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The Cinema of Alexander Sokurov Condee, Nancy Illustrated Paperback
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Condition:
Very Good
A book that has been read but is in excellent condition. No obvious damage to the cover, with the dust jacket included for hard covers. No missing or damaged pages, no creases or tears, and no underlining/highlighting of text or writing in the margins. May be very minimal identifying marks on the inside cover. Very minimal wear and tear.
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US $4.95 (approx S$ 6.36) USPS Media MailTM.
Located in: Hamden, Connecticut, United States
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eBay item number:187367735393
Item specifics
- Condition
- Features
- Illustrated
- ISBN
- 9781848853430
About this product
Product Identifiers
Publisher
I. B. Tauris & Company, The Limited
ISBN-10
1848853432
ISBN-13
9781848853430
eBay Product ID (ePID)
109241964
Product Key Features
Number of Pages
288 Pages
Language
English
Publication Name
Cinema of Alexander Sokurov
Publication Year
2011
Subject
Individual Director (See Also Biography & Autobiography / Entertainment & Performing Arts), Film / History & Criticism
Type
Textbook
Subject Area
Performing Arts
Series
Kino-The Russian and Soviet Cinema Ser.
Format
Trade Paperback
Dimensions
Item Height
0.6 in
Item Weight
14.3 Oz
Item Length
9.2 in
Item Width
6.1 in
Additional Product Features
Intended Audience
College Audience
LCCN
2012-397626
Dewey Edition
22
TitleLeading
The
Illustrated
Yes
Dewey Decimal
791.430233092
Table Of Content
Contents Preface: Liubov Arkus (St Petersburg) Introduction: Beumers and Condee 1 Sokurov and the documentary Jeremy Hicks (Queen Mary University of London): Sokurov's Documentaries Eva Binder (Innsbruck): The Film Portraits of Aleksandr Sokurov Sabine Hänsgen (Koeln): 'Still Images': On Aleksandr Sokurov's cinematic minimalism 2 Literary and cinematic affinities Julian Graffy (UCL): Border zones in the feature films Nariman Skakov (Princeton): Intertextual Visions of Potudan Robert Bird (Chicago): Medium Intimacy 3 Intimate Encounters Misha Yampolski (New York): Truncated Families and absolute intimacy Denise Youngblood (Vermont): A Day in the Life: Historical Representation in Sokurov's 'Power' Tetralogy Stephen Hutchings (Manchester): History, Alienation and the (Failed) Cinema of Embodiment: Sokurov's Tetralogy 4 Remapping the Empire Jose Alaniz (Washington): Crowd Control: Anxiety of Effluence in Sokurov's 'Russian Ark' Birgit Beumers (Bristol): A journey through the Empire: Russian Ark Nancy Condee (Pittsburgh): Alexandra 5 Russian Responses Single film reviews Maya Turovskaya, How is it with me when every noise appals me? What hands are here? Petr Bagrov, On Music - However Strange Oleg Kovalov, We and The Lonely Voice Script-Sound-Editing Yuri Arabov, The Director Becomes the Author Vladimir Persov, This is a Process Leda Semenova, Montage is the Final Approximation to the Idea Works Sergei Dobrotvorsky The City and the House Mikhail Trofimenkov Sokurov in the Struggle with Reality PLAKHOV Vlastiteli i tirany
Synopsis
Alexander Sokurov's 'Russian Ark' is generally acclaimed as a milestone in cinematography. In this film Sokurov reversed the idea of montage, creating instead the sensation of an uninterrupted flow of time encompassing three centuries of Russia's cultural history through a single, 90-minute take. Yet this film is but one milestone in the work of this versatile director. Since the 1990s, Sokurov's films have had international recognition at film festivals and through foreign distribution. In this, the first English-language book to cover Sokurov's full oeuvre, leading scholars on Sokurov unravel his work on documentaries; his early films and literary adaptations; his trilogy on leaders focussing on the decaying body; his films on passing youth and approaching age; and, of course, 'Russian Ark'. The book also provides samples of the major Russian-language studies of Sokurov's films to provide the reader with an insight into Russian approaches to Sokurov.
LC Classification Number
PN1998.3
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