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Fernando Gallego and His Workshop: The Altarpiece from Ciudad Rodrigo

US $24.95
ApproximatelyS$ 32.00
Condition:
Brand New
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Located in: Lake Bluff, Illinois, United States
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eBay item number:187458988358

Item specifics

Condition
Brand New: A new, unread, unused book in perfect condition with no missing or damaged pages. See all condition definitionsopens in a new window or tab
ISBN
9780856676512

About this product

Product Identifiers

Publisher
I. B. Tauris & Company, The Limited
ISBN-10
0856676519
ISBN-13
9780856676512
eBay Product ID (ePID)
63876988

Product Key Features

Book Title
Fernando Gallego and His Workshop : the Altarpiece from Ciudad Rodrigo
Number of Pages
336 Pages
Language
English
Publication Year
2008
Topic
Individual Artists / General, Collections, Catalogs, Exhibitions / General, History / Medieval
Illustrator
Yes
Genre
Art
Author
Amanda W. Dotseth
Format
Hardcover

Dimensions

Item Height
1.3 in
Item Weight
80.1 Oz
Item Length
11.3 in
Item Width
10.1 in

Additional Product Features

Intended Audience
Trade
LCCN
2008-298520
Table Of Content
Introduction--Mark A. Roglan * Fernando Gallego and the Ciudad Rodrigo Altarpiece--Pilar Silva Maroto * Life of the Altarpiece--Barbara Anderson * Scientific Analysis of the panels--Claire Barry * Medium/Pigment Analysis--Michael Schilling * Essay on the Master Bartolomé--Barbara Anderson * Essay on Schongauer prints in the retablo--Amanda Dotseth * Catalog--Amanda Dotseth, Claire Barry, Barbara Anderson * Bibliography * Index* Introduction--Mark A. Roglan * Fernando Gallego and the Ciudad Rodrigo Altarpiece--Pilar Silva Maroto * Life of the Altarpiece--Barbara Anderson * Scientific Analysis of the panels--Claire Barry * Medium/Pigment Analysis--Michael Schilling * Essay on the Master Bartolomé--Barbara Anderson * Essay on Schongauer prints in the retablo--Amanda Dotseth * Catalog--Amanda Dotseth, Claire Barry, Barbara Anderson * Bibliography * Index*
Synopsis
This major publication sheds new light on one of the most important artworks produced in late fifteenth century Spain. The twenty-six panels of the altarpiece of the cathedral of Ciudad Rodrigo (Castile) rank among the most beautiful and ambitious works by two of Castile's gifted late medieval painters, Fernando Gallego and the virtually unknown Master Bartolome. Accompanying a major new exhibition of their work, this extensively illustrated volume includes full catalog entries for each of the panels, as well as a collection of essays exploring both their cultural and artistic significance. Ranging in subject matter from the physical life and composition of the altarpiece itself, to Fernando Gallego, the Hispano-Flemish tradition in Spain and millennialism in late fifteenth-century Castile, these essays highlight individual techniques and workshop practices in the context of the cosmopolitan communities of a gothic city., This major publication sheds new light on one of the most important artworks produced in late fifteenth century Spain.The twenty-six panels of the altarpiece of the cathedral of Ciudad Rodrigo (Castile) rank among the most beautiful and ambitious works by two of Castile's gifted late medieval painters, Fernando Gallego and the virtually unknown Master Bartolomé. Accompanying a major new exhibition of their work, this extensively illustrated volume includes full catalog entries for each of the panels, as well as a collection of essays exploring both their cultural and artistic significance. Rangingin subject matter from the physical life and composition of the altarpiece itself, to Fernando Gallego, the Hispano-Flemish tradition in Spain and millennialism in late fifteenth-century Castile, these essays highlight individual techniques and workshop practices in the context of the cosmopolitan communities of a gothic city., This major publication sheds new light on one of the most important artworks produced in late fifteenth century Spain. The twenty-six panels of the altarpiece of the cathedral of Ciudad Rodrigo (Castile) rank among the most beautiful and ambitious works by two of Castile's gifted late medieval painters, Fernando Gallego and the virtually unknown Master Bartolom . Accompanying a major new exhibition of their work, this extensively illustrated volume includes full catalog entries for each of the panels, as well as a collection of essays exploring both their cultural and artistic significance. Ranging in subject matter from the physical life and composition of the altarpiece itself, to Fernando Gallego, the Hispano-Flemish tradition in Spain and millennialism in late fifteenth-century Castile, these essays highlight individual techniques and workshop practices in the context of the cosmopolitan communities of a gothic city.
LC Classification Number
ND813

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