Directors Close Up: Interviews With Directors Nominated for Best Film By the Dir

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Item specifics

Condition
Good: A book that has been read but is in good condition. Very minimal damage to the cover including ...
Book Title
Directors Close Up: Interviews With Directors Nominated for Best
ISBN
9780240804064
Category

About this product

Product Identifiers

Publisher
Taylor & Francis Group
ISBN-10
0240804066
ISBN-13
9780240804064
eBay Product ID (ePID)
1669656

Product Key Features

Number of Pages
248 Pages
Language
English
Publication Name
Directors Close Up : Interviews with Directors Nominated for Best Film by the Directors Guild of America
Publication Year
2000
Subject
Film / General, Individual Director (See Also Biography & Autobiography / Entertainment & Performing Arts)
Type
Textbook
Author
Jeremy Kagan
Subject Area
Performing Arts
Format
Trade Paperback

Dimensions

Item Height
0.7 in
Item Weight
16.8 Oz
Item Length
9.2 in
Item Width
6 in

Additional Product Features

Intended Audience
College Audience
LCCN
99-057057
Reviews
"Jeremy Kagan's Directors Close Up is a compendium of engaging, informative, insightful interviews with film directors who were each nominated for "Best Film" by the Directors Guild of America. A highly recommended addition to any academic, professional, and community library film studies collection, Directors Close Up is a fascinating and informative work will entertain film buffs, educate film school students, and tutor aspiring directors." - Bookwatch, September 2000 "It's fascinating, if for no other reason than offering insight into some powerful egos." - Robert Goodman, Videography, July 2000 "The volume is filled with intriguing insights into the process of filmmaking by many of the world's most acclaimed directors, including Steven Spielberg, James Cameron, Robert Zemeckis, Barry Levinson, Oliver Stone, Peter Weir, Quentin Tarantino and 14 others." - Variety, September 2000 'It's not often the world's biggest directors are this honest and open about what they do...Buy it. A classic for dipping into.' - Alex Norris, ON THE SHELF 'The interview structure allows for far more depth and focus than most outsider's analyses can produce. Recommended for any library collection with a film or arts department. - Bookwatch, November 2000
Dewey Edition
21
Illustrated
Yes
Dewey Decimal
791.43/0233/092273
Table Of Content
Introduction; "How I Got Here"; The Script; Pre-Production; Production; Post-Production; The Best and Worst; Film Biographies; Elia Kazan: On What Makes a Director
Synopsis
The edited selections in this book are taken from in-depth discussions exploring the complex process of directing. These began in 1992 when The Directors Guild of America launched a series of yearly seminars with the nominees for outstanding feature film directing. The structure of each of these discussions followed the stages of filmmaking that the director supervises, concentrating on creative and pragmatic issues: script development, pre-production, production, and post-production. A short chapter follows, where each director touches on what they feel to be the best and worst part of being a director. Finally, the book concludes with a lecture given by Elia Kazan on "What Makes a Director," which he gave at Wesleyan University in 1973. It remains one of the most elegant declarations of the characteristics of all directors.Nonimees include James L. Brooks (As Good As It Gets), Frank Darabont (Shawshank Redemption), Andrew Davis (The Fugitive), Clint Eastwood (The Unforgiven), Mel Gibson (Braveheart), Curtis Hanson (L.A. Confidential), Scott Hicks (Shine), Neil Jordan (The Crying Game), Mike Leigh (Secrets and Lies), Barry Levinson (Bugsy), Anthony Minghella (English Patient), Mike Newell (Four Weddings & a Funeral), Mike Radford (Il Postino), Rob Reiner (A Few Good Men), Steven Spielberg (Amistad, Schindler's List, Color Purple), Oliver Stone (JFK, TitanicBarbara Streisand ( Prince of Tides) Quentin Tarantino (Pulp Fiction), Gus Van Sant (Good Will Hunting, Robert Zemeckis (Forrest Gump), The edited selections in this book are taken from in-depth discussions exploring the complex process of directing. These began in 1992 when The Directors Guild of America launched a series of yearly seminars with the nominees for outstanding feature film directing. The structure of each of these discussions followed the stages of filmmaking that the director supervises, concentrating on creative and pragmatic issues: script development, pre-production, production, and post-production. A short chapter follows, where each director touches on what they feel to be the best and worst part of being a director. Finally, the book concludes with a lecture given by Elia Kazan on "What Makes a Director," which he gave at Wesleyan University in 1973. It remains one of the most elegant declarations of the characteristics of all directors. Nonimees include James L. Brooks (As Good As It Gets),Frank Darabont (Shawshank Redemption), Andrew Davis (The Fugitive), Clint Eastwood (The Unforgiven), Mel Gibson (Braveheart), Curtis Hanson (L.A. Confidential), Scott Hicks (Shine), Neil Jordan (The Crying Game), Mike Leigh (Secrets and Lies), Barry Levinson (Bugsy), Anthony Minghella (English Patient), Mike Newell (Four Weddings & a Funeral), Mike Radford (Il Postino), Rob Reiner (A Few Good Men), Steven Spielberg (Amistad, Schindler's List, Color Purple), Oliver Stone (JFK, TitanicBarbara Streisand ( Prince of Tides) Quentin Tarantino (Pulp Fiction), Gus Van Sant (Good Will Hunting,Robert Zemeckis (Forrest Gump)
LC Classification Number
PN1995.9.P7D543 2000

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