian Prelude: The Heraclitean Logos and the Principle of Transition On the Principle of Transition as the Foundation of Cosmological Aesthetics with Reference to Opus Postumum On the Human Faculty of Sense-Intuition (Anschauung) through which the Transition Takes Place On the Power of Judgment as the Faculty that Regulates and Determines the Transition The Principle of Transition and Cosmological Transcendentalism The Kantian Sublime as a Theory of Cosmological Aesthetics Representing the Transition The Nietzschean Dionysian as a Theory of Cosmological Aesthetics Representing the Transition On the Principle of Transition as Genius in Kantian and Nietzschean Aesthetics Conclusion Chapter Two: On "Motion" as one of the Founding Principles of Cosmological Aesthetics with Regards to the Heraclitean, Kantian and Nietzschean Cosmology Prelude: Heraclitean Phusis as the Principle of Motion Kant's Principle of Motion and Metaphysics of Nature Nietzsche's Principle of Motion and the Dionysian as a Cosmological Principle Conclusion Excursus: A Cosmological-Aesthetic Analysis Of Van Gogh's Starry Night Conclusion Bibliography Index

2014

Topic

Individual Philosophers, History & Surveys / Ancient & Classical, Aesthetics, Metaphysics

Lccn

2013-951413

Dewey Decimal

111/.85

Intended Audience

Scholarly & Professional

Dewey Edition

Illustrated

Yes

Genre

Philosophy

Item description from the seller

Seller assumes all responsibility for this listing.

eBay item number:195686123824

Last updated on May 16, 2024 20:49:32 SGTView all revisionsView all revisions

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