Sculpting in Time: Tarkovsky The Great Russian Filmaker Discusses His Art
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Sculpting in Time: Tarkovsky The Great Russian Filmaker Discusses His Art
US $21.17
ApproximatelyS$ 27.39
Condition:
Good
A book that has been read but is in good condition. Very minimal damage to the cover including scuff marks, but no holes or tears. The dust jacket for hard covers may not be included. Binding has minimal wear. The majority of pages are undamaged with minimal creasing or tearing, minimal pencil underlining of text, no highlighting of text, no writing in margins. No missing pages.
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eBay item number:187546110959
Item specifics
- Condition
- Book Title
- Sculpting in Time: Tarkovsky The Great Russian Filmaker Discusse
- ISBN
- 9780292776241
About this product
Product Identifiers
Publisher
University of Texas Press
ISBN-10
0292776241
ISBN-13
9780292776241
eBay Product ID (ePID)
102928503
Product Key Features
Number of Pages
256 Pages
Publication Name
Sculpting in Time : Reflections on the Cinema
Language
English
Subject
Film / General
Publication Year
1989
Features
Reprint
Type
Textbook
Subject Area
Performing Arts
Format
Mass Market
Dimensions
Item Height
0.6 in
Item Weight
17 Oz
Item Length
8.4 in
Item Width
7.5 in
Additional Product Features
Intended Audience
Scholarly & Professional
LCCN
88-051395
Reviews
If Sculpting in Time could be distilled to a single message, it would be this: Content and conscience must come before technique-for any artist in any art form., Learning the language of cinema in Tarkovsky's films and in this stunning memoir, we reacquaint ourselves with art's function: in the author's words, 'to turn and loosen the human soul.', "If Sculpting in Time could be distilled to a single message, it would be this: Content and conscience must come before technique - for any artist in any art form." Los Angeles Times Book Review, If Sculpting in Time could be distilled to a single message, it would be this: Content and conscience must come before technique--for any artist in any art form.
Dewey Edition
21
Illustrated
Yes
Dewey Decimal
791.4/3/0233/092
Table Of Content
Introduction Chapter I: The beginning Chapter II: Art--a yeaming for the ideal Chapter III: Imprinted time Chapter IV: Cinema's destined role Chapter V: The film image Time, rhythm and editing Scenario and shooting script The film's graphic realisation The film actor Music and noises Chapter VI: The author in search of an audience Chapter VII: The artist's responsibility Chapter VIII: After Nostalgia Chapter IX: The Sacrifice Conclusion Notes
Edition Description
Reprint
Synopsis
Andrey Tarkovsky, the genius of modern Russian cinema--hailed by Ingmar Bergman as "the most important director of our time"--died an exile in Paris in December 1986. In Sculpting in Time, he has left his artistic testament, a remarkable revelation of both his life and work. Since Ivan's Childhood won the Golden Lion at the Venice Film Festival in 1962, the visionary quality and totally original and haunting imagery of Tarkovsky's films have captivated serious movie audiences all over the world, who see in his work a continuation of the great literary traditions of nineteenth-century Russia. Many critics have tried to interpret his intensely personal vision, but he himself always remained inaccessible. In Sculpting in Time, Tarkovsky sets down his thoughts and his memories, revealing for the first time the original inspirations for his extraordinary films--Ivan's Childhood, Andrey Rublyov, Solaris, The Mirror, Stalker, Nostalgia, and The Sacrifice. He discusses their history and his methods of work, he explores the many problems of visual creativity, and he sets forth the deeply autobiographical content of part of his oeuvre--most fascinatingly in The Mirror and Nostalgia. The closing chapter on The Sacrifice, dictated in the last weeks of Tarkovsky's life, makes the book essential reading for those who already know or who are just discovering his magnificent work., Andrey Tarkovsky, the genius of modern Russian cinema--hailed by Ingmar Bergman as "the most important director of our time"--died an exile in Paris in December 1986. In Sculpting in Time, he has left his artistic testament, a remarkable revelation of both his life and work. Since Ivan's Childhood won the Golden Lion at the Venice Film Festival in 1962, the visionary quality and totally original and haunting imagery of Tarkovsky's films have captivated serious movie audiences all over the world, who see in his work a continuation of the great literary traditions of nineteenth-century Russia. Many critics have tried to interpret his intensely personal vision, but he himself always remained inaccessible. In Sculpting in Time, Tarkovsky sets down his thoughts and his memories, revealing for the first time the original inspirations for his extraordinary films-- Ivan's Childhood, Andrey Rublyov, Solaris, The Mirror, Stalker, Nostalgia, and The Sacrifice. He discusses their history and his methods of work, he explores the many problems of visual creativity, and he sets forth the deeply autobiographical content of part of his oeuvre--most fascinatingly in The Mirror and Nostalgia. The closing chapter on The Sacrifice, dictated in the last weeks of Tarkovsky's life, makes the book essential reading for those who already know or who are just discovering his magnificent work., Tarkovsky sets down his thoughts and his memories, revealing for the first time the original inspirations for his extraordinary films.
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