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Romantic Music for Oboe Bassoon Organ FRIEDEMANN JANCOURT LALIET MOLBE CD NEW
US $15.99
ApproximatelyS$ 20.35
Condition:
Brand New
An item that has never been opened or removed from the manufacturer's sealing. Item is in original shrink wrap.
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US $9.98 (approx S$ 12.70) Economy Shipping from outside US.
Located in: bestoffer_24, Czech Republic
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Estimated between Fri, 1 Aug and Thu, 28 Aug to 94104
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eBay item number:187362976650
Item specifics
- Condition
- Case Type
- Jewel Case: Standard
- Features
- Sealed / Shrinwrapped, Original verschweisst, Article Sous Blister, Sellado De Fábrica, Sigillato
- UPC
- 5028421957883
About this product
Product Identifiers
Record Label
Brlt, Brilliant Classics
UPC
5028421957883
eBay Product ID (ePID)
7046044499
Product Key Features
Format
CD
Release Year
2018
Genre
Classical Artists
Artist
Friedemann / Trio Andrea Palladio
Release Title
Romantic Music for Oboe & Bassoon & Organ
Dimensions
Item Height
0.41 in
Item Weight
0.21 lb
Item Length
5.61 in
Item Width
4.95 in
Additional Product Features
Country/Region of Manufacture
United States
Number of Discs
1
Notes
Musicians' desire to improve the agility and power of their instruments has always tended to go hand in hand with technological development: we may think of Bach and his organ and Beethoven and his piano as well as performer-composers such as Paganini and, in our own time, Jörg Widmann. Through the course of the 19th century the organ was also evolving, transcending the image of an exclusively liturgical instrument and gaining ground - and indeed range of tone-colors - in concertante roles. Another 19th-century case in point was Eugène Jancourt, the bassoon virtuoso and composer, who brought about important changes in his instrument in order to extend it's expressive potential. A longstanding performer and teacher at the Paris Conservatoire, he wrote a Concertino which transfers well to this combination of bassoon and organ, as does a Verdian rarity, discovered as recently as 2001, the youthful Capriccio. A contemporary of Jancourt's was the French oboist, composer and conductor Théodore Lalliet, who played solo oboe in the orchestra of the Paris Opera. His Op.22 Terzetto was conceived as a piano trio, but the fluid instrumental dialogue gains an attractive mellifluousness in this combination of oboe, bassoon and organ. Ehestandsgeplauder (Wedding Chatter) by Carl Friedemann and Amourette faunienne by Heinrich Molbe are lighter occasional pieces. Verdi's Capriccio is complemented here by the inclusion of the Fantasie et Variations for oboe on themes of Il Corsaro. It's composer, Stanislas Verroust, studied music in Paris, where he then made a name for himself as an oboist and violinist as well as composing for the oboe and devoting time to teaching. This combination of repertoire is unrivalled in the catalogue. The recording was made in 2017 at the cathedral in Vicenza, which hosts an organ built by Giovanni Battista de Lorenzi in 1878, replete with the technical innovations that enable rapid execution of the quicksilver shifts in volume and tone-color demanded by this music.
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