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The Domestic Scene (1897-1927) : George M. Niedecken, Prairie Style, Wright
US $14.90
ApproximatelyS$ 19.16
Condition:
Brand New
A new, unread, unused book in perfect condition with no missing or damaged pages.
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US $5.88 (approx S$ 7.56) USPS Media MailTM.
Located in: Valatie, New York, United States
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Estimated between Mon, 9 Jun and Fri, 13 Jun to 94104
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eBay item number:193860194765
Item specifics
- Condition
- Brand New: A new, unread, unused book in perfect condition with no missing or damaged pages. See all condition definitionsopens in a new window or tab
- Country/Region of Manufacture
- United States
- ISBN
- 9780944110911
About this product
Product Identifiers
Publisher
Milwaukee Art Museum
ISBN-10
0944110916
ISBN-13
9780944110911
eBay Product ID (ePID)
64080399
Product Key Features
Edition
2
Book Title
Domestic Scene, 1897-1927 : George M. Niedecken, Interior Architect
Number of Pages
120 Pages
Language
English
Publication Year
2008
Topic
Collections, Catalogs, Exhibitions / General, Artists, Architects, Photographers, Decorative Arts
Illustrator
Yes
Genre
Design, Art, Biography & Autobiography
Format
Trade Paperback
Dimensions
Item Height
0.5 in
Item Weight
21.3 Oz
Item Length
11 in
Item Width
8.5 in
Additional Product Features
Intended Audience
Trade
LCCN
2007-040807
Dewey Edition
22
Reviews
"Given the importance of Niedecken as a central figure in both the history of interior design and the Arts and Crafts movement in the Midwest, the reprint and expansion of Cheryl Robertson's excellent book,The Domestic Scene, is cause for celebration."-Wendy Kaplan, curator of decorative arts, Los Angeles County Museum of Art , “Given the importance of Niedecken as a central figure in both the history of interior design and the Arts and Crafts movement in the Midwest, the reprint and expansion of Cheryl Robertson’s excellent book, The Domestic Scene , is cause for celebration.�-Wendy Kaplan, curator of decorative arts, Los Angeles County Museum of Art, "Given the importance of Niedecken as a central figure in both the history of interior design and the Arts and Crafts movement in the Midwest, the reprint and expansion of Cheryl Robertson's excellent book, "The Domestic Scene," is cause for celebration."--Wendy Kaplan, curator of decorative arts, Los Angeles County Museum of Art, "Given the importance of Niedecken as a central figure in both the history of interior design and the Arts and Crafts movement in the Midwest, the reprint and expansion of Cheryl Robertson's excellent book, The Domestic Scene , is cause for celebration."--Wendy Kaplan, curator of decorative arts, Los Angeles County Museum of Art, "Given the importance of Niedecken as a central figure in both the history of interior design and the Arts and Crafts movement in the Midwest, the reprint and expansion of Cheryl Robertson's excellent book, The Domestic Scene , is cause for celebration."-Wendy Kaplan, curator of decorative arts, Los Angeles County Museum of Art , "Given the importance of Niedecken as a central figure in both the history of interior design and the Arts and Crafts movement in the Midwest, the reprint and expansion of Cheryl Robertson's excellent book, The Domestic Scene , is cause for celebration."--Wendy Kaplan, curator of decorative arts, Los Angeles County Museum of Art
TitleLeading
The
Dewey Decimal
745.409775
Synopsis
A fully illustrated examination of a central figure in the history of interior design and the Prairie Style., A fully illustrated examination of a central figure in the history of interior design and the Prairie Style George Mann Niedecken (1878-1945) was a major designer in the Prairie Style, known primarily for his collaborations with Frank Lloyd Wright to furnish the interiors of several houses including the Susan Lawrence Dana House in Springfield, Illinois; the Avery Coonley House in Riverside, Illinois; and the Frederick Robie House in Chicago. Niedecken ran a successful Milwaukee business that helped revolutionize design in the upper Midwest. He called himself an "interior architect" and created domestic environments decorated with geometric abstractions, conventionalized natural motifs, muted colors with iridescent accents, and innovative furniture ensembles. His work is preserved at the Milwaukee Art Museum in the Prairie Archives, containing colored presentation renderings, working drawings, and business records from the Niedecken-Walbridge Company." The Domestic Scene" reveals Niedecken as a forward-looking designer influenced by European Art Nouveau and Secessionist design as well as by the Arts and Crafts Movement. Cheryl Robertson focuses on three examples of Niedecken's commissions between 1907 and 1917 and an article by Niedecken himself (reprinted in this volume) to explore the evolving relationship between architect, interior designer, and client in the first quarter of the twentieth century. This expanded second edition includes updated photography, additional color images, and an essay by John C. Eastberg that deepens our understanding of Niedecken's career by presenting his lesser-known work in the context of Milwaukee's artistic and social history. Niedecken worked notonly in the Prairie style but also in the Colonial and Renaissance Revival modes, and these works illustrate his versatility as a designer and entrepreneur., A fully illustrated examination of a central figure in the history of interior design and the Prairie Style George Mann Niedecken (1878-1945) was a major designer in the Prairie Style, known primarily for his collaborations with Frank Lloyd Wright to furnish the interiors of several houses including the Susan Lawrence Dana House in Springfield, Illinois; the Avery Coonley House in Riverside, Illinois; and the Frederick Robie House in Chicago. Niedecken ran a successful Milwaukee business that helped revolutionize design in the upper Midwest. He called himself an "interior architect" and created domestic environments decorated with geometric abstractions, conventionalized natural motifs, muted colors with iridescent accents, and innovative furniture ensembles. His work is preserved at the Milwaukee Art Museum in the Prairie Archives, containing colored presentation renderings, working drawings, and business records from the Niedecken-Walbridge Company. The Domestic Scene reveals Niedecken as a forward-looking designer influenced by European Art Nouveau and Secessionist design as well as by the Arts and Crafts Movement. Cheryl Robertson focuses on three examples of Niedecken's commissions between 1907 and 1917 and an article by Niedecken himself (reprinted in this volume) to explore the evolving relationship between architect, interior designer, and client in the first quarter of the twentieth century. This expanded second edition includes updated photography, additional color images, and an essay by John C. Eastberg that deepens our understanding of Niedecken's career by presenting his lesser-known work in the context of Milwaukee's artistic and social history. Niedecken worked not only in the Prairie style but also in the Colonial and Renaissance Revival modes, and these works illustrate his versatility as a designer and entrepreneur., A fully illustrated examination of a central figure in the history of interior design and the Prairie StyleGeorge Mann Niedecken (1878 1945) was a major designer in the Prairie Style, known primarily for his collaborations with Frank Lloyd Wright to furnish the interiors of several houses including the Susan Lawrence Dana House in Springfield, Illinois; the Avery Coonley House in Riverside, Illinois; and the Frederick Robie House in Chicago. Niedecken ran a successful Milwaukee business that helped revolutionize design in the upper Midwest. He called himself an interior architect and created domestic environments decorated with geometric abstractions, conventionalized natural motifs, muted colors with iridescent accents, and innovative furniture ensembles. His work is preserved at the Milwaukee Art Museum in the Prairie Archives, containing colored presentation renderings, working drawings, and business records from the Niedecken-Walbridge Company." The Domestic Scene" reveals Niedecken as a forward-looking designer influenced by European Art Nouveau and Secessionist design as well as by the Arts and Crafts Movement. Cheryl Robertson focuses on three examples of Niedecken s commissions between 1907 and 1917 and an article by Niedecken himself (reprinted in this volume) to explore the evolving relationship between architect, interior designer, and client in the first quarter of the twentieth century. This expanded second edition includes updated photography, additional color images, and an essay by John C. Eastberg that deepens our understanding of Niedecken s career by presenting his lesser-known work in the context of Milwaukee s artistic and social history. Niedecken worked not only in the Prairie style but also in the Colonial and Renaissance Revival modes, and these works illustrate his versatility as a designer and entrepreneur."
LC Classification Number
NK1535.N5A4 2008
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