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Max Beckmann and Paris: The Exhibition- H/C D/J Beckmann, Max, 1998
US $18.99
ApproximatelyS$ 24.34
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Condition:
Very Good
A book that has been read but is in excellent condition. No obvious damage to the cover, with the dust jacket included for hard covers. No missing or damaged pages, no creases or tears, and no underlining/highlighting of text or writing in the margins. May be very minimal identifying marks on the inside cover. Very minimal wear and tear.
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US $6.99 (approx S$ 8.96) USPS Media MailTM.
Located in: Port Jefferson Station, New York, United States
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Estimated between Wed, 17 Sep and Tue, 23 Sep to 94104
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eBay item number:187325859772
Item specifics
- Condition
- ISBN
- 9783822872031
About this product
Product Identifiers
Publisher
Taschen
ISBN-10
3822872032
ISBN-13
9783822872031
eBay Product ID (ePID)
290372
Product Key Features
Book Title
Max Beckmann and Paris : the Exhibition Catalogue
Number of Pages
300 Pages
Language
English
Topic
Individual Artists / General
Publication Year
1998
Illustrator
Yes
Genre
Art
Format
Hardcover
Dimensions
Item Height
1.3 in
Item Weight
62 Oz
Item Length
12.1 in
Item Width
9.8 in
Additional Product Features
Intended Audience
Trade
LCCN
98-060854
Dewey Edition
21
Dewey Decimal
759.3
Synopsis
""lf you wish to get hold of the invisible, you must penetrate as deeply as possible into the visible"". Max Beckmann might have been talking about his life as much as his brutally honest and dazzlingly choreographic paintings, for, when he died on a New York street corner in 1950, he had lived one of the most excoriatingly self-critical lives in modern art He left behind a body of work spanning five decades, work that found its direction and energy in the Paris of the 1920's. A magnet to artists, Paris gave Beckmann the creative competition he craved. Travelling there regularly (and settling there later), he mixed Freely with the likes of Matisse, Picasso and Delaunay, formulating a style that grew out of the passionate relationship between the German and French avant-garde. But Beckmann was always his own man, and while he soaked up the artistic fervour of the Parisian cafes and ateliers, he maintained a critical distance that allowed him to develop an intensely personal technique and oeuvre. Part Expressionist, part Cubist, Beckmann's art is one of self, cities and street-life, and this profusely and beautifully illustrated catalogue allows us finally to confirm Beckmann's pre-eminence in the most dynamic art scene of the Twentieth Century., ""lf you wish to get hold of the invisible, you must penetrate as deeply as possible into the visible."" Max Beckmann might have been talking about his life as much as his brutally honest and dazzlingly choreographic paintings, for, when he died on a New York street corner in 1950, he had lived one of the most excoriatingly self-critical lives in modern art He left behind a body of work spanning five decades, work that found its direction and energy in the Paris of the 1920's. A magnet to artists, Paris gave Beckmann the creative competition he craved. Travelling there regularly (and settling there later), he mixed Freely with the likes of Matisse, Picasso and Delaunay, formulating a style that grew out of the passionate relationship between the German and French avant-garde. But Beckmann was always his own man, and while he soaked up the artistic fervour of the Parisian cafes and ateliers, he maintained a critical distance that allowed him to develop an intensely personal technique and oeuvre. Part Expressionist, part Cubist, Beckmann's art is one of self, cities and street-life, and this profusely and beautifully illustrated catalogue allows us finally to confirm Beckmann's pre-eminence in the most dynamic art scene of the Twentieth Century.
LC Classification Number
ND588.B37A4 1998b
Item description from the seller
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