Robert Mapplethorpe Black Book PB

US $44.00
ApproximatelyS$ 56.93
Condition:
Very Good
St. Martins Press; New York, 1986. Softcover. A Very Good, binding sturdy and intact, some ... Read moreabout condition
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eBay item number:186709976774

Item specifics

Condition
Very Good
A book that has been read but is in excellent condition. No obvious damage to the cover, with the dust jacket included for hard covers. No missing or damaged pages, no creases or tears, and no underlining/highlighting of text or writing in the margins. May be very minimal identifying marks on the inside cover. Very minimal wear and tear. See all condition definitionsopens in a new window or tab
Seller Notes
“St. Martins Press; New York, 1986. Softcover. A Very Good, binding sturdy and intact, some ...
ISBN
9780312021665
Category

About this product

Product Identifiers

Publisher
St. Martin's Press
ISBN-10
0312021666
ISBN-13
9780312021665
eBay Product ID (ePID)
120629

Product Key Features

Book Title
Robert Mapplethorpe
Number of Pages
112 Pages
Language
English
Topic
Individual Photographers / General, General, Subjects & Themes / General
Publication Year
1988
Features
Revised
Illustrator
Yes
Genre
Art, Photography
Author
Robert Mapplethorpe
Format
Trade Paperback

Dimensions

Item Height
0.5 in
Item Weight
27.2 Oz
Item Length
9.8 in
Item Width
10.3 in

Additional Product Features

Intended Audience
Trade
Dewey Edition
19
Reviews
"Mapplethorpe wants to photograph everything; that is , everything that can be made to pose. What he looks for, which could be called Form, is the quiddity or isness of something. Not the truth about something, but the strongest version of it...Certain People are, mostly, people found, coaxed, or arranged into a certainty about themselves. That is what seduces, that is what is disclosed in these bulletins of great photographer's observations and encounters." --Susan Sontag "His eye for a face is the eye of a novelist in search of a character; his eye for a body that of a classical sculptor in search of an 'ideal.' His sitters-whenter celebrities or pick-ups, beautiful girls or his black friends-seem mesmerized not by the lens but by his presence, and they are temporarily transported into a dreamworld." --Bruce Chatwin "Mapplethorpe's subject matter is portraits, still lifes, nudes and landscapes. His technical ability is flawless and takes the black-and-white photo to its limit, using subtle, but dramatic, lighting to create weighty sculptural forms (even his brunch of moisture-laden Concord grapes, on view, look as if carved from deep-black marble." --The San Francisco Examiner, "Mapplethorpe wants to photograph everything; that is , everything that can be made to pose. What he looks for, which could be called Form, is the quiddity or isness of something. Not the truth about something, but the strongest version of it... Certain People are, mostly, people found, coaxed, or arranged into a certainty about themselves. That is what seduces, that is what is disclosed in these bulletins of great photographer's observations and encounters." -- Susan Sontag "His eye for a face is the eye of a novelist in search of a character; his eye for a body that of a classical sculptor in search of an 'ideal.' His sitters-whenter celebrities or pick-ups, beautiful girls or his black friends-seem mesmerized not by the lens but by his presence, and they are temporarily transported into a dreamworld." -- Bruce Chatwin "Mapplethorpe's subject matter is portraits, still lifes, nudes and landscapes. His technical ability is flawless and takes the black-and-white photo to its limit, using subtle, but dramatic, lighting to create weighty sculptural forms (even his brunch of moisture-laden Concord grapes, on view, look as if carved from deep-black marble." -- The San Francisco Examiner
Dewey Decimal
779/.23/0924
Edition Description
Revised edition
Synopsis
In Black Book, Robert Mapplethorpe presents an astonishing photographic study of black men today. In their diversity, impact, subtlety, technical virtuosity, erotic appeal, and deep humanity, these photographs constitute a stunning celebration of the contemporary black male. "all my life they've been near me/these men" says Ntozake Shange in her Foreword, "i've been holdin your heart in/my hand since i was a child/cause i wanted what all you were/what all you are/now you're a man."

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Lavendier Books

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