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The Anatomy of Film

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Item specifics

Condition
Acceptable: A book with obvious wear. May have some damage to the cover but integrity still intact. ...
ISBN
9780312487119
Book Title
Anatomy of Film
Item Length
9 in
Publisher
Bedford/Saint Martin's
Edition
6
Publication Year
2009
Type
Textbook
Format
Trade Paperback
Language
English
Illustrator
Yes
Item Height
0.9 in
Author
Bernard Dick
Genre
Performing Arts
Topic
Film / General, General
Item Width
6 in
Item Weight
16 Oz
Number of Pages
450 Pages

About this product

Product Information

Anatomy of Film provides a solid foundation of film fundamentals while offering rich examples from the past and present. Designed to be used in film-as-literature or introduction to film courses in English, film, or communication departments, Anatomy of Film covers all of the essential elements of film -- from genre, lighting, and editing to music, sound, and narration -- and its student-friendly approach makes it ideal for those new to the discipline. Along with a strong focus on genre, this text also features a chapter devoted to the connection between film and literature. Ultimately, this comprehensive text demonstrates a genuine enthusiasm for the medium while exploring both the humanistic and analytical aspects of film criticism.

Product Identifiers

Publisher
Bedford/Saint Martin's
ISBN-10
0312487118
ISBN-13
9780312487119
eBay Product ID (ePID)
66864297

Product Key Features

Edition
6
Author
Bernard Dick
Book Title
Anatomy of Film
Format
Trade Paperback
Language
English
Topic
Film / General, General
Publication Year
2009
Type
Textbook
Illustrator
Yes
Genre
Performing Arts
Number of Pages
450 Pages

Dimensions

Item Length
9 in
Item Height
0.9 in
Item Width
6 in
Item Weight
16 Oz

Additional Product Features

Intended Audience
College Audience
Lc Classification Number
Pn1994.D53 2010
Table of Content
1. UNDERSTANDING THE MEDIUM Film as a Hybrid Art The Creation of the Narrative Film The Diversity of the Medium Examining a Film Text 2. GRAPHICS AND SOUND Graphics Sound 3 FILM, SPACE, AND MISE-EN-SCÈNE The Shot Combining Shots: The Sequence From Shot to Shot Assembling the Shots Mise-en-scène 4. ENHANCING THE IMAGE: COLOR, LIGHTING, AND VISUAL EFFECTS Coloring the Image Lighting the Image Special Effects/Visual Effects (SFX, VFX) 5. FILM GENRES The Musical The Western The Crime Film Film Noir The Combat Film Comedies The Reflexive Film The Woman's Film Documentary The Horror Film Science-Fiction Understanding Genre 6. FILM SUBTEXT Mythic Associations Visual/Iconic Associations Intellectual Associations Musical Associations 7. THE FILM DIRECTOR Auteurism Collaboration Variety Repetition Quotations Borrowings An Interview with Billy Wilder An Interview with Alan Alda 8. FILM AND LITERATURE The Flashback The Flashforward Point of View Film Adaptation The Nature of Screenwriting 9. FILM ANALYSIS Casablanca (Michael Curtiz, 1942) Raging Bull (Martin Scorsese, 1980) The Truman Show (Peter Weir, 1998) A.I. Artificial Intelligence (Steven Spielberg, 2001) Crouching Tiger, Hidden Dragon (Ang Lee, 2001) 10. FILM THEORY AND CRITICISM The History of Film Criticism Practical Criticism Guidelines for Film Criticism APPENDIX I: Films Discussed and Directors APPENDIX II: Sample Student Papers APPENDIX III: Video and DVD Rental and Purchase Sources and Web Sites GLOSSARY OF MOTION PICTUTE TERMS INDEX
Copyright Date
2010
Lccn
2008-934229
Dewey Decimal
791.43
Dewey Edition
21

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